Whiteness in America. Monica McDermott. Читать онлайн. Newlib. NEWLIB.NET

Автор: Monica McDermott
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Социология
Год издания: 0
isbn: 9781509531189
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to manifest itself in subtler ways, as the notion that all that is right, good, and powerful equals white came to be taken for granted.

      The books and lessons children of all races receive have been filled with white faces, the images representing America are white faces (such as that of Uncle Sam), and “white” is rarely used as a racial descriptor. One hears of a “black scientist” or a “Mexican actor” but not of a white scientist or white actor—the whiteness of scientists and actors is often simply assumed.

      However, some whites have a strong sense of their own racial identity. Rather than assuming that they are simply people without any race, they are instead acutely aware of the role that whiteness plays in their lives. White identity can actually have a negative impact on individuals’ sense of self. For example, poor and working-class whites can be negatively affected by their racial identity when they are judged harshly by others for not capitalizing on the socioeconomic benefits of whiteness (Hartigan 1999; McDermott 2006). Indeed, social class can have a major impact on how whites understand their racial identities. The stigma of poverty attaches to every low-income person regardless of race, but poor whites must deal with an additional judgment. Since whiteness is associated with affluence and privilege, poor whites are often seen as being especially damaged or defective. If they were “real” whites, who work hard and are intelligent, they would have moved up and out of poverty. Whites are effectively seen as having no excuse for being poor, since their skin color should have guaranteed better socioeconomic outcomes (McDermott 2006). The combined stigma against poor whites is so prevalent that a special term—“white trash”—has emerged to dismiss and malign whites with little money or education.

      At the same time, whiteness can be embraced as a marker of difference, a marker that many bitterly fight to keep distinctive. The construction of this difference extends back to the earliest period of European colonization of the United States, when it was a marker of status and power. While whiteness is often invisible to those who consider themselves whites, it is not always the case that it goes unnoticed. For example blacks, Latinos/as, American Indians and Asians often notice whiteness; for many of them, successfully negotiating the social and institutional worlds of America requires recognizing whiteness so as to avoid negative outcomes. But whites, too, are sometimes cognizant of their racial identity. When confronted with a perceived threat to their racial advantages—such as blacks moving into a white majority neighborhood—whites may consciously mobilize on the basis of race, in order to organize resistance to neighborhood change.

      Some whites become so conscious of their whiteness that they actually seek to transcend it, to identify with an entirely different race. Some whites feel guilty about the unearned privileges they have and consciously try to counteract these advantages by affiliating themselves with non-whites, or by participating in anti-racist efforts. Others, who had long thought of themselves as white (and whom others thought of as white), “discover,” by taking a DNA test, that they are not white at all. The presence of American Indian or African origin DNA sometimes prompts such whites to leave their old race behind and adopt a new identity (Roth and Ivemark 2018), thus transcending their whiteness (although not their white privilege).

      Attitudes expressed in survey data are only one way of measuring how whites understand the world around them. Whiteness is expressed culturally as well. If one thinks of culture as patterned behaviors and preferences, it can be a useful vehicle for understanding the relationship between structure and identity. While we often associate culture with forms such as music and film, it also applies to styles of relating to others, for instance to speech and dress, or to ways in which people enact their goals. The extent to which there is a “white” culture has been debated. Certain musical forms, such as country and, to a lesser extent, classical music, have been deemed to be a part of white culture on the basis of the themes and styles of their production as well as of the demographics of its audiences. More troubling, white supremacist groups have extolled the virtues and achievements of European culture as a reflection of the greatness of “white culture” (Dentice and Bugg 2016).