Parson Quayle's household consisted only of himself and two maiden daughters, but that was too much for the lively young Frenchwoman. While her husband lived, she suffocated under the old-maid régime; and when he was gone she made no more fight with destiny, but took some simple ailment, and died suddenly.
A bare hillside frowned down on the place where Glory was born; but the sun rose over it, and a beautiful river hugged its sides. A quarter of a mile down the river there was a harbour, and beyond the harbour a bay, with the ruins of an old castle standing out on an islet rock, and then the broad sweep of the Irish Sea-the last in those latitudes to “parley with the setting sun.” The vicarage was called Glenfaba, and it was half a mile outside the fishing town of Peel.
Glory was a little red-headed witch from the first, with an air of general uncanniness in everything she did and said. Until after she was six there was no believing a word she uttered. Her conversation was bravely indifferent to considerations of truth or falsehood, fear or favour, reward or punishment. The parson used to say, “I'm really afraid the child has no moral conscience—she doesn't seem to know right from wrong.” This troubled his religion, but it tickled his humour, and it did not disturb his love. “She's a perfect pagan—God bless her innocent heart!”
She had more than a child's genius for make-believe. In her hunger for child company, before the days when she found it for herself, she made believe that various versions of herself lived all over the place, and she would call them out to play. There was Glory in the river, under the pool where the perches swam, and Glory down the well, and Glory up in the hills, and they answered when she spoke to them. All her dolls were kings and queens, and she had a gift for making up in strange and grand disguises. It was almost as if her actress grandmother had bestowed on her from her birth the right to life and luxury and love.
She was a born mimic, and could hit off to a hair an eccentricity or an affectation. The frown of Aunt Anna, who was severe, the smile of Aunt Rachel, who was sentimental, and the yawn of Cornelius Kewley, the clerk who was always sleepy, lived again in the roguish, rippling face. She remembered some of her mother's French songs, and seeing a street-singer one day, she established herself in the market-place in that character, with grown people on their knees around her, ready to fall on her and kiss her and call her Phonodoree, the fairy. But she did not forget to go round for the ha'pennies either.
At ten she was a tomboy, and marched through the town at the head of an army of boys, playing on a comb between her teeth and flying the vicar's handkerchief at the end of his walking-stick. In these days she climbed trees and robbed orchards (generally her own) and imitated boys' voices, and thought it tyranny that she might not wear trousers. But she wore a sailor's blue stocking-cap, and it brightened existence when, for economy's sake and for the sake of general tidiness, she was allowed to wear a white woollen jersey. Then somebody who had a dinghy that he did not want asked her if she would like to have a boat. Would she like to have paradise, or pastry cakes, or anything that was heavenly! After that she wore a sailor's jacket and a sou'wester when she was on the sea, and tumbled about the water like a duck.
At twelve she fell in love—with love. It was a vague passion interwoven with dreams of grandeur. The parson being too poor to send her to the girls' college at Douglas, and his daughters being too proud to send her to the dame's school at Peel, she was taught at home by Aunt Rachel, who read the poetry of Thomas Moore, knew the birthdays of all the royal family, and was otherwise meekly romantic. From this source she gathered much curious sentiment relating to some visionary world where young girls were held aloft in the sunshine of luxury and love and happiness. One day she was lying on her back on the heather of the Peel hill, with her head on her arms, thinking of a story that Aunt Rachel had told her. It was of a mermaid who had only to slip up out of the sea and say to any man, “Come,” and he came—he left everything and followed her. Suddenly the cold nose of a pointer rubbed against her forehead, a strong voice cried, “Down, sir!” and a young man of two and twenty, in leggings and a shooting-jacket, strode between her and the cliffs. She knew him by sight. He was John Storm, the son of Lord Storm, who had lately come to live in the mansion house at Knockaloe, a mile up the hill from Glenfaba.
For three weeks thereafter she talked of nobody else, and even began to comb her hair. She watched him in church, and told Aunt Rachel she was sure he could see quite well in the dark, for his big eyes seemed to have the light inside of them. After that she became ashamed, and if anybody happened to mention his name in her hearing she flushed up to the forehead and fled out of the room. He never once looked at her, and after a while he went away to Canada. She set the clock on the back landing to Canadian time, so that she might always know what he was doing abroad, and then straightway forgot all about him. Her moods followed each other rapidly, and were all of them overpowering and all sincere, but it was not until a year afterward that she fell in love, in the church vestry, with the pretty boy who stood opposite to her in the catechism class.
He was an English boy of her own age, and he was only staying in the island for his holidays. The second time she saw him it was in the grounds at Glenfaba, while his mother was returning a call indoors. She gave him a little tap on the arm and he had to run after her—down a bank and up a tree, where she laughed and said. “Isn't it nice?” and he could see nothing but her big white teeth.
His name was Francis Horatio Nelson Drake, and he was full of great accounts of the goings-on in the outer world, where his school was, and where lived the only “men” worth talking about. Of course he spoke of all this familiarly and with a convincing reality which wrapped Glory in the plumage of dreams. He was a wonderful being, altogether, and in due time (about three days) she proposed to him. True, he did not jump at her offer with quite proper alacrity, but when she mentioned that it didn't matter to her in the least whether he wanted her or not, and that plenty would be glad of the chance, he saw things differently, and they agreed to elope. There was no particular reason for this drastic measure, but as Glory had a boat, it seemed the right thing to do.
She dressed herself in all her Confirmation finery, and stole out to meet him under the bridge where her boat lay moored. He kept her half an hour waiting, having sisters and other disadvantages, but “once aboard her lugger,” he was safe. She was breathless, and he was anxious, and neither thought it necessary to waste any time in kissing.
They slipped down the harbour and out into the bay, and then ran up the sail and stood off for Scotland. Being more easy in mind when this was done, they had time to talk of the future. Francis Horatio was for work—he was going to make a name for himself. Glory did not see it quite in that light. A name, yes, and lots of triumphal processions, but she was for travel—there were such lots of things people could see if they didn't waste so much time working.
“What a girl you are!” he said derisively; whereupon she bit her lip, for she didn't quite like it. But they were nearly half an hour out before he spoiled himself utterly. He had brought his dog, a she-terrier, and he began to call her by her kennel name and to say what a fine little thing she was, and what a deal of money they would make by her pups. That was too much for Glory. She couldn't think of eloping with a person who used such low expressions.
“What a girl you are!” he said again; but she did not mind it in the least. With a sweep of her bare arm she had put the tiller hard aport, intending to tack back to Peel, but the wind had freshened and the sea was rising, and by the swift leap of the boat the boom was snapped, and the helpless sail came napping down upon the mast. Then they tumbled into the trough, and Glory had not strength to pull them out of it, and the boy was of no more use than a tripper. She was in her white muslin dress, and he was nursing his dog, and the night was closing down on them, and they were wobbling about under a pole and a tattered rag. But all at once a great black yacht came heaving up in the darkness, and a grown-up voice cried, “Trust yourself to me, dear.”
It was John Storm. He had already awakened the young girl in her, and thereafter he awakened the young woman as well. She clung to him like a child that night, and during the four years following she seemed always to be