Hannah Ryder scavenged her last scrap of patience as the film director she despised zoomed in on her for a close-up shot. The bright lights were making her sweat right through the thick layers of makeup. Itchy, dry hay poked her bare skin. She lay smothered in the stuff on the floor of an old barn temporarily transformed into a movie set. The scene called for her character to fall through the loft in the middle of hooking up with a cowboy; thankfully, the stunt had been pulled off by someone else paid to do that sort of thing.
Now, Hannah had to perform the sequence following the fall after her cowboy lover had abandoned her. Her face was covered in cosmetics to look like blood and bruises. All of which was fine, if she hadn’t been in her third hour of shooting reaction shots while drowning in hay that made her eyes water and her skin burn. Her makeup had to be retouched every twenty minutes to keep it from sliding off, and the flesh-toned bodysuit she wore under the hay didn’t protect her in the least. Horses flanked her on either side, their impatient hooves providing a frame for the scene, according to the sadist in charge. What if one of the animals decided he was tired of a sneezing woman writhing on the floor of his barn?
Twice she was sure a spider or some other creepy-crawly had skittered up her bare leg, and a cramp knotted her calf.
She would have walked off the production days ago if she hadn’t wrangled a part in this film for a very specific reason. She needed evidence of the director’s sexual harassment of women on the set to help avenge what he’d done to Hannah’s younger sister a year ago.
The incident had transformed nineteen-year-old Hope from a bright-eyed aspiring writer, with a coveted job as script reader and assistant to director Antonio Ventura, into a quiet shell of her former self. Hope now worked in retail, content to unlock dressing rooms for customers since it was a job that surrounded her with women. Hope didn’t write anymore, and she showed no desire to leave the house for any reason but work. She startled at noises and cried when she thought Hannah couldn’t hear.
The change broke Hannah’s heart, and months of therapy hadn’t seemed to help her sister. Hope refused to file charges, insisting she’d destroyed evidence after the fact because of conflicted feelings, and she didn’t want to bring a case she couldn’t prove. When months of gentle encouragement and outright coercing had proven ineffective, Hannah had taken a new approach. She’d spend time on one of the bastard’s sets to see for herself if he was victimizing other females.
So far all she’d learned was that every single person who worked on his film Winning the West thought he was a tyrant and a megalomaniac. But she had no evidence that he was locking vulnerable women in closets to forcibly grope them the way he’d done to Hope.
Just the thought of it steeled Hannah to withstand the cramp throbbing in her calf for another minute while the camera closed in on her tears. She’d been Hope’s guardian ever since her sister had moved to Los Angeles to be with Hannah. Their parents had never been much help since their high-powered attorney father had walked out on their mother long ago—taking his family fortune with him. As for their mom, she’d done her best to raise Hope and Hannah, but she’d made no secret of the fact that she was “done” once Hope had turned eighteen.
Hannah would never be “done.” And she would fight for her sister even if Hope refused to fight for herself.
A horse snorted and tossed his head, a hoof momentarily pinning Hannah’s hair to the floor before shifting away again. She couldn’t smother her gasp, ruining the take.
But before the director could explode in rage, a tall, broad-shouldered cowboy stepped into view, casting a long shadow onto the floor where Hannah lay.
“Ventura, I need to take my horses,” the man demanded, his tone uncompromising as he confronted the despot in charge of the shoot. “Now.”
A murmur of collective surprise—quickly stifled—stirred the production team ringing the small barn.
Hannah stretched quietly in the sea of hay, wanting a better look at the cowboy whose arrival had diverted the director’s ire away from her. The newcomer blocked the lights, providing a welcome moment of coolness for her itchy skin.
She craned her neck to see around a horse’s knee.
And got an eyeful of feminine fantasy material in denim and worn boots. The hard-muscled cowboy stood a head taller than the director, his biceps straining the fabric of a gray cotton T-shirt as he reached to stroke a hand over a horse’s nose.
The man’s features remained in shadow, thanks to the set of his dark Stetson, but the sharp edge of his jaw and the hint of dark hair curling along the collar of his shirt were enough to make any woman long to see more. For now, Hannah settled on taking in the rest of him, from where his shirt tapered along his back, from his formidable shoulders down to his lean hips.
“You are ruining my shot,” Antonio Ventura snapped at the cowboy, his dark eyes narrowing. “Now, thanks to you, I’ll need the animals even longer.”
The fury brewing under the quiet words made the sweat on Hannah’s back turn cold and clammy, worry chilling her.
“Whether you need them or not isn’t my concern.” The cowboy took the reins of the one closest to him. “They’re not professional actors, and they’re done for today.”
Hannah would have admired anyone unafraid to stand up to a bully like Ventura. But she took a special brand of pleasure in seeing this big, strong guy put the smarmy brute in his place.
“As you can see—” Ventura enunciated each word as if the cowboy was a simpleton “—they are hardly being asked to act. They’re standing in the middle of a barn, just the same as they will be when you take them with you. I suggest you consult your boss before you make a choice that will cost you your job.”
The dirtbag. How unfair to threaten the man’s livelihood. Hannah was already mentally composing a letter to the ranch owner in the cowboy’s defense.
“My choice is made.” The sexy stranger gathered the other horse’s reins in the opposite hand. “And since we’re making suggestions, I’m going to advise you to take better care of your actors.” The man’s gaze fell to where Hannah sprawled in the hay. “Do you need a hand, miss?”
His eyes were blue. Clear sky blue.
Wide-open spaces, Wyoming blue.
Hannah wanted to fall right into them.
Except, she realized, she couldn’t afford to thumb her nose at Antonio Ventura before she’d gathered evidence of his criminal behavior. With more than a little regret, she shook her head, a stray piece of hay poking the back of her neck as she moved.
“No. Thank you.” She risked a small smile at the horseman, hoping the director was too busy seething to notice.
When she gave her boss a quick glance, he seemed to be pounding out digits on his cell phone as he paced away from the camera equipment.
“You’re going to regret this show of stupidity,” Ventura threatened between clenched teeth.
Around him, the production team buzzed with new life, sensing they were done shooting for the day as the cowboy guided the animals out of the wide barn door. The night air rushed in.
Hannah watched his retreat, her breath stuck in her chest as she followed his long-legged stride, an easy swagger that made her wish she would have accepted his hand when he’d offered it. What might