In the end, because he had never been any good with words, my brother never did find out the right way to say it. After failing to come up with an alternative he only handed me the brown envelope, with his head hung like a penitent child—even shuffling his feet a little, suddenly making himself smaller than he had been in years—and he said in a low voice, “I won the lottery, Virginia.” Then he smiled, as though a smile meant a person was actually happy.
I took the envelope, knowing immediately what it was. Everyone knew what the draft notices looked like. They were a spreading plague, a dark shadow that came for friends and loved ones, took them away and never brought them back. The war was going from bad to worse. As if war had ever done anything else.
I only looked at the letter that would eventually take my brother to his death. I pointed to the awkward font that printed his name in that excited, prize-winner’s way, clucked a stiff laugh and said, with no small amount of derision: “Terrible. Just terrible.”
In the middle of a pockmarked crossroads someone had painted the word PEACE in six-foot-tall white letters on the edge of a crater. The night was late and the road black, but the word—what was left of it—caught the starlight and glowed. The lettering was sharp and formal, placed by a steady hand. Someone had cared. About the letters. Maybe even about the word. So I couldn’t quite understand how PEACE had met such a bad end out here in the middle of nowhere.
And it truly was nowhere.
If you’ve never been to Oklahoma, you should go. It’s a beautiful place, a place where everything seems to stand alone. Lone trees strike out of the distant horizon, so far away from anything it makes you wonder how a lone seed could ever have gotten there in the first place. In Oklahoma, far houses stand and watch over grassland oceans that shimmer in the dim moonlight. In Oklahoma, the wind has long legs that carry rain clouds on stalks of gray. In Oklahoma, the sun rises far, reigns high, and then comes close in the evening and sits beside you until you doze off on the front porch.
Oklahoma is a place where loners have formed a community. It’s a place where people are both alone and together at the same time, like Tommy and I always were. It’s a special thing: always having someone with you. It gives you legs to stand on.
I was seventeen when Tommy and I ran away from the war and started on what would come to be our last trip together. Seventeen’s an odd age. Too old for dreams, too young for reality.
It was a hard January when this all happened. Any promise of spring was far off as I walked the frozen highway. The ground was still locked from cold and every particle of snow had been swept away so that there was only brown, barren earth. The cold swelled up around me like static on an old television. Now and again the starlight seemed to exhale and the wind raced over the empty winter fields and passed through me hard enough and frigid enough that it frightened me.
To keep my hands from trembling, I turned them to fists buried inside my pockets. To keep my teeth from chattering, my jaw was locked. The muscles ached from holding station. I stomped my feet to keep my toes connected to my body. Now and again they drifted off on their own accord. I was never quite sure if they would return.
But even with all of this, there was beauty. Several hours before, I watched as the failing light went dark and a fistful of bare winter trees jutting up from the sides of the road swung from being thick gray arteries to thin purple veins to black silhouettes that might have been calligraphy of some exotic language, punctuating the black cursive of the small highway scrawling through the countryside. Then the last of the light went away and all the ways the trees had looked became just another memory I would always carry in me.
I was alone that night...sort of. I hadn’t seen a house since passing through a small, sleepy town before sunset, where the one stoplight on Main Street flashed off and on. Yellow in one direction, red in the other. Even though lights sometimes burned inside the bowels of the homes—a mixture of trailers and two-story farmhouses with clapboard siding and old paint peeling like psoriasis—the town looked left behind, a city desiccated by plague. Everything was weathered and empty, ready to be filled by story and myth. I could imagine dragon eggs hidden in storm shelters, elder gods tucked away in attics. I’ve always had a tendency to drift off into imagination.
In the window of a darkened diner a sign—lit garish red by the town’s single stoplight—declared God Blesses the War. Directly across the street, almost like a bookend, another sign hung in the window of a home and alleged God Left. So The Disease Came. I still don’t know exactly who was right.
At one point I almost knocked on the door of one of the houses. A large gray-and-white affair with a tire swing dangling from an evergreen in the backyard and a late-model car parked in the front. I thought I saw someone in one of the upstairs windows. I stared up at them and they stared back down at me. It wasn’t until my eyes adjusted that I realized it was only a teddy bear placed in the window, looking out, keeping diligent watch the way only loyal stuffed animals can.
For a moment the feeling of being watched caused me to think it was him. He was coming for me and he wouldn’t stop. That’s just who he was.
My palms were sweating and my heart was a frightened bird beating against my rib cage. All because of a teddy bear standing watch.
I waved at the guardian, laughed at myself and walked on until the houses stopped appearing and the town sank into the earth behind me. The moment was relegated to history and memory, which, for me, have always been one and the same.
Tommy and I called it “The Memory Gospel.”
The Memory Gospel was simple, really: I remember everything. Truly and honestly everything. Every second of every day. Every conversation. Every place I’ve ever been. Every person I’ve ever met. Every word I’ve ever said. Every news report I’ve ever seen. Every letter of every sentence of every page of every book I’ve ever read. Every shaggy tree that slanted at an odd angle and was dappled by the dying sunlight in a way that might never again repeat and made a person say to themselves “I hope I never forget this. Never ever.”
I don’t forget any of it. Not a single moment. I carry all of it inside me.
Every laugh. Every schoolyard bully. Every foster parent who tried. Every social worker who failed. Every time I’ve stood outside and looked up into the sky and counted the stars until there were tears at the corners of my eyes because I remembered—as if I could ever forget—that my parents were still dead and would never be able to come and stand beside me and take my hand and point up to the night sky and say to me, the way people did in movies, “It makes you feel so small, doesn’t it?”
My memory was, is, and always will be, immutable.
The Memory Gospel is the one thing in my life that I can believe in. It’s always with me, filling me up and hollowing me out all at the same time, like the way a person can stand before a mountain in the winter and see the light spilling over its craggy shoulders and understand, in that brief instant, that life comes and goes and one day we all will. Like you’re part of something and a part of nothing all at once. The Memory Gospel is all-encompassing and inescapable. A forest I can neither get lost in nor find my way out of.
And so I’ve come to consider myself the chronicler of the last days of the world.
I kept walking with my head down and my shoulders up and the past swirling above my head. I wished for a peaceful, silent cold—the way it sometimes happened in the nights when the snow fell like dust and you woke in the morning to a world you knew but didn’t recognize, like a childhood