Art in Theory. Группа авторов. Читать онлайн. Newlib. NEWLIB.NET

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Издательство: John Wiley & Sons Limited
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Жанр произведения: Изобразительное искусство, фотография
Год издания: 0
isbn: 9781119591399
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here Wales makes relatively favourable comparisons with European dance and theatre, including an audacious one with the leading actor on the London stage, David Garrick. In later life Wales taught mathematics at Christ’s Hospital school in London. Although it cannot be definitively proved, some believe that the stories of his sailing in the Southern Ocean, with which he was renowned for entertaining the schoolboys, planted a seed in the receptive mind of his pupil Samuel Taylor Coleridge, whose Rime of the Ancient Mariner appeared in 1798. This extract is taken from The Journals of Captain James Cook on his Voyages of Discovery: The Voyage of the Resolution and Adventure 1772–1775, ed. J. C. Beaglehole, Cambridge University Press, published for the Hakluyt Society, 1968–1969, vol. 2, Appendix V, ‘Wales’s Journal’, pp. 804–5.

      It may be supposed this Exercise is too violent to last long at a time, especially in this climate and under such a load of dress: accordingly the dancing seldom lasts longer than about 5 or 6 Minutes at a time, and in the intervals we were entertained with the performances of 5 or 6 men which sometimes consisted in a sort of figure Dance, wherein they were very carefull that their feet kept exact time to the Drums; at others in the action of short Interludes, which were in my opinion by far the best parts of the Performance, and realy diverting. The subjects of these were sometimes tricks which they are supposed to put on one another either through cunning, or under cover of a dark night; but oftener turn on intimaces between the Sexes, which at times they carry to great lengths. These Parts were performed exceeding well, the command which they have over their Features and Countinance is extraordinary, and I am not certain that I ever saw Mr Garrick perform with more propriety than one Man did most of his parts. Their Stage, if I may be allowed the Expression, is under a Shed, open in the Front, and at one end is their dressing Room; into, and out of which they make their exits, and enterances as occasion requires; & the floor is spread with very curious Mats: In short, it may be said without exaggeration that the Drama, is advanced in these Islands, very far beyond the Age of Thespis.

      George Forster (1754–94) accompanied his father, Johann Reinhold Forster, as a scientist on Cook’s second voyage. On the strength of his work during the voyage, and the book he published after his return, Forster was elected to the Royal Society at the age of twenty‐three, in 1777. The present extracts describe a range of ‘curiosities’ he saw at Tonga in October 1773 when the ships put in for provisions after journeying west from Tahiti. That the islands became known as ‘The Friendly Islands’ gives some idea of the reception they found. Forster talks about fishhooks, combs, personal ornaments, woven baskets and weapons. All of these he regards as ‘neat’ and ‘elegant’, testifying to workmanship and good taste. Once again, we find a favourable comparison with European artisanal skills. (His later response to the Easter Island stone statues, which, as it were, trespass on the territory of ‘Art’, is significantly different.) Forster’s positive response to Polynesian artefacts may be related to his sympathy with the radical politics emerging in Europe, which tended to view the ways of life of newly discovered peoples in America and Oceania as a point of critical leverage against the artificiality and corruption of contemporary Europe. After his journeys to the Pacific, Forster had a variety of academic jobs in his native Baltic states and Germany. In late 1792, after the French invaded Mainz, where he was librarian at the university, Forster became a founder member of the city’s Jacobin Club and helped organize the National Convention of the new Republic of Mainz. In 1793 he travelled to Paris to request the absorption of Mainz into the revolutionary French republic, but he died of illness there in January 1794. This extract is taken from George Forster, A Voyage Round the World [1777], edited by Nicholas Thomas and Oliver Berghof, Honolulu: University of Hawaii Press, 2000, vol. 1, pp. 236 and 238.