Lifting the veil: de-colonizing the white moral imagination
The way the color line promotes distrust might suggest that each racial group is locked into its own version of reality. In a sectarian public sphere, social groups each have their own version of the world, bolstered by their preferred set of “alternative facts.” Du Bois believed it was possible to repair the bonds of mutual trust torn apart by the color line. Cultivating a shared sense of political fate – the mutual recognition that the advance of each is a condition for the advance of all – is necessary to ensure that democratic politics does not become a mere public contest for grabbing power and asserting self-interest. But this is difficult to do if non-white racial groups inspire fear and resentment in the white moral imagination. Du Bois maintained that white Americans must carry the onus of reparative justice by developing their moral perception and demonstrating their trustworthiness to black and brown communities. In order for the polity to be reconstituted as a racially pluralistic whole, each member of the polity must feel as though their fate is an object of genuine concern for others. In cultivating a sense of interracial civic fellowship, Du Bois took pains to show the manner and depth to which white Americans have contributed to the problem of race and racism, i.e., the problem of the color line. He does this not to dismiss whites’ capacity for advancing racial justice reform. Indeed, he always believed that white supremacy is eliminable from the polity. Rather, in offering a sober account of whites’ role and complicity in white supremacy, he aimed to outline the forms of affective and cognitive labor that are necessary to restore their trustworthiness in communities of color. De-colonizing the white moral imaginations requires welcoming non-whites as civic fellows and showing that one is prepared, in turn, to undertake efforts and even sacrifices on their behalf. Consistent action to advance the standing of the worst off ultimately necessitates giving up an illicit claim to power. In return, one might repair the recognition of oneself as a genuine civic fellow, which is intrinsically valuable insofar as the pursuit of justice is an end in itself and is manifest when all persons believe that their life is an object of genuine concern for others.
In Souls, Du Bois’s critique of modern American society begins with a discussion of the so-called “Negro Problem.”16 His formulation of this “problem” poses a question to the oppressed: “How does it feel to be a problem?”17 With this rhetorical move, Du Bois at once represents the experiential quality of the first-person black experience of Jim Crow – that black people are made to feel like something is wrong with them, that they are the problem – and points forward to a new way of talking about race. Rather than presenting anti-black racism as a problem for black people, he makes it a problem for white people. To be sure, the kind of problem that race is for whites excludes subjection to racist disrespect and violence. Rather, Du Bois points out that the color line is nourished by white habits of judgment about non-whites. Whites render dark skin a “problem” by stigmatizing it and are often the wellsprings of racist hatred and ill will, as well as blank indifference or ignorance about racial realities.
For Du Bois, being morally illiterate about race is more than just not carrying ill will and hatred towards people of color. Being morally illiterate about race showcases habits of judgment that rationalize white fear, indifference, and ignorance, undercutting a sense of shared political fate with communities of color. To be sure, white moral illiteracy about race also entraps African Americans in a system of social values that can undermine the development of black positive self-perception and establish the white-controlled world as the arbiter of truth and value. For whites to de-colonize their moral imagination takes more than just scanning the brain and the heart for racist thoughts or ill will. It requires a more nuanced account of the nature of white complicity in white supremacy and the myriad informal ways that communities of color are rejected as civic fellows. To de-colonize the white moral imagination, then, for Du Bois, entails illuminating a complex social architecture of domination and subordination that preforms interracial social interactions.
In Souls, Du Bois introduces the idea of double consciousness, describing it as a “peculiar sensation.”18 One begins to see oneself “through the revelations of the other world.”19 Seeing oneself from the perspective of another is an important way that humans develop self-consciousness. From childhood to adulthood, when others see us in a positive light, their recognition enables us to form a strong and well-defined sense of self. One’s subjective consciousness of being an honest, lovable, or smart person is confirmed in the recognition of others. Once the “subjective” self fuses with the “objective” self, which is reflected in the external world, one develops an integrated sense of self. The difficulty for Du Bois is that in a white-controlled world, white Americans “look on in amused contempt and pity” at African Americans, and a “conflictual two-ness” results for those standing behind the color line.20 Du Bois noted, “One ever feels one’s two-ness, – an American and a Negro; two warring ideals in one dark body.”21 One feels like one has to choose between identifying as an American or as a person of color. For the white perspective insinuates that a “true” American is not a person of color – they are white. African Americans can, then, feel compelled to “distance” themselves from their own blackness in order to “win” whites’ respect and esteem. And so, when the white-controlled world attempts to establish itself as the “measure” of the black “soul,” black consciousness “doubles”: the subjective self-consciousness of one’s unconditional moral worth as black conflicts with the derogated image of blackness that the world imposes on subjective consciousness.
Paul C. Taylor explains that the “peculiar sensation” of double consciousness represents that African Americans are in the white-controlled world, but not of it.22 The mere fact that one is there – a subject within a legal jurisdiction – does not mean that one has the formal capacity to assert democratic control over the terms of one’s physical, social, economic, or political existence. “Imagine spending your life looking for insults or for hiding places from them – shrinking […] from blows that are not always but ever; not each day, but each week, each month, each year […] forcing your way among cheap and tawdry idiots.”23 Poor treatment, violence, and marginalization profoundly constrain one’s scope of action. The fewer opportunities one has to exercise agency, the more one feels stuck “in” the white-controlled world as its dominated plaything rather than a free agent “of” a democratic republic. Fittingly, Du Bois employed the metaphor of a “prison-house” to illustrate black entrapment. For people of color are “imprisoned” in a world that does not welcome them and whose institutions they can hardly influence. And like a brutal warden, the white-controlled world is deaf to their outcry: “Why did God make me an outcast and a stranger in mine own house?”24
A white-controlled world shapes interracial social interaction to enable the black experience of double consciousness. To watch over one’s shoulder as a police cruiser scopes out the neighborhood. To notice a security guard shadowing one’s movement in a shopping mall. So too, Du Bois warned, whites have a psychological and material incentive to preserve the color line. Racial division stokes discord among the working poor, impairing the formation of a strong interracial labor alliance, which in turn bolsters the ascendancy of the superrich. Poor whites withhold solidarity with black and brown labor and undercut their own economic interests, which can only be advanced through an interracial alliance of organized labor. In compensation, poor whites receive “the wages of whiteness,” a notion Du Bois formulated to illustrate the