“Henry and me met at Texarkana, and figured out this phonograph scheme. He had $360 which came to him out of a land allotment in the reservation. I had run down from Little Rock on account of a distressful scene I had witnessed on the street there. A man stood on a box and passed around some gold watches, screw case, stem-winders, Elgin movement, very elegant. Twenty bucks they cost you over the counter. At three dollars the crowd fought for the tickers. The man happened to find a valise full of them handy, and he passed them out like putting hot biscuits on a plate. The backs were hard to unscrew, but the crowd put its ear to the case, and they ticked mollifying and agreeable. Three of these watches were genuine tickers; the rest were only kickers. Hey? Why, empty cases with one of them horny black bugs that fly around electric lights in ‘em. Them bugs kick off minutes and seconds industrious and beautiful. So, this man I was speaking of cleaned up $288; and then he went away, because he knew that when it came time to wind watches in Little Rock an entomologist would be needed, and he wasn’t one.
“So, as I say, Henry had $360, and I had $288. The idea of introducing the phonograph to South America was Henry’s; but I took to it freely, being fond of machinery of all kinds.
“‘The Latin races,’ says Henry, explaining easy in the idioms he learned at college, ‘are peculiarly adapted to be victims of the phonograph. They have the artistic temperament. They yearn for music and color and gaiety. They give wampum to the hand-organ man and the four-legged chicken in the tent when they’re months behind with the grocery and the breadfruit tree.’
“‘Then,’ says I, ‘we’ll export canned music to the Latins; but I’m mindful of Mr. Julius Cæsar’s account of ’em where he says: “Omnia Gallia in tres partes divisa est;” which is the same as to say, “We will need all of our gall in devising means to tree them parties.”’
“I hated to make a show of education; but I was disinclined to be overdone in syntax by a mere Indian, a member of a race to which we owe nothing except the land on which the United States is situated.
“We bought a fine phonograph in Texarkana — one of the best make — and half a trunkful of records. We packed up, and took the T. and P. for New Orleans. From that celebrated centre of molasses and disfranchised coon songs we took a steamer for South America.
“We landed at Solitas, forty miles up the coast from here. ’Twas a palatable enough place to look at. The houses were clean and white; and to look at ’em stuck around among the scenery they reminded you of hard-boiled eggs served with lettuce. There was a block of skyscraper mountains in the suburbs; and they kept pretty quiet, like they had crept up there and were watching the town. And the sea was remarking ‘Sh-sh-sh’ on the beach; and now and then a ripe cocoanut would drop kerblip in the sand; and that was all there was doing. Yes, I judge that town was considerably on the quiet. I judge that after Gabriel quits blowing his horn, and the car starts, with Philadelphia swinging to the last strap, and Pine Gully, Arkansas, hanging onto the rear step, this town of Solitas will wake up and ask if anybody spoke.
“The captain went ashore with us, and offered to conduct what he seemed to like to call the obsequies. He introduced Henry and me to the United States Consul, and a roan man, the head of the Department of Mercenary and Licentious Dispositions, the way it read upon his sign.
“‘I touch here again a week from to-day,’ says the captain.
“‘By that time,’ we told him, ‘we’ll be amassing wealth in the interior towns with our galvanized prima donna and correct imitations of Sousa’s band excavating a march from a tin mine.’
“‘Ye’ll not,’ says the captain. ‘Ye’ll be hypnotized. Any gentleman in the audience who kindly steps upon the stage and looks this country in the eye will be converted to the hypothesis that he’s but a fly in the Elgin creamery. Ye’ll be standing knee deep in the surf waiting for me, and your machine for making Hamburger steak out of the hitherto respected art of music will be playing “There’s no place like home.”’
“Henry skinned a twenty off his roll, and received from the Bureau of Mercenary Dispositions a paper bearing a red seal and a dialect story, and no change.
“Then we got the consul full of red wine, and struck him for a horoscope. He was a thin, youngish kind of man, I should say past fifty, sort of French-Irish in his affections, and puffed up with disconsolation. Yes, he was a flattened kind of a man, in whom drink lay stagnant, inclined to corpulence and misery. Yes, I think he was a kind of Dutchman, being very sad and genial in his ways.
“‘The marvelous invention,’ he says, ‘entitled the phonograph, has never invaded these shores. The people have never heard it. They would not believe it if they should. Simple-hearted children of nature, progress has never condemned them to accept the work of a can-opener as an overture, and ragtime might incite them to a bloody revolution. But you can try the experiment. The best chance you have is that the populace may not wake up when you play. There’s two ways,’ says the consul, ‘they may take it. They may become inebriated with attention, like an Atlanta colonel listening to “Marching Through Georgia,” or they will get excited and transpose the key of the music with an axe and yourselves into a dungeon. In the latter case,’ says the consul, ‘I’ll do my duty by cabling to the State Department, and I’ll wrap the Stars and Stripes around you when you come to be shot, and threaten them with the vengeance of the greatest gold export and financial reserve nation on earth. The flag is full of bullet holes now,’ says the consul, ‘made in that way. Twice before,’ says the consul, ‘I have cabled our government for a couple of gunboats to protect American citizens. The first time the Department sent me a pair of gum boots. The other time was when a man named Pease was going to be executed here. They referred that appeal to the Secretary of Agriculture. Let us now disturb the señor behind the bar for a subsequence of the red wine.’
“Thus soliloquized the consul of Solitas to me and Henry Horsecollar.
“But, notwithstanding, we hired a room that afternoon in the Calle de los Angeles, the main street that runs along the shore, and put our trunks there. ’Twas a good-sized room, dark and cheerful, but small. ’Twas on a various street, diversified by houses and conservatory plants. The peasantry of the city passed to and fro on the fine pasturage between the sidewalks. ’Twas, for the world, like an opera chorus when the Royal Kafoozlum is about to enter.
“We were rubbing the dust off the machine and getting fixed to start business the next day, when a big, fine-looking white man in white clothes stopped at the door and looked in. We extended the invitations, and he walked inside and sized us up. He was chewing a long cigar, and wrinkling his eyes, meditative, like a girl trying to decide which dress to wear to the party.
“‘New York?’ he says to me finally.
“‘Originally, and from time to time,’ I says. ‘Hasn’t it rubbed off yet?’
“‘It’s simple,’ says he, ‘when you know how. It’s the fit of the vest. They don’t cut vests right anywhere else. Coats, maybe, but not vests.’
“The white man looks at Henry Horsecollar and hesitates.
“‘Injun,’ says Henry; ‘tame Injun.’
“‘Mellinger,’ says the man— ‘Homer P. Mellinger. Boys, you’re confiscated. You’re babes in the wood without a chaperon or referee, and it’s my duty to start you going. I’ll knock out the props and launch you proper in the pellucid waters of this tropical mud puddle. You’ll have to be christened, and if you’ll come with me I’ll break a bottle of wine across your bows, according