After having studied the antiquities of Athens, undertaken sundry scientific and archæological excursions into Attica, and enjoyed a delightful intercourse at Athens with kindred spirits—such as Frederika Bremer—she traversed the nomarchies, or provinces, of the kingdom of Greece, with the view of obtaining an exact and comprehensive account of the moral and material condition of the rural population.
As M. Pommier remarks, this long excursion in a country which offers no facilities to travellers, and where one must always be on horseback, could not be accomplished without displaying a courage unexampled, an heroic perseverance, and a physical and moral strength equal to every trial. She had to undergo the strain of daily fatigue and the heat of a scorching sun; to fear neither barren rocks, nor precipices, nor dangerous pathways, nor brigands. In spite of the counsels of prudence and of a timorous affection, the intrepid traveller would not omit any portion of her itinerary; she traversed successively into Bœotia, Phocis, Ætolia, and the Peloponnesus. When the mountaineers of Laconia saw her passing on horseback through the savage gorges, they cried out in their enthusiasm, "Here is a Spartan woman!" And they invited her to put herself at their head and lead them to Constantinople.
From Greece she went into Italy, in 1861, and took up her residence, where she has ever since remained, at Florence. Garibaldi has saluted as his sister this ardent champion of the rights of nationalities, who, to this day, has continued her philanthropic exertions. In 1867, she published "La Nazionalità Albanese secondo i Canti popolari;" in 1869, "Discours sur Marco Polo;" in 1870, "Venise en 1867;" in 1871–1873, "Gli Albanesi in Rumenia," a history of the princely family of the Ghikas from the 17th century; in 1871, a couple of novels, "Eleanora de Hallingen," and "Ghizlaine;" in 1877, "La Poésie des Ottomans;" and in 1878, "The Condition of Women among the Southern Slavs."
The princess, besides plunging into historical labours, sedulously cultivates the Fine Arts, and is moreover a first-rate pistol-shot. A true Albanian, she loves arms, and handles them skilfully.
It cannot be denied, that she deserves her splendid reputation. Any one of her works, says a French critic, would make a man famous; and they are unquestionably marked by all the characteristics of an independent and observant mind. But it is her life that best justifies her renown—her life with its purity, its enthusiasm, its zeal for the oppressed, its intense love of knowledge, its vivid sympathies and broad charities, and its constant striving after truth and freedom, and the highest beauty.
FOOTNOTES:
[1] A pseudonym derived from the ancient name of the Danube—Ister.
[2] The chief of which are: "La Vie Monastique dans l'Eglise Orientale," 1855; "La Suisse Allemande," 1856; "Les Héros de la Roumanie;" "Les Roumains et la Papauté" (in Italian); "Excursions en Roumélie et en Morée," 1863; "Les Femmes de l'Orient," 1858; "Les Femmes d'Occident;" "Les Femmes, par une Femme," 1865.
[3] See the princess's "La Suisse Allemande et l'Ascension du Mönch." 4 vols., 1856.
THE PRINCESS OF BELGIOJOSO.
A French writer observes, that in an age like ours, when firm convictions and settled beliefs are rare, it is no small satisfaction to have to record a career like that of the Princess of Belgiojoso—a career specially illustrious, because, above all things, honourable. But truly great minds, to paraphrase some words of Georges Sand, are always good minds.
The princess's chief titles to distinction are as a vigorous writer and a liberal thinker; she did not qualify herself for a place among great female travellers until unhappy events exiled her from her country.
Christina Trivulzia, Princess of Belgiojoso, was born on the 28th of June, 1808. At the early age of sixteen she was married to the Prince Emile de Barbian de Belgiojoso. She died in 1871.
Passionately devoted to the cause of a "free Italy," she was unable to live under the heavy yoke of the Austrian supremacy, and hastened to establish herself at Paris, where her rank, her fortune, her love of letters and the arts, and the boldness of her political opinions, made her the attraction of the highest society. She formed an intimate acquaintance with numerous great writers and celebrated statesmen, particularly of Mignet and Augustin Thierry, whose daily diminishing liberalism she rapidly and boldly outstripped. In 1848 she plunged with all the ardour of an enthusiastic nature—a child of the warm South—into that wild revolutionary movement which swept over almost every country in Europe, rolling from the Alps to the Carpathians, from Paris to Berlin. She hastened to Milan, which had expelled its Austrian garrison, and at her own expense equipped two hundred horse, whom she led against the enemy. But Italy was not then united; she was not strong enough to encounter her oppressor; the bayonets of Radetzky re-imposed the Austrian domination; the princess was compelled to fly, and her estates were confiscated.
During the insurrectionary fever at Rome, in 1849, she fearlessly made her way into the very midst of the fighting-men, and in her own person directed the ambulances. Her love of freedom and her humanity were rewarded by banishment from the territories of the Church. As she could nowhere in Italy hope for a secure resting-place, she resolved to reside for the future in the East, and, repairing to Constantinople, she founded there a benevolent institution for the daughters of emigrants.
But in a short time she withdrew from European Turkey, and at Osmandjik, near Sinope, laid the foundations of a model farm. In 1850 she published in a French journal, the National, her memorials of Veile; and as a relief to the stir and unrest of politics, she wrote, in the following year, her "Notions d'Histoire à l'usage des Enfants" (1851). The narrative of her journey in Asia Minor appeared at a later date in the well-known pages of the Revue des deux Mondes.
Having recovered possession of her estates, thanks to the amnesty proclaimed by the Emperor Francis Joseph, she sought in literary labour a field for the activity of her restless intellect. Balzac points to that great female artist and republican, the Duchess of San-Severins, in Stendhal's "La Chartreuse de Parme," as a portrait of the princess. Whether this be so or not, she was assuredly one of the most conspicuous and original figures of the time.
Her chief title to literary reputation rests upon her "Études sur l'Asie-Mineure et sur les Turcs." In reference to these luminous and eloquent sketches, a critic says: "I have read many works descriptive of Mussulman manners, but have never met with one which gave so exact and full an idea of Oriental life." But in the princess's writings we must not seek for those richly coloured pictures, those highly decorative paintings in which style plays the principal part—pictures composed for effect, and entirely indifferent to accuracy of detail or truth of composition. She never seeks to dazzle or beguile the reader; her language is direct and vigorous and full of vitality because it always embodies the truth.
No one has shown a juster appreciation of that strange Eastern institution, the harem, though it is no easy thing to form a clear and impartial judgment upon a system so alien to Western ideas and revolting to Christian