Blues Guitar For Dummies. Jon Chappell

15FIGURE 15-1: A typical practice amp.FIGURE 15-2: The Fender Twin amp.FIGURE 15-3: The Marshall Super Lead 100 amp.FIGURE 15-4: Studio players sometimes use a rack system like this one.FIGURE 15-5: The preamp section of an amp.FIGURE 15-6: The tone section of an amp.FIGURE 15-7: An amp’s effects section.FIGURE 15-8: An amp with a footswitch-activated boost.FIGURE 15-9: A tube amp.FIGURE 15-10: A hybrid amp.FIGURE 15-11: The Line 6 Flextone series of amps uses digital-modeling technolo...FIGURE 15-12: The Fender Bassman amp.FIGURE 15-13: The Marshall JTM 45.FIGURE 15-14: The Vox AC30.FIGURE 15-15: The Mesa/ Boogie Mark IIc+.FIGURE 15-16: A collection of distortion devices.FIGURE 15-17: An outboard effect offers more variety and control.FIGURE 15-18: The stomp box solution.FIGURE 15-19: The Digi-Tech GNX1.FIGURE 15-20: The Line 6 Pod XT.FIGURE 15-21: The Line 6 Pod Pro.

      16 Chapter 16FIGURE 16-1: Three tools that make string-changing and adjustments a cinch.FIGURE 16-2: Kinking the string in the proper direction.FIGURE 16-3: Wrapping the strings in the proper direction.FIGURE 16-4: Coiling the string on the post.FIGURE 16-5: Clipping the string end close to the post.FIGURE 16-6: Pulling on the string to stretch it out after it’s tuned up.FIGURE 16-7: Kinking the string in the proper direction for inline and split tu...FIGURE 16-8: Wrapping the strings in the proper direction.FIGURE 16-9: Coiling the string on the post.FIGURE 16-10: Pulling on the string after it’s tuned up to get the “stretch” ou...

      17 Appendix AFIGURE A-1: Music for “Shine On Harvest Moon.”

      Guide

      1  Cover

      2 Table of Contents

      3  Begin Reading

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