The Complete Novels. D. H. Lawrence. Читать онлайн. Newlib. NEWLIB.NET

Автор: D. H. Lawrence
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066052157
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himself was always missing trains—but that was no reason why she should miss this particular one. He was angry with her; he was furious.

      Suddenly he saw the train crawling, sneaking round the corner. Here, then, was the train, but of course she had not come. The green engine hissed along the platform, the row of brown carriages drew up, several doors opened. No; she had not come! No! Yes; ah, there she was! She had a big black hat on! He was at her side in a moment.

      “I thought you weren't coming,” he said.

      She was laughing rather breathlessly as she put out her hand to him; their eyes met. He took her quickly along the platform, talking at a great rate to hide his feeling. She looked beautiful. In her hat were large silk roses, coloured like tarnished gold. Her costume of dark cloth fitted so beautifully over her breast and shoulders. His pride went up as he walked with her. He felt the station people, who knew him, eyed her with awe and admiration.

      “I was sure you weren't coming,” he laughed shakily.

      She laughed in answer, almost with a little cry.

      “And I wondered, when I was in the train, WHATEVER I should do if you weren't there!” she said.

      He caught her hand impulsively, and they went along the narrow twitchel. They took the road into Nuttall and over the Reckoning House Farm. It was a blue, mild day. Everywhere the brown leaves lay scattered; many scarlet hips stood upon the hedge beside the wood. He gathered a few for her to wear.

      “Though, really,” he said, as he fitted them into the breast of her coat, “you ought to object to my getting them, because of the birds. But they don't care much for rose-hips in this part, where they can get plenty of stuff. You often find the berries going rotten in the springtime.”

      So he chattered, scarcely aware of what he said, only knowing he was putting berries in the bosom of her coat, while she stood patiently for him. And she watched his quick hands, so full of life, and it seemed to her she had never SEEN anything before. Till now, everything had been indistinct.

      They came near to the colliery. It stood quite still and black among the corn-fields, its immense heap of slag seen rising almost from the oats.

      “What a pity there is a coal-pit here where it is so pretty!” said Clara.

      “Do you think so?” he answered. “You see, I am so used to it I should miss it. No; and I like the pits here and there. I like the rows of trucks, and the headstocks, and the steam in the daytime, and the lights at night. When I was a boy, I always thought a pillar of cloud by day and a pillar of fire by night was a pit, with its steam, and its lights, and the burning bank,—and I thought the Lord was always at the pit-top.”

      As they drew near home she walked in silence, and seemed to hang back. He pressed her fingers in his own. She flushed, but gave no response.

      “Don't you want to come home?” he asked.

      “Yes, I want to come,” she replied.

      It did not occur to him that her position in his home would be rather a peculiar and difficult one. To him it seemed just as if one of his men friends were going to be introduced to his mother, only nicer.

      The Morels lived in a house in an ugly street that ran down a steep hill. The street itself was hideous. The house was rather superior to most. It was old, grimy, with a big bay window, and it was semi-detached; but it looked gloomy. Then Paul opened the door to the garden, and all was different. The sunny afternoon was there, like another land. By the path grew tansy and little trees. In front of the window was a plot of sunny grass, with old lilacs round it. And away went the garden, with heaps of dishevelled chrysanthemums in the sunshine, down to the sycamore-tree, and the field, and beyond one looked over a few red-roofed cottages to the hills with all the glow of the autumn afternoon.

      Mrs. Morel sat in her rocking-chair, wearing her black silk blouse. Her grey-brown hair was taken smooth back from her brow and her high temples; her face was rather pale. Clara, suffering, followed Paul into the kitchen. Mrs. Morel rose. Clara thought her a lady, even rather stiff. The young woman was very nervous. She had almost a wistful look, almost resigned.

      “Mother—Clara,” said Paul.

      Mrs. Morel held out her hand and smiled.

      “He has told me a good deal about you,” she said.

      The blood flamed in Clara's cheek.

      “I hope you don't mind my coming,” she faltered.

      “I was pleased when he said he would bring you,” replied Mrs. Morel.

      Paul, watching, felt his heart contract with pain. His mother looked so small, and sallow, and done-for beside the luxuriant Clara.

      “It's such a pretty day, mother!” he said. “And we saw a jay.”

      His mother looked at him; he had turned to her. She thought what a man he seemed, in his dark, well-made clothes. He was pale and detached-looking; it would be hard for any woman to keep him. Her heart glowed; then she was sorry for Clara.

      “Perhaps you'll leave your things in the parlour,” said Mrs. Morel nicely to the young woman.

      “Oh, thank you,” she replied.

      “Come on,” said Paul, and he led the way into the little front room, with its old piano, its mahogany furniture, its yellowing marble mantelpiece. A fire was burning; the place was littered with books and drawing-boards. “I leave my things lying about,” he said. “It's so much easier.”

      She loved his artist's paraphernalia, and the books, and the photos of people. Soon he was telling her: this was William, this was William's young lady in the evening dress, this was Annie and her husband, this was Arthur and his wife and the baby. She felt as if she were being taken into the family. He showed her photos, books, sketches, and they talked a little while. Then they returned to the kitchen. Mrs. Morel put aside her book. Clara wore a blouse of fine silk chiffon, with narrow black-and-white stripes; her hair was done simply, coiled on top of her head. She looked rather stately and reserved.

      “You have gone to live down Sneinton Boulevard?” said Mrs. Morel. “When I was a girl—girl, I say!—when I was a young woman WE lived in Minerva Terrace.”

      “Oh, did you!” said Clara. “I have a friend in number 6.”

      And the conversation had started. They talked Nottingham and Nottingham people; it interested them both. Clara was still rather nervous; Mrs. Morel was still somewhat on her dignity. She clipped her language very clear and precise. But they were going to get on well together, Paul saw.

      Mrs. Morel measured herself against the younger woman, and found herself easily stronger. Clara was deferential. She knew Paul's surprising regard for his mother, and she had dreaded the meeting, expecting someone rather hard and cold. She was surprised to find this little interested woman chatting with such readiness; and then she felt, as she felt with Paul, that she would not care to stand in Mrs. Morel's way. There was something so hard and certain in his mother, as if she never had a misgiving in her life.

      Presently Morel came down, ruffled and yawning, from his afternoon sleep. He scratched his grizzled head, he plodded in his stocking feet, his waistcoat hung open over his shirt. He seemed incongruous.

      “This is Mrs. Dawes, father,” said Paul.

      Then Morel pulled himself together. Clara saw Paul's manner of bowing and shaking hands.

      “Oh, indeed!” exclaimed Morel. “I am very glad to see you—I am, I assure you. But don't disturb yourself. No, no make yourself quite comfortable, and be very welcome.”

      Clara was astonished at this flood of hospitality from the old collier. He was so courteous, so gallant! She thought him most delightful.

      “And may you have come far?” he asked.

      “Only from Nottingham,” she said.

      “From Nottingham! Then you have had a beautiful day for your journey.”