‘…dehydrated, and it looks as though she hasn’t been eating much, either. She should be all right now that we’ve got the drip in her, but she’ll need care for several days.’
That was the woman. Fleur tried to open her eyes, but the lashes weighted her eyelids.
However, the woman must have seen that abortive flutter. ‘She’s coming to.’
An arm slipped around her shoulder, lifting her so that someone could nudge a straw between her lips.
‘Janna, here’s some water. Drink it down—small sips to begin with.’
Janna? Who was Janna? The thought fled as she dragged greedily on the straw, letting the cool water slide down her parched throat, feeling it spread through her body like a benediction.
When the straw was pulled away she croaked a protest, to be told firmly, ‘Not too much at first. Just take it slowly. You’re on a drip so you’ll soon be feeling better.’
There was a stir at the door, a kind of quickening in the air, as though a presence had arrived. The woman said, ‘Ah, Luke, as always your timing is impeccable. She’s just woken up.’
Fleur forced her heavy lids up, met a pair of steel-grey eyes, hard and direct and penetrating, in formidably handsome features that seemed vaguely familiar.
His scrutiny was a swift, shocking invasion until he turned away as though dismissing her. ‘This isn’t Janna.’
He had, she thought in bewilderment, the most wonderful voice she’d ever heard—rich and textured, so potent it stopped the breath in her lungs. She’d heard people speak of dark voices; now she knew what they meant. This one reminded her of bronze, with an underlying note of concentrated authority that should probably warn any woman to watch her step.
She summoned the strength to whisper, ‘My name is Fleur.’
Nobody said anything. She closed her eyes and finished wearily, ‘Fleur Lyttelton.’
The water had revived her brain enough so that she could think again. Clearly this was a case of mistaken identity, but who was she mistaken for? She could remember walking back along the road to the beach, and the heat. She’d felt sick, and so weary she could hardly put one foot ahead of the other, and then a car had come to a halt beside her…
The odd silence in the room worried her. Frowning, she forced up her lashes to peer at the shuttered face of the man called Luke. He was scrutinising her as though she was some sort of strange being, his cold, metallic gaze slicing through the fragile remnants of her composure like a sword through silk.
‘And I’m Luke Chapman,’ he said calmly, as though this were an ordinary social occasion.
‘How do you do?’ she muttered, and thankfully let her lashes cover her eyes again.
Luke felt something stir inside him as he examined her face. Close up she didn’t resemble Janna at all, although the hair—long, badly cut, an amazing blaze of primal colour around her white face—was an identical red-gold. However, he suspected Fleur Lyttelton’s was natural, unlike Janna’s.
Neat features—she’d photograph well—but she didn’t have Janna’s carefully cultivated beauty. Something stirred deep inside him. There should be a law against mouths like hers—full, subtly sensuous, it was an incitement in itself.
Her lashes drifted upwards again and she fixed him with a wide, slightly vacant stare. The limpid green of the sea at dawn, black-lashed and wide, and with no sign of contact lenses to enhance their colour, they seemed to bore right through him. A tiny frown pleated her narrow dark brows, and she surprised him with a little nod, no more than a queenly inclination of her square chin.
‘Thank you,’ she said, quite clearly, and slid back into sleep.
The doctor said, ‘I’ll organise an ambulance, although I don’t know where we’re going to put her. The hospital’s full with this wretched flu epidemic. By the way, the Sulus baby’s on the mend.’
‘Thank God for that.’ Luke’s austere expression was transformed by a smile.
The doctor nodded. ‘I can put Ms Lyttelton in with the—’
‘She can stay here, if that’s medically OK?’ Luke said, making up his mind instantly.
The doctor’s brows shot up. ‘Well…no reason why not, I suppose. The drip will need supervision and replenishment, of course, but a nurse can do that, as well as do bloods to check the balance of water and salts in her body. But she’s going to be pretty weak for several days, possibly longer.’
Luke nodded, watching the still, uncommunicative face, white against the pillows. In spite of that sensuous mouth, and the tumbled, provocative silk of her red-gold hair, she looked like a woman who’d learned self-discipline in a hard school. He turned to the man who’d picked her up and brought her here. ‘I presume she had a bag?’
His head of security indicated a shabby black handbag on the chest at the foot of the bed. ‘There.’
‘See if she’s got any ID, and find out where she’s staying, will you?’ He looked at the doctor. ‘Can you organise a nurse? One who can keep her mouth shut?’
She didn’t look surprised. Originally an Australian, she’d spent most of her professional career in Fala’isi, coping with everything the tropics—and the Chapmans—had thrown at her. ‘Of course I can. And all my nurses know the value of discretion. One’s on leave at the moment, and I happen to know she’d like some extra money. I’ll send her over.’
‘Thanks.’ He left the room, saying once he and the other man were outside, ‘Find out about Fleur Lyttelton. Get what information you can from her purse and run a complete check on her.’
When Fleur woke again she could see light glow through her closed eyelids. Instinct told her it was daylight. For a few seconds she lay still, orienting herself. Close by, a dove cooed plaintively, the soft notes backed by the rustle of a breeze in palm tree fronds. A faint fragrance, like vanilla combined with a more exotic scent, transported her back to her mother’s kitchen. There that had been the comforting aroma of home and love.
Here it smelt seductive, almost opulent.
Even though her eyelids were too heavy to lift, she knew where she was: in Fala’isi. But instead of the hard ground she’d slept on for the past three nights she was lying on a very comfortable bed. She forced her eyelids up a fraction.
In spite of the spicy perfumes, she expected the usual hospital ward, sparse and institutional; she’d seen enough of them to last a lifetime. But this was a bedroom, modern and enormous, with filmy curtains billowing and stained wooden shutters pushed back against the pale walls.
And she wasn’t in a hospital nightgown. Except for a pair of briefs, she was only wearing a tee-shirt. Not one of her own, she realised, looking down at it. Humiliating tears stung her eyes. What was she doing here?
The room’s cool, understated simplicity breathed a restrained opulence that intimidated her. A pot of orchids on a long black dressing table made a bold statement against pale walls. The butterfly flowers in shades of scarlet and crimson and gold breathed all the dangerous allure of the tropics. On one wall hung a magnificent panel of tapa cloth, its stylised patterns in shades of tan and bronze redolent of the Pacific.
Slightly dizzy, Fleur closed her eyes, but couldn’t block out the face that swam into her consciousness—strong, autocratic, totally compelling. Tall and powerfully built, he’d stood by her bed and subjected her to a clinical, unsparing survey.
Was he the owner? The man with the steel-grey eyes and that wonderful voice?
In spite of the sun that spilled through the curtains she shivered, recalling a perfectly moulded mouth that had exuded strength and potency…
Her mind groped for a name, failed, and then caught a fragment of memory. ‘Chapman,’ he’d