The splenetic Calliope, unconscious of retributive plots, was steaming down the channel, cannonading on either side, when he suddenly became aware of breakers ahead. The city marshal and one of the deputies rose up behind some drygoods boxes half a square to the front and opened fire. At the same time the rest of the posse, divided, shelled him from two side streets up which they were cautiously manoeuvring from a well-executed detour.
The first volley broke the lock of one of Calliope’s guns, cut a neat underbit in his right ear, and exploded a cartridge in his crossbelt, scorching his ribs as it burst. Feeling braced up by this unexpected tonic to his spiritual depression, Calliope executed a fortissimo note from his upper register, and returned the fire like an echo. The upholders of the law dodged at his flash, but a trifle too late to save one of the deputies a bullet just above the elbow, and the marshal a bleeding cheek from a splinter that a ball tore from the box he had ducked behind.
And now Calliope met the enemy’s tactics in kind. Choosing with a rapid eye the street from which the weakest and least accurate fire had come, he invaded it at a double-quick, abandoning the unprotected middle of the street. With rare cunning the opposing force in that direction — one of the deputies and two of the valorous volunteers — waited, concealed by beer barrels, until Calliope had passed their retreat, and then peppered him from the rear. In another moment they were reinforced by the marshal and his other men, and then Calliope felt that in order to successfully prolong the delights of the controversy he must find some means of reducing the great odds against him. His eye fell upon a structure that seemed to hold out this promise, providing he could reach it.
Not far away was the little railroad station, its building a strong box house, ten by twenty feet, resting upon a platform four feet above ground. Windows were in each of its walls. Something like a fort it might become to a man thus sorely pressed by superior numbers.
Calliope made a bold and rapid spurt for it, the marshal’s crowd “smoking” him as he ran. He reached the haven in safety, the station agent leaving the building by a window, like a flying squirrel, as the garrison entered the door.
Patterson and his supporters halted under protection of a pile of lumber and held consultations. In the station was an unterrified desperado who was an excellent shot and carried an abundance of ammunition. For thirty yards on either side of the besieged was a stretch of bare, open ground. It was a sure thing that the man who attempted to enter that unprotected area would be stopped by one of Calliope’s bullets.
The city marshal was resolved. He had decided that Calliope Catesby should no more wake the echoes of Quicksand with his strident whoop. He had so announced. Officially and personally he felt imperatively bound to put the soft pedal on that instrument of discord. It played bad tunes.
Standing near was a hand truck used in the manipulation of small freight. It stood by a shed full of sacked wool, a consignment from one of the sheep ranches. On this truck the marshal and his men piled three heavy sacks of wool. Stooping low, Buck Patterson started for Calliope’s fort, slowly pushing this loaded truck before him for protection. The posse, scattering broadly, stood ready to nip the besieged in case he should show himself in an effort to repel the juggernaut of justice that was creeping upon him. Only once did Calliope make demonstration. He fired from a window, and some tufts of wool spurted from the marshal’s trustworthy bulwark. The return shots from the posse pattered against the window frame of the fort. No loss resulted on either side.
The marshal was too deeply engrossed in steering his protected battleship to be aware of the approach of the morning train until he was within a few feet of the platform. The train was coming up on the other side of it. It stopped only one minute at Quicksand. What an opportunity it would offer to Calliope! He had only to step out the other door, mount the train, and away.
Abandoning his breastwork, Buck, with his gun ready, dashed up the steps and into the room, driving upon the closed door with one heave of his weighty shoulder. The members of the posse heard one shot fired inside, and then there was silence.
*
At length the wounded man opened his eyes. After a blank space he again could see and hear and feel and think. Turning his eyes about, he found himself lying on a wooden bench. A tall man with a perplexed countenance, wearing a big badge with “City Marshal” engraved upon it, stood over him. A little old woman in black, with a wrinkled face and sparkling black eyes, was holding a wet handkerchief against one of his temples. He was trying to get these facts fixed in his mind and connected with past events, when the old woman began to talk.
“There now, great, big, strong man! That bullet never tetched ye! Jest skeeted along the side of your head and sort of paralysed ye for a spell. I’ve heerd of sech things afore; cun-cussion is what they names it. Abel Wadkins used to kill squirrels that way — barkin’ ‘em, Abe called it. You jest been barked, sir, and you’ll be all right in a little bit. Feel lots better already, don’t ye! You just lay still a while longer and let me bathe your head. You don’t know me, I reckon, and ‘tain’t surprisin’ that you shouldn’t. I come in on that train from Alabama to see my son. Big son, ain’t he? Lands! you wouldn’t hardly think he’d ever been a baby, would ye? This is my son, sir.”
Half turning, the old woman looked up at the standing man, her worn face lighting with a proud and wonderful smile. She reached out one veined and calloused hand and took one of her son’s. Then smiling cheerily down at the prostrate man, she continued to dip the handkerchief, in the waiting-room tin washbasin and gently apply it to his temple. She had the benevolent garrulity of old age.
“I ain’t seen my son before,” she continued, “in eight years. One of my nephews, Elkanah Price, he’s a conductor on one of them railroads and he got me a pass to come out here. I can stay a whole week on it, and then it’ll take me back again. Jest think, now, that little boy of mine has got to be a officer — a city marshal of a whole town! That’s somethin’ like a constable, ain’t it? I never knowed he was a officer; he didn’t say nothin’ about it in his letters. I reckon he thought his old mother’d be skeered about the danger he was in. But, laws! I never was much of a hand to git skeered. ‘Tain’t no use. I heard them guns a-shootin’ while I was gettin’ off them cars, and I see smoke a-comin’ out of the depot, but I jest walked right along. Then I see son’s face lookin’ out through the window. I knowed him at oncet. He met me at the door, and squeezes me ‘most to death. And there you was, sir, a-lyin’ there jest like you was dead, and I ‘lowed we’d see what might be done to help sot you up.”
“I think I’ll sit up now,” said the concussion patient. “I’m feeling pretty fair by this time.”
He sat, somewhat weakly yet, leaning against the wall. He was a rugged man, big-boned and straight. His eyes, steady and keen, seemed to linger upon the face of the man standing so still above him. His look wandered often from the face he studied to the marshal’s badge upon the other’s breast.
“Yes, yes, you’ll be all right,” said the old woman, patting his arm, “if you don’t get to cuttin’ up agin, and havin’ folks shooting at you. Son told me about you, sir, while you was layin’ senseless on the floor. Don’t you take it as meddlesome fer an old woman with a son as big as you to talk about it. And you mustn’t hold no grudge ag’in’ my son for havin’ to shoot at ye. A officer has got to take up for the law — it’s his duty — and them that acts bad and lives wrong has to suffer. Don’t blame my son any, sir— ‘tain’t his fault. He’s always been a good boy — good when he was growin’ up, and kind and ‘bedient and well-behaved. Won’t you let me advise you, sir, not to do so no more? Be a good man, and leave liquor alone and live peaceably and goodly. Keep away from bad company and work honest and sleep sweet.”
The black-mitted hand of the old pleader gently touched the breast of the man she addressed. Very earnest and candid her old, worn face looked. In her rusty black dress and antique bonnet she sat, near the close of a long life, and epitomised the experience of the world. Still the man to whom she spoke gazed above her head, contemplating the silent son of the old mother.
“What