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XII.
Miss Bart had in fact been treading a devious way, and none of her critics could have been more alive to the fact than herself; but she had a fatalistic sense of being drawn from one wrong turning to another, without ever perceiving the right road till it was too late to take it.
Lily, who considered herself above narrow prejudices, had not imagined that the fact of letting Gus Trenor make a little money for her would ever disturb her self-complacency. And the fact in itself still seemed harmless enough; only it was a fertile source of harmful complications. As she exhausted the amusement of spending the money these complications became more pressing, and Lily, whose mind could be severely logical in tracing the causes of her ill-luck to others, justified herself by the thought that she owed all her troubles to the enmity of Bertha Dorset. This enmity, however, had apparently expired in a renewal of friendliness between the two women. Lily’s visit to the Dorsets had resulted, for both, in the discovery that they could be of use to each other; and the civilized instinct finds a subtler pleasure in making use of its antagonist than in confounding him. Mrs. Dorset was, in fact, engaged in a new sentimental experiment, of which Mrs. Fisher’s late property, Ned Silverton, was the rosy victim; and at such moments, as Judy Trenor had once remarked, she felt a peculiar need of distracting her husband’s attention. Dorset was as difficult to amuse as a savage; but even his self-engrossment was not proof against Lily’s arts, or rather these were especially adapted to soothe an uneasy egoism. Her experience with Percy Gryce stood her in good stead in ministering to Dorset’s humours, and if the incentive to please was less urgent, the difficulties of her situation were teaching her to make much of minor opportunities.
Intimacy with the Dorsets was not likely to lessen such difficulties on the material side. Mrs. Dorset had none of Judy Trenor’s lavish impulses, and Dorset’s admiration was not likely to express itself in financial “tips,” even had Lily cared to renew her experiences in that line. What she required, for the moment, of the Dorsets’ friendship, was simply its social sanction. She knew that people were beginning to talk of her; but this fact did not alarm her as it had alarmed Mrs. Peniston. In her set such gossip was not unusual, and a handsome girl who flirted with a married man was merely assumed to be pressing to the limit of her opportunities. It was Trenor himself who frightened her. Their walk in the Park had not been a success. Trenor had married young, and since his marriage his intercourse with women had not taken the form of the sentimental small-talk which doubles upon itself like the paths in a maze. He was first puzzled and then irritated to find himself always led back to the same starting-point, and Lily felt that she was gradually losing control of the situation. Trenor was in truth in an unmanageable mood. In spite of his understanding with Rosedale he had been somewhat heavily “touched” by the fall in stocks; his household expenses weighed on him, and he seemed to be meeting, on all sides, a sullen opposition to his wishes, instead of the easy good luck he had hitherto encountered.
Mrs. Trenor was still at Bellomont, keeping the town-house open, and descending on it now and then for a taste of the world, but preferring the recurrent excitement of week-end parties to the restrictions of a dull season. Since the holidays she had not urged Lily to return to Bellomont, and the first time they met in town Lily fancied there was a shade of coldness in her manner. Was it merely the expression of her displeasure at Miss Bart’s neglect, or had disquieting rumours reached her? The latter contingency seemed improbable, yet Lily was not without a sense of uneasiness. If her roaming sympathies had struck root anywhere, it was in her friendship with Judy Trenor. She believed in the sincerity of her friend’s affection, though it sometimes showed itself in self-interested ways, and she shrank with peculiar reluctance from any risk of estranging it. But, aside from this, she was keenly conscious of the way in which such an estrangement would react on herself. The fact that Gus Trenor was Judy’s husband was at times Lily’s strongest reason for disliking him, and for resenting the obligation under which he had placed her.
To set her doubts at rest, Miss Bart, soon after the New Year, “proposed” herself for a week-end at Bellomont. She had learned in advance that the presence of a large party would protect her from too great assiduity on Trenor’s part, and his wife’s telegraphic “come by all means” seemed to assure her of her usual welcome.
Judy received her amicably. The cares of a large party always prevailed over personal feelings, and Lily saw no change in her hostess’s manner. Nevertheless, she was soon aware that the experiment of coming to Bellomont was destined not to be successful. The party was made up of what Mrs. Trenor called “poky people”—her generic name for persons who did not play bridge—and, it being her habit to group all such obstructionists in one class, she usually invited them together, regardless of their other characteristics. The result was apt to be an irreducible combination of persons having no other quality in common than their abstinence from bridge, and the antagonisms developed in a group lacking the one taste which might have amalgamated them, were in this case aggravated by bad weather, and by the ill-concealed boredom of their host and hostess. In such emergencies, Judy would usually have turned to Lily to fuse the discordant elements; and Miss Bart, assuming that such a service was expected of her, threw herself into it with her accustomed zeal. But at the outset she perceived a subtle resistance to her efforts. If Mrs. Trenor’s manner toward her was unchanged, there was certainly a faint coldness in that of the other ladies. An occasional caustic allusion to “your friends the Wellington Brys,” or to “the little Jew who has bought the Greiner house—some one told us you knew him, Miss Bart,”—showed Lily that she was in disfavour with that portion of society which, while contributing least to its amusement, has assumed the right to decide what forms that amusement shall take. The indication was a slight one, and a year ago Lily would have smiled at it, trusting to the charm of her personality to dispel any prejudice against her. But now she had grown more sensitive to criticism and less confident in her power of disarming it. She knew, moreover, that if the ladies at Bellomont permitted themselves to criticize her friends openly, it was a proof that they were not afraid of subjecting her to the same treatment behind her back. The nervous dread lest anything in Trenor’s manner should seem to justify their disapproval made her seek every pretext for avoiding him, and she left Bellomont conscious of having failed in every purpose which had taken her there.
In town she returned to preoccupations which, for the moment, had the happy effect of banishing troublesome thoughts. The Welly Brys, after much debate, and anxious counsel with their newly acquired friends, had decided on the bold move of giving a general entertainment. To attack society collectively, when one’s means of approach are limited to a few acquaintances, is like advancing into a strange country with an insufficient number of scouts; but such rash tactics have sometimes led to brilliant victories, and the Brys had determined to put their fate to the touch. Mrs. Fisher, to whom they had entrusted the conduct of the affair, had decided that tableaux vivants and expensive music were the two baits most likely to attract the desired prey, and after prolonged negotiations, and the kind of wire-pulling in which she was known to excel, she had induced a dozen fashionable women to exhibit themselves in a series of pictures which, by a farther miracle of persuasion, the distinguished portrait painter, Paul Morpeth, had been prevailed upon to organize.
Lily was in her element on such occasions. Under Morpeth’s guidance her vivid plastic sense, hitherto nurtured on no higher food than dress-making and upholstery, found eager expression in the disposal of draperies, the study of attitudes, the shifting of lights and shadows. Her dramatic instinct was roused by the choice of subjects, and the gorgeous reproductions of historic dress stirred an imagination which only visual impressions could reach. But keenest of all was the exhilaration of displaying her own beauty under a new aspect: of showing that her loveliness was no mere fixed quality, but an element shaping all emotions to fresh forms of grace.
Mrs. Fisher’s measures had been well-taken, and society, surprised in a dull moment, succumbed to the temptation of Mrs. Bry’s hospitality. The protesting minority were