There were two establishments in Sevenoaks which stood so far away from the stream that they could hardly be described as attached to it. Northward, on the top of the bleakest hill in the region, stood the Sevenoaks poor-house. In dimensions and population, it was utterly out of proportion to the size of the town, for the people of Sevenoaks seemed to degenerate into paupers with wonderful facility. There was one man in the town who was known to be getting rich, while all the rest grew poor. Even the keepers of the dram-shops, though they seemed to do a thriving business, did not thrive. A great deal of work was done, but people were paid very little for it. If a man tried to leave the town for the purpose of improving his condition, there was always some mortgage on his property, or some impossibility of selling what he had for money, or his absolute dependence on each day's labor for each day's bread, that stood in the way. One by one—sick, disabled, discouraged, dead-beaten—they drifted into the poor-house, which, as the years went on, grew into a shabby, double pile of buildings, between which ran a county road.
This establishment was a county as well as a town institution, and, theoretically, one group of its buildings was devoted to the reception of county paupers, while the other was assigned to the poor of Sevenoaks. Practically, the keeper of both mingled his boarders indiscriminately, to suit his personal convenience.
The hill, as it climbed somewhat abruptly from the western bank of the stream—it did this in the grand leisure of the old geologic centuries—apparently got out of breath and sat down when its task was half done. Where it sat, it left a beautiful plateau of five or six acres, and from this it rose, and went on climbing, until it reached the summit of its effort, and descended the other side. On the brow of this plateau stood seven huge oaks which the chopper's axe, for some reason or another, had spared; and the locality, in all the early years of settlement, was known by the name of "The Seven Oaks." They formed a notable landmark, and, at last, the old designation having been worn by usage, the town was incorporated with the name of Sevenoaks, in a single word.
On this plateau, the owner of the mill, Mr. Robert Belcher—himself an exceptional product of the village—had built his residence—a large, white, pretentious dwelling, surrounded and embellished by all the appointments of wealth. The house was a huge cube, ornamented at its corners and cornices with all possible flowers of a rude architecture, reminding one of an elephant, that, in a fit of incontinent playfulness, had indulged in antics characteristic of its clumsy bulk and brawn. Outside were ample stables, a green-house, a Chinese pagoda that was called "the summer-house," an exquisite garden and trees, among which latter were carefully cherished the seven ancient oaks that had given the town its name.
Robert Belcher was not a gentleman. He supposed himself to be one, but he was mistaken. Gentlemen of wealth usually built a fine house; so Mr. Belcher built one. Gentlemen kept horses, a groom and a coachman; Mr. Belcher did the same. Gentlemen of wealth built green-houses for themselves and kept a gardener; Mr. Belcher could do no less. He had no gentlemanly tastes, to be sure, but he could buy or hire these for money; so he bought and hired them; and when Robert Belcher walked through his stables and jested with his men, or sauntered into his green-house and about his grounds, he rubbed his heavy hands together, and fancied that the costly things by which he had surrounded himself were the insignia of a gentleman.
From his windows he could look down upon the village, all of which he either owned or controlled. He owned the great mill; he owned the water-privilege; he owned many of the dwellings, and held mortgages on many others; he owned the churches, for all purposes practical to himself; he owned the ministers—if not, then this was another mistake that he had made. So long as it was true that they could not live without him, he was content with his title. He patronized the church, and the church was too weak to decline his ostentatious courtesy. He humiliated every man who came into his presence, seeking a subscription for a religious or charitable purpose, but his subscription was always sought, and as regularly obtained. Humbly to seek his assistance for any high purpose was a concession to his power, and to grant the assistance sought was to establish an obligation. He was willing to pay for personal influence and personal glory, and he often paid right royally.
Of course, Mr. Belcher's residence had a library; all gentlemen have libraries. Mr. Belcher's did not contain many books, but it contained a great deal of room for them. Here he spent his evenings, kept his papers in a huge safe built into the wall, smoked, looked down on the twinkling village and his huge mill, counted his gains and constructed his schemes. Of Mrs. Belcher and the little Belchers, he saw but little. He fed and dressed them well, as he did his horses. All gentlemen feed and dress their dependents well. He was proud of his family as he saw them riding in their carriage. They looked gay and comfortable, and were, as he thought, objects of envy among the humbler folk of the town, all of which reflected pleasantly upon himself.
On a late April evening, of a late spring in 18—, he was sitting in his library, buried in a huge easy chair, thinking, smoking, scheming. The shutters were closed, the lamps were lighted, and a hickory fire was blazing upon the hearth. Around the rich man were spread the luxuries which his wealth had bought—the velvet carpet, the elegant chairs, the heavy library table, covered with costly appointments, pictures in broad gold frames, and one article of furniture that he had not been accustomed to see in a gentleman's library—an article that sprang out of his own personal wants. This was an elegant pier-glass, into whose depths he was accustomed to gaze in self-admiration. He was flashily dressed in a heavy coat, buff waistcoat, and drab trousers. A gold chain of fabulous weight hung around his neck and held his Jurgensen repeater.
He rose and walked his room, and rubbed his hands, as was his habit; then paused before his mirror, admired his robust figure and large face, brushed his hair back from his big brow, and walked on again. Finally, he paused before his glass, and indulged in another habit peculiar to himself.
"Robert Belcher," said he, addressing the image in the mirror, "you are a brick! Yes, sir, you are a brick! You, Robert Belcher, sir, are an almighty smart man. You've outwitted the whole of 'em. Look at me, sir! Dare you tell me, sir, that I am not master of the situation? Ah! you hesitate; it is well! They all come to me, every man of 'em It is 'Mr. Belcher, will you be so good?' and 'Mr. Belcher, I hope you are very well,' and 'Mr. Belcher, I want you to do better by me.' Ha! ha! ha! ha! My name is Norval. It isn't? Say that again and I'll throttle you! Yes, sir, I'll shake your rascally head off your shoulders! Down, down in the dust, and beg my pardon! It is well; go! Get you gone, sir, and remember not to beard the lion in his den!"
Exactly what this performance meant, it would be difficult to say. Mr. Belcher, in his visits to the city, had frequented theaters and admired the villains of the plays he had seen represented. He had noticed figures upon the boards that reminded him of his own. His addresses to his mirror afforded him an opportunity to exercise his gifts of speech and action, and, at the same time, to give form to his self-gratulations. They amused him; they ministered to his preposterous vanity. He had no companions in the town, and the habit gave him a sense of society, and helped to pass away his evenings. At the close of his effort he sat down and lighted another cigar. Growing drowsy, he laid it down on a little stand at his side, and settled back in his chair for a nap. He had hardly shut his eyes when there came a rap upon his door.
"Come in!"
"Please, sir," said a scared-looking maid, opening the door just wide enough to make room for her face.
"Well?" in a voice so sharp and harsh that the girl cringed.
"Please, sir, Miss Butterworth is at the door, and would like to see you."
Now, Miss Butterworth was the one person in all Sevenoaks who was not afraid of Robert Belcher. She had been at the public school with him when they were children; she had known every circumstance of his history; she was not dependent on him in any way, and she carried in her head an honest and fearless tongue. She was an itinerant tailoress, and having worked, first and last, in nearly every family in the town, she knew the circumstances of them all, and knew too well the connection of Robert Belcher with their troubles