A Thousand and One Afternoons in Chicago. Ben Hecht. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ben Hecht
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664603586
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      "Over there," said Judge Sabath, "is a man who has been a juror in criminal cases at least a dozen times."

      His honor pointed to a short, thin man with a derby on the back of his head and a startling mustache, concealing almost half of his wizened face. The man was sitting a bit childishly on a window ledge in the hall of the Criminal Court building swinging his legs and chewing rhythmically on a plug of tobacco.

      "They let him go this morning while picking a jury for a robbery case before me," said the judge. "He tried to stay on, but neither side wanted him. You might get a story out of him. I think he's broken-hearted."

      * * * * *

      The short, thin man with the derby, swinging his legs from the window ledge said his name was Martin.

      "That's true," he said, "what the judge said. I been a juror fourteen times. I was on five murders and four big robberies and then I was on five different assorted kinds of crimes."

      "How do you like being a juror, Mr. Martin?"

      "Well, sir, I like it a lot. I can say that out of the fourteen times I been a juror I never lost a case."

      Mr. Martin aimed at the new cuspidor—and missed.

      "There's some jurors as loses nearly every case they're on. They give in first crack. But take the Whitely murder trial I was on. That was as near as I ever come to losing a case. But I managed to hang the jury and the verdict was one of disagreement. Whitely was innocent. Anybody could have told that with half an eye."

      "How long have you been serving on juries, Mr. Martin?"

      "Going nigh on twenty-three years. I had my first case when I was a young man. It was a minor case—a robbery. I won that despite my youth and inexperience. In those days the cases were much harder than now on account of the lawyers. The old-fashioned lawyer was the talkingest kind of a nuisance I ever had to deal with. He always reminded me of somebody talking at a mark for two dollars a week.

      "I don't refer to the orators. I mean the ones who talk during the case itself and who slow things up generally by bothering the witnesses to death with a lot of unnecessary questions. Although the orators are pretty bad, too. There's many a lawyer who has lost out with me on account of the way he made faces in the windup. One of my rules as a juror, a successful one, I might say, is, 'Always mistrust a lawyer who talks too fancy.'"

      * * * * *

      "Judge Sabath just said that they let you go in his court this morning."

      "H'm," snorted Mr. Martin. "That was the lawyer. He's mad at me because he lost a case two years ago that I was on. I won it and he holds a grudge. That's like some lawyers. They don't like the man who licks them.

      "But you were asking about the qualifications of an all-around juryman. I'll give 'em to you. First and foremost you want a man of wide experience in human nature. I spend most of my time in the courts when I ain't serving as juror studyin' human nature. You might say that all human nature is the same. But it's my experience that some is more so than others.

      "Well, when you know human nature the next step is to figure out about lawyers. Lawyers as a whole is the hardest nut the juror has to crack. To begin with, they're deceivin', and if you let them they'll take advantage of your credulity. There's Mr. Erbstein, for instance, the criminal lawyer. He's a pretty smart one, but I won a case from him only four years ago and he's never forgiven me. I was juror in a manslaughter trial he was trying to run. He thought himself pretty foxy, but when it came to a showdown I put it all over him. There was a guy who was foreman of the jury that time who said I had it all over Mr. Erbstein as an argufier and that my arguments made his look like ten cents. I won easily on five ballots and Mr. Erbstein has never forgave me.

      * * * * *

      "But I'll go on about the qualifications. First of all, I never read newspapers. Never. No juror should ought to know anything about anything that's going on. I found that out in my youth when I first started in. The first question they ask you is, 'What have you heard about this case and what have you read or said about it?' That's the first one. Well, the right answer is 'nothing.'

      "If you can say nothing and prove you're right they'll gobble you up as a juror. For that reason I avoid all newspapers, and right now I don't know what big crimes or cases have been committed at all. I have a clean, unprejudiced mind and I keep it that way.

      "Nextly," said Mr. Martin, trying a new sight on the cuspidor, "I don't belong to any lodges whatsoever. They're a handicap. Because if the defendant is a Mason and you are a Elk he would rather have a brother Mason be juror than a strange Elk. So I don't belong to any of them and I don't go to church. I also have no convictions whatsoever about politics and have no favorites of any kind in the matter of authors or statesmen or anything. What I try to do is to keep my mind clean and unprejudiced on all subjects."

      "Why do you like serving as a juror?"

      Mr. Martin stared.

      "Why?" he repeated. "Because it's every man's duty, naturally. And besides," he went on, narrowing his eyes into shrewd slits, "I've just been luckier than most people. Most people only get called a few times during their life. But I get called regularly every year and sometimes twice a year and sometimes four and five times a year for service. Of course, I ain't boasting, but the city has recognized my merits, no doubt, as a juror, knowing all the cases I've won, and it perhaps shows a little partiality to me for that reason. But I feel that I have earned it and I would like nothing said about it or any scandal started."

      "What do you think of this Taylor death mystery in Los Angeles, Mr.

       Martin?"

      "Ha, ha," said Mr. Martin, "there you're tryin' to catch me. You thought you could put that over on me without my seein' through it, didn't you? That's just the way the lawyers try to trap me when I'm sittin' on one of my cases. I ain't ever heard of this Taylor death mystery, not reading the papers, you see."

      "That's too bad, Mr. Martin. It's quite a story." Mr. Martin sighed and slipped from the window ledge, shaking down his wrinkled, high-water pants.

      "Yes," he sighed, a sudden wistfulness coming into his rheumy eyes. "Things have been pretty slow around here. Chicago used to be the place for a juror—none better. But I been thinkin' of going west. Not that I heard anything, mind you, about any of these cases." Mr. Martin glowered virtuously. "I never read the papers, sir, and have no prejudices whatsoever.

      "But I've just been feelin' lately that there are wider opportunities in the west for a man of my experience and record than are left around here."

       Table of Contents

      "Well," said Mr. Bert Williams, in his best "Under the Bamboo Tree" dialect, "If you like mah singin' and actin' so much, how come, you bein' a writer, you don't write somethin' about youah convictions on this subjeck? Oh! It's not youah depahtment! Hm! Tha's jes' mah luck. I was always the mos' unluckiest puhson who ever trifled with misfohtune. Not his depahtment! Tha'—tha's jes' it. I never seems to fall jes' exactly in the ri-right depahtment.

      "May I ask, without meanin' to be puhsonal, jes' what is your depahtment? Murder! Oh, you is the one who writes about murders and murderuhs foh the paper! Nothin' else? Is tha' so? Jes' murders and murderuhs and—and things like tha'? Well, tha' jes' shows how deceivin' looks is, fo' when you came in heah I says to mahself, I says, 'this gen'le-man is a critic of the drama.' And when I sees you have on a pair o' gloves I added quickly to mahself, 'Yes, suh, chances are he is not only a critic of the drama, but likewise even possuhbly a musical critic.' Yes, suh, all mah life I have had the desire to be interviewed by a musical critic, but no matter how hard I sing or how frequently, no musical critic has yet taken cognizance o' me. No, suh, I get no cognizance whatsoever.

      "Not meanin' to disparage you, suh, or your valuable depahtment. Foh if you is in charge o' the murder