In the distance I could see the dazzling surface of Ladybower Reservoir. We were heading for a valley to its east that looked like a huge meteorite crater, but had probably been caused by some dramatic event in the last ice age. The hot summer had turned the grass yellow, and the bowl of the valley was surrounded by rocks. They jutted up like teeth, as if we were driving into a gaping mouth. In the centre, where the tonsils would have been, was an ugly industrial building. Gritton Abattoir.
I forced my tone to be friendly. ‘What do we know about her?’
Jai took a long breath and when his voice came out, it was normal, not pissed off. ‘Eighteen-year-old girl. She was working at the abattoir overnight and when they got in this morning, her car was still there but no sign of her. You know who she is though?’
‘No. Who is she?’
‘Violet Armstrong.’
I looked at him for a beat longer than the driver should, our disagreement forgotten. ‘The Violet Armstrong?’
‘Yep. Bikini-barbecue-babe Violet Armstrong. Poster girl for carnivores everywhere. Missing from an abattoir.’
‘Jesus. What was she doing at an abattoir?’
‘I think she works there. Bit weird, I know. Especially with someone as controversial as her. It’s when “turning up in one piece” is way too literal.’
‘Thanks for that, Jai. No doubt there’ll be some banal explanation involving a dodgy boyfriend or a runaway pig.’
Jai laughed and I felt the atmosphere loosen. ‘Yeah,’ he said. ‘If I was a pig I’d run away from her and her barbecue tongs.’
On the horizon, tendrils of smoke drifted upwards, reminding me we were near the wildfire. ‘This weather’s got to break soon,’ I said. ‘We’ll get monsoon rains.’
‘Most of which will no doubt end up in my basement.’
I hadn’t yet been inside Jai’s new house, even though it was round the corner from mine, but he seemed obsessed with his damp basement. Maybe he’d been droning on to Suki about pumps and that was part of her problem.
We followed a narrow lane through gates into a concrete yard. A slab-sided grey building sat in front of us, sanitised and anonymous, giving away nothing about what went on inside.
‘Are you going to be okay with this?’ Jai said.
My head filled with images from abattoir videos posted by animal rights groups and shared by my friends on Facebook, just to improve my mental well-being and sleeping patterns. I didn’t need to see the real thing, especially in my current state of mind. Or hear it. This abattoir did pigs. Pigs squealed.
‘I’ll be okay,’ I said. ‘I’m more worried about the missing girl.’ But it struck me like an electric shock that I wasn’t that worried about the girl – at least not to my usual PhD-level. Was I so worn down from watching Gran die that I’d lost some vital part of myself? It scared the hell out of me. If I didn’t care about my job to the point of virtual mania, who even was I?
‘You do know she’s famous because she barbecues burgers in a bikini?’ Jai said. ‘A phrase I wouldn’t advise saying when drunk.’
‘Yeah. She simultaneously dumps on feminism and animal rights in an impressive double whammy.’ I could keep the banter going while I had my mini existential crisis, but our camaraderie felt forced. I’d thought I was doing the right thing by being super-nice about his girlfriend, thus removing any question of whether I liked him a little too much for a colleague, but I’d obviously got it all wrong.
We pulled up in the yard and heaved ourselves out of the car. The sun sliced through the hot air, making the car windows so shiny it hurt to look at them. A few uniforms were buzzing around. We had a lot of missing person calls, but this one had triggered a red-button-push.
The door to the abattoir building swung open and a skinny blonde woman came out at a gallop. ‘Goodness, it’s warm. I hope we’re not wasting your time. I’m not wanting to make a fuss, but I thought we should call just in case …’
‘Shall we pop inside a minute?’ I said. ‘I’m Detective Inspector Meg Dalton and this is Detective Sergeant Jai Sanghera. What’s your name?’
‘Anna Finchley. I own the abattoir.’
I wasn’t sure if it was subconscious sexism or ageism, but I was surprised at that revelation. There was a touch of the gangly teenager or new-born foal about her, although she must have been in her thirties. She didn’t look like an abattoir-owner.
‘Not being melodramatic, but do you think it’s the animal rights people?’ she said.
‘What makes you say that?’
‘We’ve had threats. And someone’s smashed the CCTV.’ Anna shook her head. ‘But surely, they wouldn’t … Maybe she went for a walk or …’
I looked at the sun-scorched hills in the distance. A faint smell of smoke hung in the air. It wasn’t an ideal spot for a hike.
‘How far are we from the reservoir?’ Jai said.
The beauty of Ladybower Reservoir seemed to act as a magnet for death. It was well known, to us at least. If some poor soul was planning to slit an artery and bleed to death in north Derbyshire, there was a fair chance Ladybower would be the destination of choice.
Anna said, ‘It’s just over the hill.’
‘Let’s take a few details inside,’ I said. ‘Can we see the smashed CCTV?’
Anna led us through a door into a grey corridor and on into a small room. The building was functional rather than swish, but had been recently renovated. So far, it was mercifully free of butchered animals.
I leaned to peer at the CCTV box, which looked like it had been set about with a baseball bat. I stepped back to let Jai see. ‘They’ve taken the hard drive,’ he said.
‘Let’s get this area sealed off and processed,’ I said.
We shuffled out of the room. A man was walking towards us down the corridor. He was lean, toned, and good-looking in a rough, footballer kind of way, and he moved like a man with something to prove.
Anna said, ‘What is it, Gary?’ I sensed tension between them. A slight narrowing of his eyes; a fractional curling of her upper lip. ‘This is my brother,’ Anna said. ‘He works here too.’
The man held up an expensive-looking, glittery, and clearly now evidentially compromised object. We needed to get the scene under control. ‘I found a watch,’ he said. ‘It—’
‘That’s Violet’s,’ Anna said. ‘Why on earth would she take off her watch? Where did you find it?’
‘If you’d let me finish, I’d tell you. I don’t know why she’d have gone there – it wasn’t in the area she cleans. It’s bloody weird, if you ask me.’
‘Just tell us where it was, Gary!’
‘It was beside the pig pens.’ He shot Anna a look that was almost accusing. ‘And there’s blood on it.’
Anna Finchley led us into an office containing a desk and four chairs. White-painted walls were covered with a surprising collection of abstract art – the kind with blobs of colour that my dad would say a three-year-old could do – and a prominent TV screen. Anna sank down on one of the chairs, crossing her legs and arms as if protecting herself.
‘Sit on that side if you want the window-view and the art,’ she said. ‘I