9 Index
List of Illustrations
1 Chapter 2Figure 2.1 Sam Lambert, Installation of the exhibition This Is Tomorrow, Whi...Figure 2.2 Robert Rauschenberg, Small Rebus. Oil, graphite, paint swatches, ...Figure 2.3 Robert Rauschenberg, Bed. Oil and pencil on pillow, quilt, and sh...Figure 2.4 Rosalind Krauss, As a Horizontal Field, Like a Desktop. Video sti...
2 Chapter 5Figure 5.1 Matchbook. The Tool Box, c. 1963.Figure 5.2 Rudy Lemcke, Glinda, 1988, acrylic on canvas, 36 × 30 in.
3 Chapter 7Figure 7.1 Man Ray, Dust Breeding (Duchamp’s Large Glass with Dust Motes...Figure 7.2 Maurice Jarnoux, photograph of André Malraux with the photographi...Figure 7.3 Susan Hiller, From the Freud Museum. 1993.Figure 7.4 Susan Hiller, Witness, 2000.
4 Chapter 9Figure 9.1 Listings from TV Guide1975, November 2, p. A31.Figure 9.2 Grid from TV Guide1986, March 27, pp. A118–A119.Figure 9.3 “Vital Statistics” in the listings from TV Guide1986, March 27, p...
5 Chapter 10Figure 10.1 Cassils, Becoming an Image, Performance Still No. 3 (Pennsylvani...Figure 10.2 Cassils, Becoming an Image, Performance Still No. 4 (National Th...
6 Chapter 11Figure 11.1 “Can’t Ye Just See It?” Judge, January 16, 1926.Figure 11.2 Alfred Hoffy, after William Strickland, Prospective View of the ...Figure 11.3 James Henry Beard, The Ohio Land Speculator, 1840. Purchased wit...
7 Chapter 12Figure 12.1 Blacker House, c. 1915. Photo Leroy Hulbert.Figure 12.2 Teak‐lined entry hall, Blacker House.Figure 12.3 Girdling teak, c. 1920.Figure 12.4 “Elephant laborers piling timber in one of the great riverside y...Figure 12.5 Foucar Bros. Sawmill in Rangoon, from Timber and Plywood, vol. 2...
8 Chapter 13Figure 13.1 Kiakshuk, Three Inukshuks, 1962. Stone. Pearson International Ai...Figure 13.2 Kiakshuk, Stone Images Mark the Western Route, 1960. Stencil pri...Figure 13.3 Photo of Toronto Airport inuksuit after construction in Cape Dor...Figure 13.4 Taro Okamoto, Tower of the Sun, 1970. Osaka.
9 Chapter 15Figure 15.1 Tim Hetherington. Eye Clinic in Bo, Sierra Leone.Figure 15.2 Tim Hetherington, Sergeant Aaron Hijar Sleeping.
10 Chapter 16Figure 16.1 A coordinate grid from Killer of Sheep (directed by Charles Burn...Figure 16.2 Movement and flow from Killer of Sheep (directed by Charles Burn...Figure 16.3 Counting from Killer of Sheep (directed by Charles Burnett, 1977...
11 Chapter 17Figure 17.1 Player Eyes, Spider, and Corridors.Figure 17.2 Runner’s Vision, Highlighted Suggested Route and Objects.
12 Chapter 18Figure 18.1 LOLcats Memes.Figure 18.2 Advertisements appearing in the Berkeley Barb. Clockwise, from t...Figure 18.3 “Sun bananas: ‘Wholesome and then‐some!’” Ann Arbor Sun, April 1...
13 Chapter 19Figure 19.1 Jesse and Arnold Friedman in Friedman home movie. Included in An...Figure 19.2 Photograph taken in 1987 at the district court in Mineola, New Y...Figure 19.3 Former student in Arnold and Jesse Friedman’s computer class. St...Figure 19.4 The Friedman family in the early 1970s: from left, Jesse, in fro...
14 Chapter 20Figure 20.1 Sara Thompto, “I Make Shit and It’s Awesome,” 2018. Sticker.Figure 20.2 Wim Delvoye, Cloaca Professional, 2010. Mixed media. Permanent c...Figure 20.3 Wisconsin School of Engineering Makerspace.Figure 20.4 In our work as Spatula&Barcode, our art is sometimes indistingui...
15 Chapter 25Figure 25.1 Francis Galton, The Jewish Type (Full Face), 1885. Source: Karl ...Figure 25.2 Trevor Paglen, Machine Readable Hito, 2017. Detail. Adhesive wal...Figure 25.3 Trevor Paglen, Fanon (Even the Dead Are Not Safe), Eigenface, 20...Figure 25.4 Trevor Paglen, Vampire (Corpus: Monsters of Capitalism): Adversa...
16 Chapter 27Figure 27.1 Dylan Miner, “No Pipelines on Indigenous Land,” 2016.Figure 27.2 Liberate Tate, The Gift, 2012. Performance at Tate Modern. On 7 ...Figure 27.3 The Zad. “Against the Airport and Its World,” c. 2015.
Guide