"Good night, little brother."
And picking up her skirt with a loose grasp, with wavering movements, her head already on the pillow as it were, she went up the stairs and disappeared into the vestibule.
"Good evening, my son," said the authoritative voice of a man. "You have waited for us; you were wrong. Come quickly, Monica, the horses are very hot. Auguste, you will give them twelve litres to-morrow. You would have done better to have gone with us, Jean. It was all very nice. M. von Boscher asked twice about you."
The person who spoke thus, now to one and now to the other, had had time to get out of the carriage, to shake hands with Jean, to turn towards Madame Oberlé, still seated in the back of the carriage, to go half-way up the flight of steps, to inspect with the eye of a connoisseur the two black horses, whose wet backs looked as if they had been rubbed with soap. His grey whiskers framed a full and solid face; his overcoat was unbuttoned, showing the open waistcoat and the shirt, where three Rhine stones shone; his oratorical hand only appeared a moment. After having given his opinion and his orders, Joseph Oberlé—vigilant master who forgot nothing—quickly raised his double chin and fixed his eyes on the end of the enclosure, where the pyramids of felled trees were resting, to see if there were any signs of fire visible, or if any shadow prowled round the saw-mill; then, nimbly mounting the second flight of steps two at a time, he entered the house. His son had answered nothing. He was helping Madame Oberlé out of the carriage, taking from her her gloves and fan, and asking:
"You are not so very tired, are you, mother darling?"
Her dear eyes smiled, her long mouth said:
"Not too tired; but it is not for me, now, my dear. You have an old mother!"
She leaned on the arm of her son—from a mother's pride more than from necessity. There was infinite sadness in her smile, and she seemed to ask Jean, at whom she looked while going up the steps, "You forgive me for having gone there? I have suffered."
She was wearing a black satin dress. She had diamonds in her hair, still black, and a collar of blue fox on her shoulders. Jean thought she looked like an unhappy queen, and he admired the elegance of her head, of her walk, and her fine carriage. She was of an old Alsatian family, and he felt himself the son of this woman with a pride he showed only to her.
He accompanied her, giving her his arm all the time so as to have the joy of being nearer to her, and to stop her on nearly every step of the staircase.
"Mamma, I have spent an excellent evening. It would have been delicious if only you had been there! Imagine, Uncle Ulrich came at half-past eight, and he only set out for home at midnight, just now."
Madame Oberlé smiled a melancholy smile and said:
"He never stops as long as that for us. He keeps away."
"You mean to say that he keeps away! I will bring him back to you."
She stopped in her turn, looked at this son, whom she had not seen since the afternoon, and smiled more gaily.
"You love my brother?"
"Better than I used to. I seem to have just discovered him."
"You were too young before."
"And how we have talked! We agree on all points."
The gentle maternal eyes sought those of her child in the twilight of the staircase.
"Oh, all?" she asked.
"Yes, mamma, on all!"
They had arrived at the top of the stairs. She placed her gloved finger on her mouth. She withdrew her arm which she had placed in that of her son. She was at the door of her room, facing M. Philippe Oberlé's room. Jean kissed her, withdrew a little, returned to her, and pressed her once again to his heart silently.
Then he took a few steps down the passage, looked again at this woman dressed in black, and whom mourning suited so well—so simple with her drooping white hands and her erect head, so firm of feature, so gentle in expression.
He murmured gaily:
"Saint Monica Oberlé, pray for us!"
She did not seem to hear him, but she remained, her hand on the door-handle without entering, as long as Jean could see her, Jean, who was going backwards step by step, farther away, into the shadows of the passage.
He entered his room, his heart joyful, his mind full of thoughts, all those thoughts of the past evening coming back now with swift flight in the solitude of the present. Feeling that he would not sleep at once, he opened the window. The cold air blew steadily from the north-east. The mist had fled. From his room Jean could see, beyond the wide strip of cultivated hilly ground, the forests where Shadow all night long wound and unwound her folds, away to the heights crowned here and there by a spiked cluster of ancient woods, which broke the line of hills and wreathed itself about in stars. He tried to find the house of M. Ulrich. And in thought he saw again him who ought to be arriving home, when voices began to sing on the edge of the forest. A shiver of pleasure seized the nerves of the young man, who was a passionate musician. The voices were beautiful, young, and in tune. There were more than twenty of them certainly, perhaps thirty or fifty. He missed the words because of the distance. It was like the sound of an organ in the night. They flung out to the wind of Alsace a song of a spirited rhythm. Then three distinct words reached Jean's ears. He shrugged his shoulders, irritated with himself for not having understood at once. It was a chorus of German soldiers coming back from the manœuvre of those Rhenish Hussars M. Ulrich had met coming down the mountain. According to custom, they sang to keep themselves awake, and because there was in their songs the power of the word Fatherland. The horses' hoofs accompanied the melody like muffled cymbals. The words escaped and vibrated:
Stimmt an mit hellem hohen Klang,
Stimmt an das Lied der Lieder.
Des Faterlandes Hochgesang,
Das Waldthal hall es wieder."
Jean would have been glad to stop the song. How many times, however, and in all the German Provinces, had he not heard the soldiers sing? Why should he feel sad at the song of these men? Why did the words enter into his soul so painfully, although he knew them and could repeat them from memory? When some two hundred yards from the village they became silent. Only the clatter of hoofs continued drawing nearer to Alsheim and echoing above it. Jean leaned forward to see the horsemen pass in the little market town. He could see them through a large opening in the wall surrounding the park, secured by an iron gate just in front of the house—a moving mass in a brown dust that the wind blew back, leaning like barley beards in the ear. The men were not to be distinguished from each other, nor the horses. Jean thought, with a secret and increasing pain, "How many there are!"
At Berlin, at Munich, at Heidelberg, they only aroused an idea of strength without any