The pleasures that he had promised himself did not come to him; and when he had exhausted a circulating library, gone over the collections in the Louvre, and been at the theatre a great many nights in succession, he sank into the lowest depths of idleness.
His depression was increased by a thousand fresh annoyances. He found it necessary to count his linen and to bear with the door keeper, a bore with the figure of a male hospital nurse who came in the morning to make up his bed, smelling of alcohol and grunting. He did not like his apartment, which was ornamented with an alabaster timepiece. The partitions were thin; he could hear the students making punch, laughing and singing.
Tired of this solitude, he sought out one of his old schoolfellows named Baptiste Martinon; and he discovered this friend of his boyhood in a middle-class boarding-house in the Rue Saint-Jacques, cramming up legal procedure before a coal fire. A woman in a print dress sat opposite him darning his socks.
Martinon was what people call a very fine man — big, chubby, with a regular physiognomy, and blue eyes far up in his face. His father, an extensive landowner, had destined him for the magistracy; and wishing already to present a grave exterior, he wore his beard cut like a collar round his neck.
As there was no rational foundation for Frederick’s complaints, and as he could not give evidence of any misfortune, Martinon was unable in any way to understand his lamentations about existence. As for him, he went every morning to the school, after that took a walk in the Luxembourg, in the evening swallowed his half-cup of coffee; and with fifteen hundred francs a year, and the love of this workwoman, he felt perfectly happy.
“What happiness!” was Frederick’s internal comment.
At the school he had formed another acquaintance, a youth of aristocratic family, who on account of his dainty manners, suggested a resemblance to a young lady.
M. de Cisy devoted himself to drawing, and loved the Gothic style. They frequently went together to admire the Sainte-Chapelle and Nôtre Dame. But the young patrician’s rank and pretensions covered an intellect of the feeblest order. Everything took him by surprise. He laughed immoderately at the most trifling joke, and displayed such utter simplicity that Frederick at first took him for a wag, and finally regarded him as a booby.
The young man found it impossible, therefore, to be effusive with anyone; and he was constantly looking forward to an invitation from the Dambreuses.
On New Year’s Day, he sent them visiting-cards, but received none in return.
He made his way back to the office of L’Art Industriel.
A third time he returned to it, and at last saw Arnoux carrying on an argument with five or six persons around him. He scarcely responded to the young man’s bow; and Frederick was wounded by this reception. None the less he cogitated over the best means of finding his way to her side.
His first idea was to come frequently to the shop on the pretext of getting pictures at low prices. Then he conceived the notion of slipping into the letter-box of the journal a few “very strong” articles, which might lead to friendly relations. Perhaps it would be better to go straight to the mark at once, and declare his love? Acting on this impulse, he wrote a letter covering a dozen pages, full of lyric movements and apostrophes; but he tore it up, and did nothing, attempted nothing — bereft of motive power by his want of success.
Above Arnoux’s shop, there were, on the first floor, three windows which were lighted up every evening. Shadows might be seen moving about behind them, especially one; this was hers; and he went very far out of his way in order to gaze at these windows and to contemplate this shadow.
A negress who crossed his path one day in the Tuileries, holding a little girl by the hand, recalled to his mind Madame Arnoux’s negress. She was sure to come there, like the others; every time he passed through the Tuileries, his heart began to beat with the anticipation of meeting her. On sunny days he continued his walk as far as the end of the Champs-Élysées.
Women seated with careless ease in open carriages, and with their veils floating in the wind, filed past close to him, their horses advancing at a steady walking pace, and with an unconscious see-saw movement that made the varnished leather of the harness crackle. The vehicles became more numerous, and, slackening their motion after they had passed the circular space where the roads met, they took up the entire track. The horses’ manes and the carriage lamps were close to each other. The steel stirrups, the silver curbs and the brass rings, flung, here and there, luminous points in the midst of the short breeches, the white gloves, and the furs, falling over the blazonry of the carriage doors. He felt as if he were lost in some far-off world. His eyes wandered along the rows of female heads, and certain vague resemblances brought back Madame Arnoux to his recollection. He pictured her to himself, in the midst of the others, in one of those little broughams like Madame Dambreuse’s brougham.
But the sun was setting, and the cold wind raised whirling clouds of dust. The coachmen let their chins sink into their neckcloths; the wheels began to revolve more quickly; the road-metal grated; and all the equipages descended the long sloping avenue at a quick trot, touching, sweeping past one another, getting out of one another’s way; then, at the Place de la Concorde, they went off in different directions. Behind the Tuileries, there was a patch of slate-coloured sky. The trees of the garden formed two enormous masses violet-hued at their summits. The gas-lamps were lighted; and the Seine, green all over, was torn into strips of silver moiré, near the piers of the bridges.
He went to get a dinner for forty-three sous in a restaurant in the Rue de la Harpe. He glanced disdainfully at the old mahogany counter, the soiled napkins, the dingy silver-plate, and the hats hanging up on the wall.
Those around him were students like himself. They talked about their professors, and about their mistresses. Much he cared about professors! Had he a mistress? To avoid being a witness of their enjoyment, he came as late as possible. The tables were all strewn with remnants of food. The two waiters, worn out with attendance on customers, lay asleep, each in a corner of his own; and an odour of cooking, of an argand lamp, and of tobacco, filled the deserted dining-room. Then he slowly toiled up the streets again. The gas lamps vibrated, casting on the mud long yellowish shafts of flickering light. Shadowy forms surmounted by umbrellas glided along the footpaths. The pavement was slippery; the fog grew thicker, and it seemed to him that the moist gloom, wrapping him around, descended into the depths of his heart.
He was smitten with a vague remorse. He renewed his attendance at lectures. But as he was entirely ignorant of the matters which formed the subject of explanation, things of the simplest description puzzled him. He set about writing a novel entitled Sylvio, the Fisherman’s Son. The scene of the story was Venice. The hero was himself, and Madame Arnoux was the heroine. She was called Antonia; and, to get possession of her, he assassinated a number of noblemen, and burned a portion of the city; after which achievements he sang a serenade under her balcony, where fluttered in the breeze the red damask curtains of the Boulevard Montmartre.
The reminiscences, far too numerous, on which he dwelt produced a disheartening effect on him; he went no further with the work, and his mental vacuity redoubled.
After this, he begged of Deslauriers to come and share his apartment. They might make arrangements to live together with the aid of his allowance of two thousand francs; anything would be better than this intolerable existence. Deslauriers could not yet leave Troyes. He urged his friend to find some means of distracting his thoughts, and, with that end in view, suggested that he should call on Sénécal.
Sénécal was a mathematical tutor, a hard-headed man with republican convictions, a future Saint-Just, according to the clerk. Frederick ascended the five flights, up which he lived, three times in succession, without getting a visit from him in return. He did not go back to the place.
He now went in for amusing himself. He attended the balls at the Opera House. These exhibitions of riotous gaiety froze him the moment he had passed the door. Besides, he was restrained by the fear of being subjected to insult on the subject of money,