(2)
But this Sunday in October was to see the end of the effort for the season. In the first place, Paul left that week for his first term at Cambridge, and this was a bigger damper than the Committee cared to allow. In the second, however, it was getting cold in the evenings, and activities took a new direction in the winter. Thus, a little late, after Communion, the band sallied out for the last time. Some fifteen or twenty of them, they gathered round the lamp-post. A couple of young men distributed the hymn-sheets to the loungers in the gardens, with a cheerful smile and a word of friendly greeting, fairly well received, as a matter of fact, by now. Paul mounted his chair under the light. Edith took her seat beneath at the harmonium, for Miss Madeline Ernest, daughter of the Rev. John Ernest, an elderly assistant curate, who usually played, was unwell. The last faint radiance of the day was dying out over the railway bridge, and the stars shone steadily in a clear sky above the hoardings.
The Court greeted the Missioners in various moods. "They've come, Joe," said Mrs. Reynolds to her husband who, for once and for obvious reasons, was at home and sober; "won't yer come out and listen-like a bit? The 'ymns will cheer yer up, and they carn't do yer no 'arm anywise. It's yer larst charnst for the season, Joe."
"Garn," said Joe, "damn yer!"
Hilda Tillings put her hat at a becoming angle in the back kitchen of No. 9 and sallied out into the parlour. Her mother sniffed. "Silly fool," she said, "ter go and suck up ter 'em like that. 'E won't look twice at yer. It'll be a case between 'im and that there Madeline lidy, if yer asks me."
Hilda tossed her head. "Miss Ernest's not come to-night," she said. "I saw out of the top winder. 'Sides, yer don't know wat yer talking of, ma. I like the meeting." And she sallied out.
Two urchins, tearing at top speed under the arch, made for the lamp-post. "'Ere, 'ook it," gasped the first to arrive, sotto voce, to a diminutive imp already there. "I'll bash yer 'ead in for yer if yer don't. This 'ere's my job." And he clutched at the lantern which illuminated the music-book on the required occasions, and kicked his weaker brother on the shin.
"Silence, boys," said Mr. Derrick, in his best manner; "don't fight with that lantern now."
"Orl rite, guv'nor, but it's my job. Don't yer 'member me larst tyme? Yer said I 'eld it steady and yer give me a copper."
"I got 'ere fust"—shrilly, from the other.
"There, there, my lad, give it up. This boy usually holds it. No struggling, please. That's better. You can help with the harmonium afterwards if you like."
(The smaller boy recedes into the background snuffling. Throughout the first part of the meeting he is trying to kick the elder, jar the lantern, or otherwise molest its holder. After the second hymn, Edith intervenes with a penny. The smaller boy exits triumphantly.)
Paul, from his somewhat rickety chair, surveyed the little scene with a definite sense of exultation in his heart. The last trace of nervousness dropped from him with his first half-dozen sentences. He had the voice of an orator, a singularly attractive, arresting voice, that penetrated easily the furthest recesses of the Court and even brought in a few passers-by from the street. The only son, he was, as his parents often told him, the child of prayers, and he was named Paul that he might be an apostle. He would have been a dreadful prig if he had not been so tremendously convinced and in earnest. Radiant on that mission chair beneath the garish lamp-light, he bared his head and lifted his eyes to the heavens above him. Had they opened, with a vision of the returning Christ escorted by the whole angelic host, he would quite honestly not have been surprised; indeed, if anything, he was often surprised that they did not. Christ waited there as surely as he stood beneath to pray and preach. His young enthusiasm, his vital faith, stirred the most commonplace of the little group about him, and no wonder, for he added to it an unconscious and undeveloped but undoubted power. To-night, the last night of the series, the last night, perhaps, for ever there, he drew on all his gifts to the utmost. It was small wonder that such as Hilda came to listen and such as Mrs. Reynolds stayed to pray. There fell even on Theodore Derrick a sense that the Acts of the Apostles might after all be true.
They began by singing "Tell me the old, old story." Before the hymn was half over Paul had his audience under his influence as if they had been little children and he a beloved master, or an orchestra and he the efficient conductor. He laughed at them for not singing. He made them repeat the chorus in parts, women a line, men a line, children a line, and then the last line all together. He made them triumph it to God, and then whisper it to their own hearts. He stayed them altogether impressively, and would not have those sing who could not say whole-heartedly:
Remember I'm the sinner
Whom Jesus came to save. …
Then he prayed. No one there could pray as Paul prayed, and Paul himself might have wondered how long he would be able to pray so. An agnostic rarely interrupted Paul's meetings. There might be no sure knowledge of God, but it was plainly useless to tell that to Paul after you had heard him pray. Also, incidentally, there were few, however rough, who did not feel that it would be a brutal thing to do.
A hymn again—the "Glory Song," by request—and Paul announced his text, his farewell message, their last word to Lambeth Court for many months. It was the kind of text which, in his mouth, took on that irresistible logic that he loved, and which, in his own heart, glowed and beat like the throb of an immense dynamo. "The Cross," so he proclaimed, "is to them that are perishing foolishness, and to them that are being saved the power of God." Telling anecdotes, however commonplace, hammered in his points. It was not the Cross that was on trial; it was his hearers who were then and there being judged by the Cross. Was all this to them foolishness, or was it the power of God? An easy question! Each one knew well enough for himself. And the inevitable followed; indeed, in Paul's eager soul, could not be gainsaid. His hearers to a man were being saved—the speaker's face lit up with the honest joy of it;—or—or—perishing. The whispered word reached the far corners of the Court. It even reached Reynolds. He stirred uneasily, and wished he had more beer.
The boy on the chair announced that they would sing as a last hymn "God be with you till we meet again." The haunting lilt, the genuine poetry and life there is in it, overcame the crude composition, the tortured air which was the best the old harmonium could do, the vulgar surroundings, the banal words. At the third verse, Paul held up his hand. A little hush fell on the whole Court, which deepened as he spoke. Paul had not learnt the tricks that it was possible for him to play with his oratorical power, but it was a naturally clever thing that he did. The tone of his voice wholly changed. All hardness, logic, conquest, argument, had gone from him, and it vibrated with tenderness, was all but broken with honest emotion. He begged, by the pity and gentleness of the Saviour, that they might meet at His feet. They had, he said, all of them, to travel down the long roads of life; none knew where such might lead; would that all their diverse ways might at least lead home—home to the one safe shelter, home to the one sure haven, home to Jesus'