"You haven't said anything about the school," Helen remarked after a time. "Aren't you glad!" she exclaimed, in the need of her spirit to know him to be as generous as she thought him. "It was so big, so large-hearted of him! Especially after all the bitter things the papers had said about him—to give pretty nearly everything he had made, the whole work of his life, to help the working people—the very ones who had so often misunderstood him and tried to hurt him. He was great enough to forget the strikes and the riots, and their shooting at him! He forgave them. He saw why they erred, and he wanted to lift them out of their hate and their ignorance. He wanted to make their lives happier and better! Weren't you glad? Wasn't it a splendid answer to his enemies!"
Thus she idealized Powers Jackson, that hoary old he-wolf of the prairies! Strength and tenderness and generosity she saw in him and nothing else, and she loved him as she might have loved her father, unquestioningly. In his somewhat loose attempt to return to the world a part of the wealth he had got from it perhaps he had justified the girl's vision of him. Fierce and harsh as he had appeared to others, was he not at the end hers rather than the world's?
The warmth of her feeling lent her quiet face glow and beauty. She had spoken fast, but in a distinct, low voice, which had a note of appeal in it, coming from her desire to rouse the man. For the moment she succeeded. He was ashamed to seem unworthy in her eyes, to harbor base thoughts.
"Why, yes," he admitted; "as you put it, it seems fine. But I don't feel sure that I admire an old man's philanthropies, altogether. He doesn't want the money any longer—that's a sure thing! So he chucks it into some big scheme or other that's likely to bring him a lot of fame. Uncle Powers was sharp enough in gathering his dollars, and in keeping 'em too so long as he"—
"Oh! How can you say that? Don't!" the girl implored, looking at him with troubled eyes.
If she had had much experience of men and things—if she had had the habit of mean interpretation—she would have understood the architect's perplexity long before this. But added to her inexperience was her persistent need of soul to see those she loved large and generous.
"Well," Hart resumed, more guardedly, "I didn't mean any disrespect to the old man. It's only the oldest law of life that he lived up to. And I guess he meant to have me learn that law as fast as I can. You've got to fight for what you want in this world, and fight hard, and fight all the time. And there isn't much room for sentiment and fine ideas and philanthropy until you are old, and have earned your pile, and done your neighbor out of his in the process!"
She was silent, and he continued, willing to let her see some of the harder, baser reaches of his mind:—
"It's just the same way with art. It's only good when it succeeds. It doesn't live unless it can succeed in pleasing people, in making money. I see that now! Chicago has taught me that much in two years. I'm going to open my own shop as soon as I can and look for trade. That's what uncle wanted me to do. If I get some big commissions, and put up a lot of skyscrapers or mills, why, I shall have won out. What does any one care for the kind of work you do? It's the price it brings every time!"
"Don't say that! Please, please don't talk that way, so bitterly."
There was real pain in her voice, and her eyes were filmed with incipient tears. He leaned forward in his low chair and asked impetuously: "Why do you say that? Why do you care what I say?"
Her lips trembled; she looked at him piteously for a moment, as if to beg him not to force her to confess more openly how he had hurt her, how much she could be hurt by seeing in him the least touch of baseness. She rose, without knowing what she did, in an unconscious instinct for flight. She twisted her hands nervously, facing him, as he rose, too, with her misty, honest eyes.
"Tell me!" he whispered. "Do you care?"
"Don't," she moaned inarticulately, seeking in her whirling brain for some defence against the man.
They hung there, like this, for the space of several seconds, their hearts beating furiously, caught in a sudden wave of emotion, which drew them inexorably closer, against their reason; which mastered their natures without regard for their feeble human wills. …
He drew her to him and kissed her. She murmured in the same weak, defenceless tone as before—"Don't, not yet."
But she gave herself quite unreservedly to his strong arms. She gave herself with all the perfect self-forgetfulness of an absolutely pure woman who loves and is glad. The little thoughts of self were forgotten, the preconceptions of her training. She was glad to give, to give all, in the joy of giving to him!
The man, having thus done what his reason had counselled him for the past week not to do, what he would have said an hour before was impossible for him to do, came out of the great whelming wave of feeling, and found himself alone upon the dark street under the tranquil canopy of the city smoke. His whole being was at rest after the purification of strong passion, at rest and at peace, with that wonderful sense of poise, of rightness about one's self, which comes when passion is perfect and touches the whole soul. For the fret about his affairs and his uncle's will, in which he had lived for the past week, had vanished with the touch of the girl's lips.
He knew that he had committed himself to a very difficult future by engaging himself to a poor woman and struggling upwards in real poverty, instead of taking the decencies of a comfortable bachelorhood. But there was something inspiring in what had happened, something strangely electrifying to his nerves. He had stooped and caught the masculine burden of life, but he felt his feet a-tingle for the road before him. And, best of all, there was a new reverence in his heart for that unknown woman who had kissed him and taken him to her—for always.
CHAPTER VIII
"Hello, Jackie!"
Such familiarity of address on the part of Wright's head draughtsman had long annoyed Hart, but this morning, instead of nodding curtly, he replied briskly—
"Hello, Cookie!"
The draughtsman winked at his neighbor and thrust out an elbow at a derisive angle, as he bent himself over the linen plan he was carefully inking in. The man next to him snickered, and the stenographer just outside the door smiled. An office joke was in the air.
"Mr. Hart looks as though somethin' good had happened to him," the stenographer remarked in a mincing tone. "Perhaps some more of his folks have died and remembered him in their wills."
But Cook dismissed the subject by calling out to one of the men, "Say, Ed, come over here and tell me what you were trying to do with this old hencoop."
He might take privileges with the august F. Jackson Hart, whose foreign training had rather oppressed the office force at times, but he would not allow Gracie Bellows, the stenographer, to "mix" in his joke.
Cook was a spare, black-haired little man, with beady brown eyes, like a squirrel's. He was a pure product of Wright's Chicago office, having worked his way from a boy's position to the practical headship of the force. Although he permitted himself his little fling at Hart, he was really the young architect's warmest admirer, approving even those magnificent palaces of the French Renaissance type which the Beaux Arts man put forth during the first months of his connection with the firm.
The little draughtsman, who was as sharp as one of his own India ink lines, could see that Hart had something on his mind this morning, and he was curious, in all friendliness, to find out what it was. But Jackson did not emerge from his little box of an office for several hours. Then he sauntered by Cook's table, pausing to look out of the window while he abstractedly lighted a cigarette. Presently the stenographer came up to him and said:—
"Mr.