The Digital Economy. Tim Jordan. Читать онлайн. Newlib. NEWLIB.NET

Автор: Tim Jordan
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Кинематограф, театр
Год издания: 0
isbn: 9781509517596
Скачать книгу
and other online advertisers, in examining a specific digital economic practice it helps to focus on just one, and it makes sense to start with Google given its position as a pioneer of online advertising and one of the largest profit-generators in the digital economy.

      To examine a specific practice, it needs to be acknowledged that practices come from points of view. A practice is always with or from someone or something. Points of view come with intentions and meanings, with authors, actants and actors aiming to do certain things, even if sometimes they achieve only related or different things. Points of view are necessary entanglements with other points of view, not all of which are visible to each other. The individual who searches does not necessarily see the algorithm forming the answer, nor does the algorithm necessarily account for the computers it requires, which themselves alter environments through their hunger for electricity, rare metals and so on. The points of view can never all be collated; the ‘god’s eye view’ misleads with a false promise of totality (Haraway 1991: 189–98). Yet, points of view can anchor an analysis of a web of intersections though a focus on a certain perspective that brings into view economically significant practices.

      A caveat to this analysis is that Google search has changed and continues to change, becoming more complex over its development. This case study will simplify somewhat by focusing on Google relatively early in its advertising days, at the point broadly speaking when its two key ad programs – Adwords and Adsense – and personalisation through data were established.

      In 2016 around 2 trillion searches were conducted using Google’s search engine. To explore user practices, I will follow one user finding an answer (Sullivan 2016). Imagine you are writing a book about the digital economy based on following economic practices in specific digital contexts, rather like this book. As part of this project, you wish to outline the various practices related to searching for information using Google, and, as you write that, you realise it might be helpful to locate those practices in a broader context, perhaps by establishing how many Google searches are made. Practices then follow.

      First, your practices have a material context. This will include working on a desktop computer from home, rather than in the office your employer provides, or on a phone while moving around, or on a tablet while commuting to work on a train. There are a range of taken-for-granted practices here: using a mouse and the Microsoft operating system, using alt-tab to switch to an already open browser (Firefox) and knowing that typing a string of words – ‘Google search enquiries 2017 total number’ – into what looks like the address box of the browser will invoke the Google search engine. Underpinning even these unthought and semi-automatic practices are a range of things like electricity, broadband access, light and so on, which create a material context in which our user can sit and quickly bash out an enquiry, hitting return to initiate the search.

      From here our user may move in several directions, perhaps diving more deeply by looking at the top result in the second search, which purports to record live how many Google searches are being made (www.internetlivestats.com/google-search-statistics). Or they may restrain the impulse to dive deeper into the topic and return to the writing at hand. The practice of searching is closely connected to other practices that make up this working life. Our user has one last reflection as they notice that accompanying the second site they looked at there are advertisements for paintings by indigenous Australian artists, and they remember that similar ads have been following them as they visited different websites at other times. These paintings indicate the practices of Google advertising, which we can turn to next.

      Many readers will have guessed immediately what happened in relation to the searcher finding ads for indigenous Australians’ art on various websites that have nothing to do with such art, because ads that follow a searcher have become a common experience. The user must at some point have looked at or searched for such art, and tracking mechanisms on the internet have recorded this and used it to target ads. Similarly, some years ago, I booked a trip to Walt Disney World online, which led to Mickey Mouse and his friends stalking me across the Web amid the often noted, and ongoing, irony of being shown ads to go somewhere I could no longer afford to go because I had just paid to go there.