The twisted Lolita rattled off the grass trimmer’s specs in English with obvious enthusiasm, the way the proud owner of an American muscle car or an Italian Ferrari might talk about their automobile engine. Goddamn you, Yankees, he cursed his involvement with the CIA who had left him to die after his service.
Gunning the motor, Marta stepped forward. Her expression was twisted now, her grin so wide it threatened to split her face in two. Behind her, Lagos and his men had shuffled forward, their laughter almost muted by the high-pitched whine of the grass trimmer’s 7.1-liter engine.
Still Gonzales didn’t talk. He thought about it. If he did so, he might spare the other two men hours of torture. They were all dead, but maybe the other two men would be granted a quick coup de grâce if only Gonzales spoke up now.
Then he thought about his daughter and his wife. If he didn’t remain silent, they’d be raped, then they’d be tortured.
No.
Gonzales offered up silent apologies to the other men and then bit down so hard on his tongue to keep silent that it bled.
Marta stepped forward and the spinning plastic cord whipped into his leg just above the knee. The denim split like paper and his flesh was lacerated so deep into the flesh of the vastus medialis that blood splattered at 7000 revolutions per minute, spraying across the walls like a Jackson Pollock painting.
Gonzales screamed, then screamed again. White-hot lances of agony surged up through his body in bullet trains of anguish.
Engulfed in the shrieks and the screams produced by the little grass trimmer, only two of Lagos’s men, the ones nearest the door, heard the window breaking.
Marta stepped in again and thrust the grass trimmer forward. The spinning plastic cord bit Gonzales’s inner thigh. Blood splashed her face in streaks like tiger stripes, and unconsciously her slick pink tongue darted out to taste the hot fluid smearing her lips.
There was a scramble of bodies behind her shoulder as one Zetas gunman tried to shout a warning, then a flash like a sun going nova and a bang so loud it split eardrums. In the snap of a magician’s fingers Gonzales felt the concussion roll into him like the wind, punching him into motion on the end of his chains. He was blind. He was deaf. He was dizzy and bruised, confused and battered, as a second and then third flash-bang grenade went off.
The halogen light setup was knocked clear of its moorings and crashed to the floor, plunging the room into heavy shadow as a single brilliant lamp, now facedown, continued to burn. Men shouted in pain and confusion and anger as the front door of the building was smashed open.
Gadgets Schwarz thrust the barrel of his Steyr AUG through the smashed window glass and saw a dark shape pulling itself up off the floor, a long weapon in its hands. Schwarz squeezed the trigger and put a 5.56 mm round into the figure, then fired three more.
The figure went down and Schwarz pivoted smoothly, spotting a cluster of shapes directly behind the tangled mess of the halogen lights. He held back on his trigger and snapped the shortened barrel in a tight Z-pattern, burning a short burst into the crowd. Bodies hit the floor.
Carl Lyons entered through the warehouse door, his Atchisson autoshotgun testing the strength of his thick arms. The selective fire assault shotgun was fed with a 20-round drum magazine attachment and Lyons kept it tucked in close against his body, firing from the hip in such tight quarters.
He saw a balaclava hardman jump to his feet directly in front of the door, an old-fashioned Ingram MAC-10 in the grip of a fist covered by black, fingerless gloves. A sound suppressor as long as the weapon itself preceded the weapon like a black wand.
The Atchisson boomed in Lyons’s grip. The weapon recoiled smoothly into the ex-LAPD officer’s hip. The 12-gauge fléchette round discharged into the Zetas’s upturned face from a distance of less than three feet.
The tiny steel darts ripped through the flesh on the right side of the ex-commando’s face and drove mercilessly into the man’s skull. The back of the Mexican drug soldier’s head erupted, and the man’s body followed the momentum of his pulverized skull.
As blood spilled out of the ruined body, Lyons moved into the room. Behind him, Blancanales peeled off to the right, the H&K submachine gun up and ready in his hands.
Able Team moved in a tight configuration, a well-rehearsed ballet of trajectories and overlapping fields of fire. No motion was wasted as Schwarz anchored one section of the fire triangle and Blancanales another, letting Lyons and his autoshotgun move up the middle.
Blancanales tucked the folding stock of his submachine gun tight into his shoulder, the sound of Lyons’s booming shotgun ringing in his ears. He saw the silhouette of a man holding a Kalashnikov and cut loose, a burst of rounds striking the gunner high between the shoulder blades and punching through his neck.
The narco-soldier tumbled, and, in the light of the single halogen lamp burning facedown on the warehouse floor, Blancanales saw three men hanging from chains. A man he instantly recognized as Humberto Lagos pulled a Beretta 92-F pistol from a shoulder holster and put it to the temple of one of the bound prisoners. The Able Team commando snapped the sights of his submachine over the man’s head and his finger tightened on the smooth metal curve of his trigger.
A slight figure stumbled out of his periphery, coming between him and Lagos. To his surprise Blancanales saw that it was the young woman from the car. He leaped forward and grasped the noncombatant by the arm, still holding his weapon up in his hand. He caught a flash of beautiful brown eyes as he held the woman close. His stomach clenched as he saw the hanging prisoner jerk like a fish on the line as Lagos put a bullet through his head.
The former Mexican commando turned to face Blancanales and the Able Team operator caught a sudden flash of a scar across the man’s neck. It was ugly, the tissue raised so that it looked like a piece of red licorice.
Blancanales pulled the trigger on his weapon, the 9 mm Parabellum rounds chewing into Lagos like spinning lead buzz saws. The Mexican dropped straight down as his forehead was brutally cracked open.
Blancanales felt the panicked woman squirm in his grip with sudden violence, twisting hard against his hold. He heard her cry out and suddenly he felt an icy burn stab into his stomach. He gasped at the sudden agony and the twisting hellcat broke free from his grip.
There was a second impact down low and another sudden burst of agonizing fire. He looked down and saw the woman snatch a knife from his lower abdomen. He looked up and she was snarling as she yanked the knife back to stab him again.
His knees buckled in surprise and he fell to the floor, striking the ground hard on his buttocks. He looked up. The woman rose above him with the knife swept up above her head in both hands.
Marta screeched and snarled as she slashed downward. Blancanales felt his conscious mind snap like the shutter on a camera. Gone was the young woman in slutty heels and too much makeup. Gone was blazing pain low in his gut. Gone was the booming of Lyons’s shotgun or the chatter of Schwarz’s assault rifle. Gone were the stumbling, dying Zetas.
All that remained was threat and response as blackness swarmed up to claim him.
The H&K MP-5 jumped in his hand as if of its own volition. But even then he couldn’t bring himself to do what needed to be done. The MP-5 jumped as he used it like a blunt instrument, striking the young woman with rapid-fire jabs like a boxer in the ring, first in the kneecap to bring her down, then into the soft curves of her body. Her slight frame shuddered under the impacts and she fell backward as she dropped her knife.
His guts felt as if scalding salt water had been splashed in them, but his arm was like the lever on an oil derrick and he laid the muzzle upside her jaw with a sound like a branch snapping.
She tumbled farther backward and fell to her back. Her head made a low, dull sound as it bounced off the floor. The arteries running into the avulsions left by the gun sight spilled her young blood onto the concrete floor, mingling with the puddle already