The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith Wharton. Читать онлайн. Newlib. NEWLIB.NET

Автор: Edith Wharton
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because they always had been, the Beauforts, on whom there was a claim of relationship, and Mr. Sillerton Jackson and his sister Sophy (who went wherever her brother told her to), were some of the most fashionable and yet most irreproachable of the dominant “young married” set; the Lawrence Leffertses, Mrs. Lefferts Rushworth (the lovely widow), the Harry Thorleys, the Reggie Chiverses and young Morris Dagonet and his wife (who was a van der Luyden). The company indeed was perfectly assorted, since all the members belonged to the little inner group of people who, during the long New York season, disported themselves together daily and nightly with apparently undiminished zest.

      Forty-eight hours later the unbelievable had happened; every one had refused the Mingotts’ invitation except the Beauforts and old Mr. Jackson and his sister. The intended slight was emphasised by the fact that even the Reggie Chiverses, who were of the Mingott clan, were among those inflicting it; and by the uniform wording of the notes, in all of which the writers “regretted that they were unable to accept,” without the mitigating plea of a “previous engagement” that ordinary courtesy prescribed.

      New York society was, in those days, far too small, and too scant in its resources, for every one in it (including livery-stable-keepers, butlers and cooks) not to know exactly on which evenings people were free; and it was thus possible for the recipients of Mrs. Lovell Mingott’s invitations to make cruelly clear their determination not to meet the Countess Olenska.

      The blow was unexpected; but the Mingotts, as their way was, met it gallantly. Mrs. Lovell Mingott confided the case to Mrs. Welland, who confided it to Newland Archer; who, aflame at the outrage, appealed passionately and authoritatively to his mother; who, after a painful period of inward resistance and outward temporising, succumbed to his instances (as she always did), and immediately embracing his cause with an energy redoubled by her previous hesitations, put on her grey velvet bonnet and said: “I’ll go and see Louisa van der Luyden.”

      The New York of Newland Archer’s day was a small and slippery pyramid, in which, as yet, hardly a fissure had been made or a foothold gained. At its base was a firm foundation of what Mrs. Archer called “plain people”; an honourable but obscure majority of respectable families who (as in the case of the Spicers or the Leffertses or the Jacksons) had been raised above their level by marriage with one of the ruling clans. People, Mrs. Archer always said, were not as particular as they used to be; and with old Catherine Spicer ruling one end of Fifth Avenue, and Julius Beaufort the other, you couldn’t expect the old traditions to last much longer.

      Firmly narrowing upward from this wealthy but inconspicuous substratum was the compact and dominant group which the Mingotts, Newlands, Chiverses and Mansons so actively represented. Most people imagined them to be the very apex of the pyramid; but they themselves (at least those of Mrs. Archer’s generation) were aware that, in the eyes of the professional genealogist, only a still smaller number of families could lay claim to that eminence.

      “Don’t tell me,” Mrs. Archer would say to her children, “all this modern newspaper rubbish about a New York aristocracy. If there is one, neither the Mingotts nor the Mansons belong to it; no, nor the Newlands or the Chiverses either. Our grandfathers and great-grandfathers were just respectable English or Dutch merchants, who came to the colonies to make their fortune, and stayed here because they did so well. One of your great-grandfathers signed the Declaration, and another was a general on Washington’s staff, and received General Burgoyne’s sword after the battle of Saratoga. These are things to be proud of, but they have nothing to do with rank or class. New York has always been a commercial community, and there are not more than three families in it who can claim an aristocratic origin in the real sense of the word.”

      Mrs. Archer and her son and daughter, like every one else in New York, knew who these privileged beings were: the Dagonets of Washington Square, who came of an old English county family allied with the Pitts and Foxes; the Lannings, who had intermarried with the descendants of Count de Grasse, and the van der Luydens, direct descendants of the first Dutch governor of Manhattan, and related by prerevolutionary marriages to several members of the French and British aristocracy.

      The Lannings survived only in the person of two very old but lively Miss Lannings, who lived cheerfully and reminiscently among family portraits and Chippendale; the Dagonets were a considerable clan, allied to the best names in Baltimore and Philadelphia; but the van der Luydens, who stood above all of them, had faded into a kind of super-terrestrial twilight, from which only two figures impressively emerged; those of Mr. and Mrs. Henry van der Luyden.

      Mrs. Henry van der Luyden had been Louisa Dagonet, and her mother had been the granddaughter of Colonel du Lac, of an old Channel Island family, who had fought under Cornwallis and had settled in Maryland, after the war, with his bride, Lady Angelica Trevenna, fifth daughter of the Earl of St. Austrey. The tie between the Dagonets, the du Lacs of Maryland, and their aristocratic Cornish kinsfolk, the Trevennas, had always remained close and cordial. Mr. and Mrs. van der Luyden had more than once paid long visits to the present head of the house of Trevenna, the Duke of St. Austrey, at his country-seat in Cornwall and at St. Austrey in Gloucestershire; and his Grace had frequently announced his intention of some day returning their visit (without the Duchess, who feared the Atlantic).

      Mr. and Mrs. van der Luyden divided their time between Trevenna, their place in Maryland, and Skuytercliff, the great estate on the Hudson which had been one of the colonial grants of the Dutch government to the famous first Governor, and of which Mr. van der Luyden was still “Patroon.” Their large solemn house in Madison Avenue was seldom opened, and when they came to town they received in it only their most intimate friends.

      “I wish you would go with me, Newland,” his mother said, suddenly pausing at the door of the Brown coupe. “Louisa is fond of you; and of course it’s on account of dear May that I’m taking this step—and also because, if we don’t all stand together, there’ll be no such thing as Society left.”

      VII.

      Mrs. Henry van der Luyden listened in silence to her cousin Mrs. Archer’s narrative.

      It was all very well to tell yourself in advance that Mrs. van der Luyden was always silent, and that, though noncommittal by nature and training, she was very kind to the people she really liked. Even personal experience of these facts was not always a protection from the chill that descended on one in the high-ceilinged white-walled Madison Avenue drawingroom, with the pale brocaded armchairs so obviously uncovered for the occasion, and the gauze still veiling the ormolu mantel ornaments and the beautiful old carved frame of Gainsborough’s “Lady Angelica du Lac.”

      Mrs. van der Luyden’s portrait by Huntington (in black velvet and Venetian point) faced that of her lovely ancestress. It was generally considered “as fine as a Cabanel,” and, though twenty years had elapsed since its execution, was still “a perfect likeness.” Indeed the Mrs. van der Luyden who sat beneath it listening to Mrs. Archer might have been the twin-sister of the fair and still youngish woman drooping against a gilt armchair before a green rep curtain. Mrs. van der Luyden still wore black velvet and Venetian point when she went into society—or rather (since she never dined out) when she threw open her own doors to receive it. Her fair hair, which had faded without turning grey, was still parted in flat overlapping points on her forehead, and the straight nose that divided her pale blue eyes was only a little more pinched about the nostrils than when the portrait had been painted. She always, indeed, struck Newland Archer as having been rather gruesomely preserved in the airless atmosphere of a perfectly irreproachable existence, as bodies caught in glaciers keep for years a rosy life-in-death.

      Like all his family, he esteemed and admired Mrs. van der Luyden; but he found her gentle bending sweetness less approachable than the grimness of some of his mother’s old aunts, fierce spinsters who said “No” on principle before they knew what they were going to be asked.

      Mrs. van der Luyden’s attitude said neither yes nor no, but always appeared to incline to clemency till her thin lips, wavering into the shadow of a smile, made the almost invariable reply: “I shall first have to talk this over with my husband.”

      She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of