Keeping Alive the Rumor of God. Martin Camroux. Читать онлайн. Newlib. NEWLIB.NET

Автор: Martin Camroux
Издательство: Ingram
Серия:
Жанр произведения: Религия: прочее
Год издания: 0
isbn: 9781725262430
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than darkness;

      Life is stronger than death.

      This prediction has proved more than a little percipient. Today Nietzsche’s influence is widespread. Paul Mason calls him the all-purpose philosopher for our time. He is thinking especially of his influence on neo-liberal economics. But just as significant is that his belief that “virtue has to be our invention,” is now a central tenet in much post-modernism where it is argued that no version of truth can claim absolute authority. There is no reality per se, and no truth that can’t be relativized. That is pure Nietzsche.

      What is more it is fascinating how influential Nietzsche’s nihilism (or something that equates to it) is in popular culture. In the television comedy The Good Place, Chidi quotes Nietzsche: “God is dead. God remains dead, and we have killed him.” The cartoon Bojack Horseman is based on the premise that there are no ultimate values in life. Mr. Peanutbutter puts it like this. “The universe is a cruel, uncaring void. The key to being happy isn’t a search for meaning. It’s to just keep yourself busy with unimportant nonsense, and eventually you’ll be dead.” In Dan Harmon’s popular adult cartoon Rick and Morty, one of the central concerns of the show is grappling with the meaninglessness of our lives amid an indifferent universe. As one character says “Nobody belongs anywhere, nobody exists on purpose, everybody’s going to die. Come watch TV?” In The Sopranos Nietzsche is used to depict teenage angst. “Even if God is dead, you’re still gonna kiss his ass,” Tony tells Anthony Jr. If God is dead there is no doubt that Nietzsche isn’t.

      We are here as on a darkling plain

      Swept with confused alarms of struggle and flight,

      The former director of the British Museum, Neil McGregor, puts it very clearly:

      The end of religion as a cultural center of life has not brought about happiness or freedom but a sense of loss. Modern life is shot through with uncertainty and anxiety and meaninglessness. There is a desperate and dangerous search for identity. Bojack has such a hard time because he doesn’t know or understand how to live in this way. It is his constant searches for meaning and purpose which leads to his depression. W. H. Auden describes our anxiety,

      The lights must never go out,

      The music must always play,

      Lest we should see where we are . . .

      Lost in a haunted wood;

      Children afraid of the dark

      THINGS FALL APART, THE CENTRE CANNOT HOLD?

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