CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48
CHAPTER 49
CHAPTER 50
CHAPTER 51
CHAPTER 52
CHAPTER 53
CHAPTER 54
CHAPTER 55
CHAPTER 56
CHAPTER 57
CHAPTER 58
CHAPTER 59
CHAPTER 60
CHAPTER 61
CHAPTER 62
CHAPTER 63
CHAPTER 64
A Note to Readers
Acknowledgments
A Conversation with the Author
Questions for Discussion
Extract from Teatime for the Firefly by Shona Patel
The traveler has to knock at every alien door
to come to his own,
and one has to wander
through all the outer worlds to reach
the innermost shrine at the end.
Rabindranath Tagore
From Gitanjali
Small villages cluster the waterways of East Bengal in India. Seen from above they must appear like berries along a stem, dense or sparse depending on the river traffic that flows through. Crescent-shaped fishing boats skim the waters with threadbare sails that catch the wind with the hollow flap of a heron’s wing. Larger boats carry people or cargo: bamboo baskets, coconut and long sticks of sugarcane that curve on their weight down to the water’s edge. There are landing ghats along the riverbank with bamboo jetties that stick out over the floating water hyacinth. Here the boats stop and people get on or off and take the meandering paths that lead through the rice fields and bamboo groves into the villages.
Once a week, the big world passes by in the form of a paddleboat steamer bound for important destinations: Narayanganj, Dhaka, Calcutta. It shows up on the horizon, first a tiny speck the size of a peppercorn, and grows to its full girth as it draws closer. The village boats scatter at the sound of its imperious hoot, and small boys in ragged shorts jump and wave at the lascar who moves easily along the deck with the swashbuckling sway of a true seafarer. His long black hair and white tunic whip in the river breeze as the steamer gushes by with a rhythmic swish of its side paddles, leaving the tiny boats bobbing like toothpicks in its wake.
Once a bridal party loaded with pots and garlands caught the powerful wake of the steamer as it passed. It bounced the boat and almost tossed the young bride into the river. The shy young husband instinctively grabbed his wife, drawing her into an awkward but intimate embrace. The veil slipped from the bride’s head and he saw for the first time her bright young face and dark, mischievous eyes. He drew back, embarrassed. His male companions broke into wolf whistles and rousing cheers and his bride gave him a slant-eyed smile that made his emotions settle in unexpected places. During the remainder of the journey, their fingertips occasionally met and lingered under the long veil of her red and gold sari.
Sylhet, Bengal, 1871
Shibani was the lighthearted one, with curly eyelashes and slightly crooked teeth, still girlish and carefree for a seventeen-year-old and hardly the demure and collected daughter-in-law of the Roy household she was expected to be. Having grown up with five brothers, she behaved like a tomboy despite her long hair, which she wore, braided and looped, on either side of her head twisted with jasmine and bright red ribbons.
Everything was so strict in her husband’s house. The clothes had to be folded a certain way, the brinjal cut into perfect half-inch rounds, the potato slivered as thin as matchsticks. Then there were fasting Mondays, temple Tuesdays, vegetarian Thursdays. Mother-in-law was very particular about everything and she could be curt if things were not to her exacting standards. But Father-in-law was softhearted; Shibani was the daughter he had always wished for. She brought light into the house, especially after the older daughter-in-law, who walked around with her duck-footed gait and face gloomy as a cauldron’s bottom. Perhaps being childless had made her so, but even as a young bride the older daughter-in-law had never smiled. What a contrast to young Shibani, whose veil hardly stayed up on her head, who ate chili tamarind, smacked her lips and broke into giggling fits that sometimes ended in a helpless snort.
During evening prayers Shibani puffed her cheeks and blew the conch horn with more gaiety than piety. She created dramatic sweeping arcs with the diya oil lamps, and her ululation was louder and more prolonged than necessary. Mother-in-law paused her chanting to give her a chastising look through half-closed eyes. Father-in-law smothered a smile while her husband, Shamol, looked sheepish, nervous and love struck all at the same time.
Every evening Shibani picked a handful of night jasmine to place in a brass bowl by her bedside so she and her husband could share the sweetness as they lay in the darkness together.
* * *
A year after they were married, the first son was born. They named him Biren: Lord of Warriors. Shamol carefully noted the significance of his birth date—29 February 1872—a leap year by the English calendar. Shamol worked for Victoria Jute Mills and owned one of the few English calendars in the village. Just to look at the dated squares made him feel as though he had moved ahead in