Vivaldi’s friends in Milan came generously to Fulvia’s aid, and she would gladly have remained among them; but after the loss of her small inheritance and of her father’s manuscript she was without means of repaying their kindness, and nothing remained but to turn to her own kin.
As Odo sat in the quiet cell, listening to her story, and hearing again the great names his youth had reverenced, he felt himself an exile returning to his own, remounting the familiar heights and breathing the air that was his birthright. Looking back from this recovered standpoint he saw how far behind his early hopes had been left. Since his departure from Naples there had been nothing to remind him of that vast noiseless labor of the spirit going on everywhere beneath the social surface: that baffled but undiscouraged endeavor in which he had once so impatiently claimed his share. Now every word of Fulvia’s smote the bones of some dead purpose, till his bosom seemed a very valley of Ezekiel. Her own trials had fanned her love of freedom, and the near hope of release lent an exaltation to her words. Of bitterness, of resentment she gave no sign; and he was awed by the same serenity of spirit which had struck him in the imprisoned doctor. But perhaps the strongest impression she produced was that of increasing his points of contact with life. His other sentimental ties had been a barrier between himself and the outer world; but the feeling which drew him to Fulvia had the effect of levelling the bounds of egoism, of letting into the circle of his nearest emotions that great tide of human longing and effort that had always faintly sounded on the shores of self. Perhaps it was her power of evoking this wider life that gave a sense of permanence, of security almost, to the stolen moments of their intercourse, lulling the lover’s impatience of actual conditions with the sense of something that must survive the accidents of fortune. Only in some such way could he explain, in looking back, the completeness of each moment spent with her. He was conscious even at the time of a suspension of the emotional laws, a charmed surrender to the limitations of his fate. When he was away his impatience reasserted itself; but her presence was like a soothing hand on his spirit, and he knew that his quiet hours with her would count among those intervals between the crises of life that flower in memory when the crises themselves have faded.
It was natural that in the course of these visits she in turn should question him; and as his past rearranged itself beneath her scrutiny he seemed once more to trace the thread of purpose on which its fragments hung. He told her of his connection with the liberals of Pianura, of the situation at court, and of the reason for his prolonged travels. As he talked her eyes conveyed the exquisite sense of her complete comprehension. She saw, before he could justify himself, how the uncertainty of his future, and his inability to act, had cast him adrift upon a life of superficial enjoyment; and how his latent dissatisfaction with this life had inevitably resulted in self-distrust and vacillation. “You wait your hour,” she said of him; and he seized on the phrase as a justification of his inactivity and, when chance should offer, a spur to fresh endeavor. Her interest in the liberal cause had been intensified and exalted by her father’s death—his martyrdom, as she described it. Like most women possessed of an abstract idea she had unconsciously personified the idea and made a religion of it; but it was a religion of charity and not of vindictiveness. “I should like my father’s death avenged by love and not by hate,” she said; “I would have it bring peace, not a sword.”
On one point only she remained, if not hostile, yet unresponsive. This was when he spoke of de Crucis. Her manner hardened instantly, and he perceived that, though he dwelt on the Jesuit’s tolerant view and cultivated tastes, she beheld only the priest and not the man. She had been eager to hear of Crescenti, whom she knew by name as a student of European repute, and to the praise of whose parochial charities she listened with outspoken sympathy; but the Jesuits stood for the Holy Office, and she had suffered too deeply at the hands of the Holy Office to regard with an open mind any who might be supposed to represent its principles. It was impossible for Odo to make her understand how distinctly, in de Crucis’s case, the man predominated over the order; and conscious of the painfulness of the subject, he gave up the attempt to interest her in his friend.
Three or four times he was permitted to visit her in her cell: after that they met almost daily in the parlor, where, about the hour of benediction, they could talk almost as privately under cover of the general chatter. In due time Fulvia received an answer from the Calvinist professor, who assured her of a welcome in Geneva and shelter under his roof. Odo, meanwhile, had perfected the plan of their journey; but as Michaelmas approached he began to fear Cantapresto’s observation. He now bitterly regretted that he had not held to his purpose of sending the soprano back to Pianura; but to do so at this point would be to challenge observation, and he resolved instead on despatching him to Monte Alloro with a letter to the old Duke. As the way to Geneva lay in the opposite direction this would at least give the fugitives a three days’ lead; and they had little cause to fear pursuit from any other quarter. The convent indeed might raise a hue and cry; but the nuns of Santa Chiara had lately given the devout so much cause for scandal that the Abbess would probably be disposed to hush up any fresh delinquency. The time too was well-chosen; for the sisters had prevailed on the Reverend Mother to celebrate the saint’s day by a masked ball, and the whole convent was engrossed in the invention of whimsical disguises. The nuns indeed were not to take part in the ball; but a number of them were to appear in an allegorical entertainment with which the evening was to open. The new Papal Nuncio, who was lately arrived in Venice, had promised to be present; and as he was known to be a man of pleasure there was scarce a sister in the convent but had an eye to his conquest. These circumstances gave to Fulvia’s plans the shelter of indifference; for in the delightful effort of surpassing the other nuns even Mary of the Crucifix lost interest in her friend’s affairs.
Odo, to preserve the secrecy of his designs, had been obliged to keep up a pretence of his former habits, showing himself abroad with Cœur-Volant and Castelrovinato and frequenting the Procuratessa’s routs and card-parties. This lady, though lately returned to the Brenta, had announced her intention of coming to Venice for the ball at Santa Chiara; and Cœur-Volant was mightily preoccupied with the entertainment, at which he purposed his mistress should outshine all her companions.
The evening came at last, and Odo found himself entering the gates of Santa Chiara with a throng of merry-makers. The convent was noted for its splendid hospitality, and unwonted preparations had been made to honor the saint. The brightly-illuminated bridge leading to the square of Santa Chiara was decked with a colonnade of pasteboard and stiffened linen cunningly painted, and a classical portico masked the entrance gate. A flourish of trumpets and hautboys, and the firing of miniature cannon greeted the arrival of the guests, who were escorted to the parlor, which was hung with tapestries and glowing with lights like a Lady Chapel. Here they were received by the Abbess, who, on the arrival of the Nuncio, led the way to the garden, where a stage had been erected.
The nuns who were not to take part in the play had been seated directly under the stage, divided from the rest of the company by a low screen of foliage. Ranged beneath the footlights, which shone on their bare shoulders and white gowns, and on the gauze veils replacing their monastic coifs, they seemed a choir of pagan virgins grouped in the proscenium of an antique theatre. Everything indeed combined to produce the impression of some classic festival: the setting of motionless foliage, the mild autumnal sky in which the stars