With his pistols three, three, three;
And never a skunk in Boston town
That he didn't chaw but me!"
When the noise stopped at last, there was silence, complete and unbroken, for at least five minutes, during which time Hall stood motionless, waiting for the door to be opened. After that we heard a great yell from the same voice, with the words, "Ahoy, Splinters, shift along the gear, will you?" and then Splinters, whoever he might be, was cursed in unchosen phrases as the son of all the lubbers that ever crowded a fo'cas'le. A mumbled discussion seemed to tread on the heels of the hullabaloo, when, apparently having arranged the "gear" to satisfaction, the man stalked to the door, singing once more in stentorian tones:
"There was a man of Boston town,
With his pistols three,
With his pistols——"
"Hullo—the darned little Jew and his kick-shaws; why, matey, so early in the morning?"
The exclamation came as he saw us, putting his head round the door, and showing one arm swathed all up in dirty red flannel. He was no sort of a man to look at, as the Scots say, for his head was a mass of dirty yellow hair, and his face did not seem to have known an ablution for a week. But there was an ugly jocular look about his rabbit-like eyes and a great mark cut clean into the side of his face which were a fit decoration for the red-burnt, pitted, and horribly repulsive countenance he betrayed. His leer, too, as he greeted Hall, was the evil leer of a man whose laugh makes those hearing hush with the horror of it; and, on my part, forgetting the warning, I looked at him and drew back repelled. This he saw, and with a flush and a display of one great stump of a tooth which protruded on his left lip, he turned on me.
"And who may you be, matey, that you don't go for to shake hands with Roaring John? Dip me in brine, if you was my son I'd dress you down with a two-foot bar. Why don't you teach the little Hebrew manners, old Josfos? but there," and this he said as he opened the door wider, "so long as our skipper will have to do with shiners to sell and land barnacles, what ken you look for?—walk right along here."
The room indicated opened from a small hall, for the place was built after the Parisian fashion—akin to that of our flats—and was a house in itself. The man who called himself "Roaring John" entered the apartment before us, bawling at the top of his voice, "Josfos, the Jew, and his pardner come aboard!" and then I found myself in the strangest company and the strangest place I have ever set eyes on. So soon as I could see things clearly through the hanging atmosphere of tobacco smoke and heavy vapour, I made out the forms of six or eight men, not sitting as men usually do in a place where they eat, but squatting on their haunches by a series of low narrow tables, which were, on closer inspection, nothing but planks put upon bricks and laid round the four sides of the apartment. Of other furniture there did not seem to be a vestige in the place, save such as pertained to the necessities of eating and sleeping. Each man lolled back on his own pile of dirty pillows and dirtier blankets; each had before him a great metal drinking-cup, a coarse knife, which I found was for hacking meat, long rolls of plug tobacco, and a small red bundle, which I doubt not was his portable property. Each, too, was dressed exactly as his fellow, in a coarse red shirt, seamen's trousers of ample blue serge, a belt with a clasp-knife about his waist, and each had some bauble of a bracelet on his arm, and some strange rings upon his fingers. In the first amazement at seeing such an assembly in the heart of civilised Paris, I did no more than glean a general impression, but that was a powerful one—the impression that I saw men of all ages from twenty-five years upwards; men marked by time as with long service on the sea; men scarred, burnt, some with traces of great cuts and slashes received on the open face; men fierce-looking as painted devils, with teeth, with none, with four fingers to the hand, with three; men whose laugh was a horrid growl like the tumult of imprisoned passions, whose threats chilled the heart to hear, whose very words seemed to poison the air, who made the great room like a cage of beasts, ravenous and ill-seeking. This and more was my first thought, as I asked myself, into what hovel of vice have I fallen, by what mischance have I come on such a company?
Martin Hall seemed to have no such ill opinion of the men, and put himself at his ease the moment we entered. I had, indeed, believed for the moment that he had brought me there with evil intent, distrusting the man who was yet little more than a stranger to me; but recalling all that passed, his disguise, his evident fear, I put the suspicion from me, and listened to him, more content, as he made his way to the top of the room and stood before one who forced from me individual notice, so strange-looking was he, and so deep did the respect which all paid him appear to be. We shall meet this man often in our travels together, you and I, my friends, so a few words, if you please, about him. He sat at the head of the rude table, as I have said, but not as the others sat, on pillows and blankets, for there was a pile of rich-looking skins—bear, tiger, and white wolf—beneath him, and he alone of all the company wore black clothes and a white shirt. He was a short man, I judged, black-bearded and smooth-skinned, with a big nose, almost an intellectual forehead, small, white-looking hands, all ablaze with diamonds, about whose fine quality there could not be two opinions; and, what was even more remarkable, there hung as a pendant to his watch-chain a great uncut ruby which must have been worth five thousand pounds. One trade-mark of the sea alone did he possess, in the dark, curly ringlets which fell to his shoulders, matted there as long uncombed, but typical in all of the man. This then was the fellow upon whose every word that company of ruffians appeared to hang, who obeyed him, as I observed presently, when he did so much as lift his hand, who seemed to have in their uncouth way a veneration for him, inexplicable, remarkable—the man of whom Martin Hall had painted such a fantastic picture, who was, as I had been told, soon to be wanted by every Government in Europe. And so I faced him for the first time, little thinking that before many months had gone I should know of deeds by his hand which had set the world aflame with indignation, deeds which carried me to strange places, and among dangers so terrible that I shudder when the record brings back their reality.
Hall was the first to speak, and it was evident to me that he cloaked his own voice, putting on the nasal twang and the manner of an East-end Jew dealer.
"I have come, Mister Black," he said, "as you was good enough to wish, with a few little things—beautiful things—which cost me moosh money——"
"Ho, ho!" sang out Captain Black, "here is a Jew who paid much money for a few little things! Look at him, boys!—the Jew with much money! Turn out his pockets, boys!—the Jew with much money! Ho, ho! Bring the Jew some drink, and the little Jew, by thunder!"
His merriment set all the company roaring to his mood. For a moment their play was far from innocent, for one lighted a great sheet of paper and burnt it under the nose of my friend, while another pushed his dirty drinking-pot to my mouth, and would have forced me to drink. But I remembered Hall's words, and held still, giving banter for banter—only this, I learnt to my intense surprise that the pot did not contain beer but champagne, and that, by its bouquet, of an infinitely fine quality. In what sort of a company was I, then, where mere seamen wore diamond rings and drank fine champagne from pewter pots?
The unpleasant and rough banter ceased on a word from Captain Black, who called for lights, which were brought—rough, ready-made oil flares, stuck in jugs and pots—and Hall gathered up his trinkets and proceeded to lay them out with the well-simulated cunning of the trader.
"That, Mister Black," he said, putting a miniature of exquisite finish against the white fur on the floor, "is a portrait of the Emperor Napoleon, sometime in the possession of the Empress Josephine; that is a gold chain—he was eighteen carat—once the property of Don Carlos; here is the pen with which Francis Drake wrote his last letter to the Queen Elizabeth—beautiful goods as ever was, and cost moosh money!"
"To the dead with your much money," said the Captain with an angry gesture, as he snatched the trinkets from him, and eyed them to my vast surprise with the air of a practised connoisseur; "let's handle the stuff, and don't gibber. How much for this?" He held up the miniature, and admiration betrayed itself in his eyes.
"He was painted by Sir William Ross, and I sell him for two hundred pounds, my Captain. Not a penny less, or I'm a ruined