Fyodor Dostoyevsky: The Complete Novels. Reading Time

and beating with the fish on the steps, and cabmen and drunken soldiers were crowding in the doorway taunting her. You don't believe that you will ever be like that? I should be sorry to believe it, too, but how do you know; maybe ten years, eight years ago that very woman with the salt fish came here fresh as a cherub, innocent, pure, knowing no evil, blushing at every word. Perhaps she was like you, proud, ready to take offence, not like the others; perhaps she looked like a queen, and knew what happiness was in store for the man who should love her and whom she should love. Do you see how it ended? And what if at that very minute when she was beating on the filthy steps with that fish, drunken and dishevelled—what if at that very minute she recalled the pure early days in her father's house, when she used to go to school and the neighbour's son watched for her on the way, declaring that he would love her as long as he lived, that he would devote his life to her, and when they vowed to love one another for ever and be married as soon as they were grown up! No, Liza, it would be happy for you if you were to die soon of consumption in some corner, in some cellar like that woman just now. In the hospital, do you say? You will be lucky if they take you, but what if you are still of use to the madam here? Consumption is a queer disease, it is not like fever. The patient goes on hoping till the last minute and says he is all right. He deludes himself And that just suits your madam. Don't doubt it, that's how it is; you have sold your soul, and what is more you owe money, so you daren't say a word. But when you are dying, all will abandon you, all will turn away from you, for then there will be nothing to get from you. What's more, they will reproach you for cumbering the place, for being so long over dying. However you beg you won't get a drink of water without abuse: 'Whenever are you going off, you nasty hussy, you won't let us sleep with your moaning, you make the gentlemen sick.' That's true, I have heard such things said myself. They will thrust you dying into the filthiest corner in the cellar—in the damp and darkness; what will your thoughts be, lying there alone? When you die, strange hands will lay you out, with grumbling and impatience; no one will bless you, no one will sigh for you, they only want to get rid of you as soon as may be; they will buy a coffin, take you to the grave as they did that poor woman today, and celebrate your memory at the tavern. In the grave, sleet, filth, wet snow— no need to put themselves out for you—'Let her down, Vanuha; it's just like her luck—even here, she is head-foremost, the hussy. Shorten the cord, you rascal.' 'It's all right as it is.' 'All right, is it? Why, she's on her side! She was a fellow-creature, after all! But, never mind, throw the earth on her.' And they won't care to waste much time quarrelling over you. They will scatter the wet blue clay as quick as they can and go off to the tavern … and there your memory on earth will end; other women have children to go to their graves, fathers, husbands. While for you neither tear, nor sigh, nor remembrance; no one in the whole world will ever come to you, your name will vanish from the face of the earth—as though you had never existed, never been born at all! Nothing but filth and mud, however you knock at your coffin lid at night, when the dead arise, however you cry: 'Let me out, kind people, to live in the light of day! My life was no life at all; my life has been thrown away like a dish- clout; it was drunk away in the tavern at the Haymarket; let me out, kind people, to live in the world again.'"

      And I worked myself up to such a pitch that I began to have a lump in my throat myself, and … and all at once I stopped, sat up in dismay and, bending over apprehensively, began to listen with a beating heart. I had reason to be troubled.

      I had felt for some time that I was turning her soul upside down and rending her heart, and—and the more I was convinced of it, the more eagerly I desired to gain my object as quickly and as effectually as possible. It was the exercise of my skill that carried me away; yet it was not merely sport … .

      I knew I was speaking stiffly, artificially, even bookishly, in fact, I could not speak except "like a book." But that did not trouble me: I knew, I felt that I should be understood and that this very bookishness might be an assistance. But now, having attained my effect, I was suddenly panic-stricken. Never before had I witnessed such despair! She was lying on her face, thrusting her face into the pillow and clutching it in both hands. Her heart was being torn. Her youthful body was shuddering all over as though in convulsions. Suppressed sobs rent her bosom and suddenly burst out in weeping and wailing, then she pressed closer into the pillow: she did not want anyone here, not a living soul, to know of her anguish and her tears. She bit the pillow, bit her hand till it bled (I saw that afterwards), or, thrusting her fingers into her dishevelled hair, seemed rigid with the effort of restraint, holding her breath and clenching her teeth. I began saying something, begging her to calm herself, but felt that I did not dare; and all at once, in a sort of cold shiver, almost in terror, began fumbling in the dark, trying hurriedly to get dressed to go. It was dark; though I tried my best I could not finish dressing quickly. Suddenly I felt a box of matches and a candlestick with a whole candle in it. As soon as the room was lighted up, Liza sprang up, sat up in bed, and with a contorted face, with a half insane smile, looked at me almost senselessly. I sat down beside her and took her hands; she came to herself, made an impulsive movement towards me, would have caught hold of me, but did not dare, and slowly bowed her head before me.

      "Liza, my dear, I was wrong … forgive me, my dear," I began, but she squeezed my hand in her fingers so tightly that I felt I was saying the wrong thing and stopped.

      "This is my address, Liza, come to me."

      "I will come," she answered resolutely, her head still bowed.

      "But now I am going, good-bye … till we meet again."

      I got up; she, too, stood up and suddenly flushed all over, gave a shudder, snatched up a shawl that was lying on a chair and muffled herself in it to her chin. As she did this she gave another sickly smile, blushed and looked at me strangely. I felt wretched; I was in haste to get away—to disappear.

      "Wait a minute," she said suddenly, in the passage just at the doorway, stopping me with her hand on my overcoat. She put down the candle in hot haste and ran off; evidently she had thought of something or wanted to show me something. As she ran away she flushed, her eyes shone, and there was a smile on her lips—what was the meaning of it? Against my will I waited: she came back a minute later with an expression that seemed to ask forgiveness for something. In fact, it was not the same face, not the same look as the evening before: sullen, mistrustful and obstinate. Her eyes now were imploring, soft, and at the same time trustful, caressing, timid. The expression with which children look at people they are very fond of, of whom they are asking a favour. Her eyes were a light hazel, they were lovely eyes, full of life, and capable of expressing love as well as sullen hatred.

      Making no explanation, as though I, as a sort of higher being, must understand everything without explanations, she held out a piece of paper to me. Her whole face was positively beaming at that instant with naive, almost childish, triumph. I unfolded it. It was a letter to her from a medical student or someone of that sort—a very high-flown and flowery, but extremely respectful, love-letter. I don't recall the words now, but I remember well that through the high-flown phrases there was apparent a genuine feeling, which cannot be feigned. When I had finished reading it I met her glowing, questioning, and childishly impatient eyes fixed upon me. She fastened her eyes upon my face and waited impatiently for what I should say. In a few words, hurriedly, but with a sort of joy and pride, she explained to me that she had been to a dance somewhere in a private house, a family of "very nice people, WHO KNEW NOTHING, absolutely nothing, for she had only come here so lately and it had all happened … and she hadn't made up her mind to stay and was certainly going away as soon as she had paid her debt… " and at that party there had been the student who had danced with her all the evening. He had talked to her, and it turned out that he had known her in old days at Riga when he was a child, they had played together, but a very long time ago—and he knew her parents, but ABOUT THIS he knew nothing, nothing whatever, and had no suspicion! And the day after the dance (three days ago) he had sent her that letter through the friend with whom she had gone to the party … and … well, that was all."

      She dropped her shining eyes with a sort of bashfulness as she finished.

      The poor girl was keeping that student's letter as a precious treasure, and had run to fetch it, her only treasure, because she did not want me to go away without knowing that she, too, was honestly and genuinely loved; that she, too, was addressed respectfully. No doubt that letter was destined to