He swung round on his heel to follow his mother’s smiling inspection of the apartment.
“She seems to have all the qualities,” Mrs. Denis Peyton remarked, as her circuit finally brought her to the prettily appointed tea-table.
“All,” he declared, taking the sting from her emphasis by his prompt adoption of it. Dick had always had a wholesome way of thus appropriating to his own use such small shafts of maternal irony as were now and then aimed at him.
Kate Peyton laughed and loosened her furs. “It looks charmingly,” she pronounced, ending her survey by an approach to the window, which gave, far below, the oblique perspective of a long side-street leading to Fifth Avenue.
The high-perched room was Dick Peyton’s private office, a retreat partitioned off from the larger enclosure in which, under a north light and on a range of deal tables, three or four young draughtsmen were busily engaged in elaborating his architectural projects. The outer door of the office bore the sign: Peyton and Gill, Architects; but Gill was an utilitarian person, as unobtrusive as his name, who contented himself with a desk in the work-room, and left Dick to lord it alone in the small apartment to which clients were introduced, and where the social part of the business was carried on.
It was to serve, on this occasion, as the scene of a tea designed, as Kate Peyton was vividly aware, to introduce a certain young lady to the scene of her son’s labours. Mrs. Peyton had been hearing a great deal lately about Clemence Verney. Dick was naturally expansive, and his close intimacy with his mother—an intimacy fostered by his father’s early death—if it had suffered some natural impairment in his school and college days, had of late been revived by four years of comradeship in Paris, where Mrs. Peyton, in a tiny apartment of the Rue de Varennes, had kept house for him during his course of studies at the Beaux Arts. There were indeed not lacking critics of her own sex who accused Kate Peyton of having figured too largely in her son’s life; of having failed to efface herself at a period when it is agreed that young men are best left free to try conclusions with the world. Mrs. Peyton, had she cared to defend herself, might have said that Dick, if communicative, was not impressionable, and that the closeness of texture which enabled him to throw off her sarcasms preserved him also from the infiltration of her prejudices. He was certainly no knight of the apron-string, but a seemingly resolute and self-sufficient young man, whose romantic friendship with his mother had merely served to throw a veil of suavity over the hard angles of youth.
But Mrs. Peyton’s real excuse was after all one which she would never have given. It was because her intimacy with her son was the one need of her life that she had, with infinite tact and discretion, but with equal persistency, clung to every step of his growth, dissembling herself, adapting herself, rejuvenating herself, in the passionate effort to be always within reach, but never in the way.
Denis Peyton had died after seven years of marriage, when his boy was barely six. During those seven years he had managed to squander the best part of the fortune he had inherited from his step-brother; so that, at his death, his widow and son were left with a scant competence. Mrs. Peyton, during her husband’s life, had apparently made no effort to restrain his expenditure. She had even been accused, by those judicious persons who are always ready with an estimate of their neighbours’ motives, of having encouraged poor Denis’s improvidence for the gratification of her own ambition. She had in fact, in the early days of their marriage, tried to launch him in politics, and had perhaps drawn somewhat heavily on his funds in the first heat of the contest; but the experiment ending in failure, as Denis Peyton’s experiments were apt to end, she had made no farther demands on his exchequer. Her personal tastes were in fact unusually simple, but her outspoken indifference to money was not, in the opinion of her critics, designed to act as a check upon her husband; and it resulted in leaving her, at his death, in straits from which it was impossible not to deduce a moral.
Her small means, and the care of the boy’s education, served the widow as a pretext for secluding herself in a socially remote suburb, where it was inferred that she was expiating, on queer food and in ready-made boots, her rash defiance of fortune. Whether or not Mrs. Peyton’s penance took this form, she hoarded her substance to such good purpose that she was not only able to give Dick the best of schooling, but to propose, on his leaving Harvard, that he should prolong his studies by another four years at the Beaux Arts. It had been the joy of her life that her boy had early shown a marked bent for a special line of work. She could not have borne to see him reduced to a mere money-getter, yet she was not sorry that their small means forbade the cultivation of an ornamental leisure. In his college days Dick had troubled her by a superabundance of tastes, a restless flitting from one form of artistic expression to another. Whatever art he enjoyed he wished to practise, and he passed from music to painting, from painting to architecture, with an ease which seemed to his mother to indicate lack of purpose rather than excess of talent. She had observed that these changes were usually due, not to self-criticism, but to some external discouragement. Any depreciation of his work was enough to convince him of the uselessness of pursuing that special form of art, and the reaction produced the immediate conviction that he was really destined to shine in some other line of work. He had thus swung from one calling to another till, at the end of his college career, his mother took the decisive step of transplanting him to the Beaux Arts, in the hope that a definite course of study, combined with the stimulus of competition, might fix his wavering aptitudes. The result justified her expectation, and their four years in the Rue de Varennes yielded the happiest confirmation of her belief in him. Dick’s ability was recognized not only by his mother, but by his professors. He was engrossed in his work, and his first successes developed his capacity for application. His mother’s only fear was that praise was still too necessary to him. She was uncertain how long his ambition would sustain him in the face of failure. He gave lavishly where he was sure of a return; but it remained to be seen if he were capable of production without recognition. She had brought him up in a wholesome scorn of material rewards, and nature seemed, in this direction, to have seconded her training. He was genuinely indifferent to money, and his enjoyment of beauty was of that happy sort which does not generate the wish for possession. As long as the inner eye had food for contemplation, he cared very little for the deficiencies in his surroundings; or, it might rather be said, he felt, in the sum-total of beauty about him, an ownership of appreciation that left him free from the fret of personal desire. Mrs. Peyton had cultivated to excess this disregard of material conditions; but she now began to ask herself whether, in so doing, she had not laid too great a strain on a temperament naturally exalted. In guarding against other tendencies she had perhaps fostered in him too exclusively those qualities which circumstances had brought to an unusual development in herself. His enthusiasms and his disdains were alike too unqualified for that happy mean of character which is the best defence against the surprises of fortune. If she had taught him to set an exaggerated value on ideal rewards, was not that but a shifting of the danger-point on which her fears had always hung? She trembled sometimes to think how little love and a lifelong vigilance had availed in the deflecting of inherited tendencies.
Her fears were in a measure confirmed by the first two years of their life in New York, and the opening of his career as a professional architect. Close on the easy triumphs of his studentship there came the chilling reaction of public indifference. Dick, on his return from Paris, had formed a partnership with an architect who had had several years of practical training in a New York office; but the quiet and industrious Gill, though he attracted to the new firm a few small jobs which overflowed from the business of his former employer, was not able to infect the public with his own faith in Peyton’s talents, and it was trying to a genius who felt himself capable of creating palaces to have to restrict his efforts to the building of suburban cottages or the planning of cheap alterations in private houses.
Mrs. Peyton expended all the ingenuities of tenderness in keeping up her son’s courage; and she was seconded in the task by a friend whose acquaintance Dick had made at the Beaux Arts, and who, two years before the Peytons, had returned to New York to start on his own career as an architect. Paul Darrow was a young man full of crude seriousness, who, after a youth of struggling work and study in his native northwestern state, had won a scholarship which sent him abroad