On Love. Stendhal. Читать онлайн. Newlib. NEWLIB.NET

Автор: Stendhal
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isbn: 4057664180452
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will always seem of a degenerate species."

      "No, madam. Evidently it is the presence of mistrust, absent at sixteen, which must give to this second love a different colour. In early youth love is like an immense stream, which sweeps all before it in its course, and we feel that we cannot resist it. Now at twenty-eight a gentle heart knows itself: it knows that, if it is still to find some happiness in life, from love it must be claimed; and this poor, torn heart becomes the seat of a fearful struggle between love and mistrust. Crystallisation proceeds gradually; but the crystallisation, which emerges triumphant from this terrible proof, in which the soul in all its movements never loses sight of the most awful danger, is a thousand times more brilliant and more solid than crystallisation at sixteen, in which everything, by right of age, is gaiety and happiness."

      This conversation (Bologna, 9 March, 1820), bringing into doubt a point which seemed to me so clear, makes me believe more and more, that a man can say practically nothing with any sense on that which happens in the inmost heart of a woman of feeling: as to a coquet it is different—we also have senses and vanity.

      The disparity between the birth of love in the two sexes would seem to come from the nature of their hopes, which are different. One attacks, the other defends; one asks, the other refuses; one is daring, the other timid.

      The man reflects: "Can I please her? Will she love me?"

      The woman: "When he says he loves me, isn't it for sport? Is his a solid character? Can he answer to himself for the length of his attachments?" Thus it is that many women regard and treat a young man of twenty-three as a child. If he has gone through six campaigns, he finds everything different—he is a young hero.

      On the man's side, hope depends simply on the actions of that which he loves—nothing easier to interpret. On the side of woman, hope must rest on moral considerations—very difficult rightly to appreciate.

      Most men demand such a proof of love, as to their mind dissipates all doubts; women are not so fortunate as to be able to find such a proof. And there is in life this trouble for lovers—that what makes the security and happiness of one, makes the danger and almost the humiliation of the other.

      They have not that sure means of ours of mastering public opinion by risking for an instant their life.

      Women, then, must naturally be far more mistrustful. In virtue of their habits, all the mental movements, which form periods in the birth of love, are in their case more mild, more timid, more gradual and less decided. There is therefore a greater disposition to constancy; they will less easily withdraw from a crystallisation once begun.

      A woman, seeing her lover, reflects with rapidity, or yields to the happiness of loving—happiness from which she is recalled in a disagreeable manner, if he make the least attack; for at the call to arms all pleasures must be abandoned.

      A woman is capable of loving and, for an entire year, not saying more than ten or twelve words to the man whom she loves. At the bottom of her heart she keeps note how often she has seen him—twice she went with him to the theatre, twice she sat near him at dinner, three times he bowed to her out walking.

      One evening during some game he kissed her hand: it is to be noticed that she allows no one since to kiss it under any pretext, at the risk even of seeming peculiar.

      In a man, Léonore(6) remarked to me, such conduct would be called a feminine way of love.

      Quando leggemmo il disiato riso

       Esser baciato da cotanto amante,

       Costui che mai da me non fia diviso,

       La bocca mi bacciò tutto tremante.

       Dante, Inf., Cant. V.

      ["When we read how the desired smile was kissed by such a lover, he, who never from me shall be divided, on my mouth kissed me all trembling."—Tr.]

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      I make every possible effort to be dry. I would impose silence upon my heart, which feels that it, has much to say. When I think that I have noted a truth, I always tremble lest I have written only a sigh.

       Table of Contents

      In proof of crystallisation I shall content myself with recalling the following anecdote. A young woman hears that Edward, her relation, who is to return from the Army, is a youth of great distinction; she is assured that he loves her on her reputation; but he will want probably to see her, before making a proposal and asking her of her parents. She notices a young stranger at church, she hears him called Edward, she thinks of nothing but him—she is in love with him. Eight days later the real Edward arrives; he is not the Edward of church. She turns pale and will be unhappy for ever, if she is forced to marry him.

      That is what the poor of understanding call an example of the senselessness of love.

      A man of generosity lavishes the most delicate benefits upon a girl in distress. No one could have more virtues, and love was about to be born; but he wears a shabby hat, and she notices that he is awkward in the saddle. The girl confesses with a sigh that she cannot return the warm feelings, which he evidently has for her.

      A man pays his attentions to a lady of the greatest respectability. She hears that this gentleman has had physical troubles of a comical nature: she finds him intolerable. And yet she had no intention of giving herself to him, and these secret troubles in no way blighted his understanding or amiability. It is simply that crystallisation was made impossible.

      In order that a human being may delight in deifying an object to be loved, be it taken from the Ardennes forest or picked up at a Bal de Coulon, that it seems to him perfect is the first necessity—perfect by no means in every relation, but in every relation in which it is seen at the time. Perfect in all respects it will seem only after several days of the second crystallisation. The reason is simple—then it is enough to have the idea of a perfection in order to see it in the object of our love.

      Beauty is only thus far necessary to the birth of love—ugliness must not form an obstacle. The lover soon comes to find his mistress beautiful, such as she is, without thinking of ideal beauty.

      The features which make up the ideally beautiful would promise, if he could see them, a quantity of happiness,