"The Tall Tower of the Forty Martyrs at Ramleh."
The highlands of Judea lay stretched out along the eastern horizon, a line of azure and amethystine heights, changing colour and seeming almost to breathe and move as the cloud shadows fleeted over them, and reaching away northward and southward as far as eye could see. Rugged and treeless, save for a clump of oaks or terebinths planted here or there around some Mohammedan saint's tomb, they would have seemed forbidding but that their slopes were clothed with the tender herbage of spring, their outlines varied with deep valleys and blue gorges, and all their mighty bulwarks jewelled right royally with the opalescence of sunset.
In a hollow of the green plain to the left we could see the white houses and the yellow church tower of Lydda, the supposed burial-place of Saint George of Cappadocia, who killed the dragon and became the patron saint of England. On a conical hill to the right shone the tents of the Scotch explorer who is excavating the ancient city of Gezer, which was the dowry of Pharaoh's daughter when she married King Solomon. City, did I say? At least four cities are packed one upon another in that grassy mound, the oldest going back to the flint age; and yet if you should examine their site and measure their ruins, you would feel sure that none of them could ever have amounted to anything more than what we should call a poor little town.
It came upon us gently but irresistibly that afternoon, as we rode easily across the land of the Philistines in a few hours, that we had never really read the Old Testament as it ought to be read—as a book written in an Oriental atmosphere, filled with the glamour, the imagery, the magniloquence of the East. Unconsciously we had been reading it as if it were a collection of documents produced in Heidelberg, Germany, or in Boston, Massachusetts: precise, literal, scientific.
We had been imagining the Philistines as a mighty nation, and their land as a vast territory filled with splendid cities and ruled by powerful monarchs. We had been trying to understand and interpret the stories of their conflict with Israel as if they had been written by a Western war-correspondent, careful to verify all his statistics and meticulous in the exact description of all his events. This view of things melted from us with a gradual surprise as we realised that the more deeply we entered into the poetry, the closer we should come to the truth, of the narrative. Its moral and religious meaning is firm and steadfast as the mountains round about Jerusalem; but even as those mountains rose before us glorified, uplifted, and bejewelled by the vague splendours of the sunset, so the form of the history was enlarged and its colours irradiated by the figurative spirit of the East.
There at our feet, bathed in the beauty of the evening air, lay the Valley of Aijalon, where Joshua fought with the "five kings of the Amorites," and broke them and chased them. The "kings" were head-men of scattered villages, chiefs of fierce and ragged tribes. But the fighting was hard, and as Joshua led his wild clansmen down upon them from the ascent of Beth-horon, he feared the day might be too short to win the victory. So he cheered the hearts of his men with an old war-song from the Book of Jasher.
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