Bring Me Back. B A Paris. Читать онлайн. Newlib. NEWLIB.NET

Автор: B A Paris
Издательство: HarperCollins
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Жанр произведения: Контркультура
Год издания: 0
isbn: 9780008244880
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my phone, hoping it’s a call I don’t have to take. The caller name comes up as Tony Heddon, a police detective based in Exeter. We first met twelve years ago when I was arrested on suspicion of Layla’s murder, and we’ve become good friends since. There’s a curved steel bench to the left of the reception area so I walk over and put my briefcase down on its metallic seat.

      ‘Tony,’ I say, taking the call. ‘Good to hear from you.’

      ‘I’m not disturbing you, am I?’

      ‘Not at all,’ I say, noting that he sounds serious, the way he always does when he calls to tell me that an unidentified woman’s body has been found by the French authorities. Guessing how awkward he must feel, I decide to plough straight in. ‘Has another body been found?’

      ‘No, nothing like that,’ he says reassuringly in his soft Devonshire accent. ‘Thomas Winter – you know, your ex-neighbour from St Mary’s – came into the station yesterday.’

      ‘Thomas?’ I say, surprised. ‘I didn’t think he’d still be alive after all these years. How’s he doing?’

      ‘Physically he’s pretty good, but he’s quite elderly now. Which is why we don’t want to give too much importance to what he said,’ he adds, pausing. I wait for him to carry on and while I wait, my mind analyses what Thomas could have told them. But then I remember that before Layla and I left for our holiday in France, before she disappeared, Thomas only knew us as the happiest of couples.

      ‘Why, what has he said?’ I ask.

      ‘That yesterday, he saw Layla.’

      My heart misses a beat. I lean my free hand on the cold metal back of the bench, trying to process what he’s just told me. I know he’s waiting for me to say something, but I can’t, so I leave him to fill the silence.

      ‘He said he saw her standing outside the cottage and that when he went to speak to her, she ran off,’ he goes on.

      ‘Because it wasn’t her,’ I say, my voice neutral.

      ‘That’s what I suggested. I reminded him that twelve years have passed since he last saw her but he said he’d know her after fifty. She was wearing a hood thing over her head but he was adamant it was Layla. Something about the way she was standing, apparently.’

      ‘But he didn’t speak to her.’

      ‘No. He said, and I quote, “I called her name and she turned her head, but when she saw me, she ran off.” He said she went towards the station but the ticket office was closed at that time and we can’t find anyone who saw a woman waiting for a train. There’s no CCTV so we’re none the wiser.’

      I search for the right response. ‘You don’t really think it was Layla, do you? Not after all these years.’

      Tony sighs heavily. ‘I’m inclined to put it down to Mr Winter’s overactive imagination. I thought you should know, that’s all.’

      ‘Well, thanks, Tony.’ I want to hang up but it seems too soon. ‘When are you retiring? September, isn’t it?’

      ‘Yes, just another couple of months to go. Not too sure what I’ll do with myself, though.’

      I grab onto this. ‘You can start by coming down to see us. I know Ellen would love to see you.’

      ‘I will, definitely.’

      Maybe he understands that I’m not up to speaking because he tells me that he has another call to make. I stand for a moment, trying to get things in perspective, wondering why Thomas thought he saw Layla. I make a quick calculation; we had celebrated his eightieth birthday just before leaving for that fateful holiday in France in 2006, which means Thomas is ninety-two now, an age at which people get easily confused, an age where it’s easy to dismiss what they say, or what they think they saw. It can only be the ramblings of an old man. Confident, I take my keys from my pocket and carry on to the car park.

      The journey home is unbelievably slow, which isn’t unusual for a Friday afternoon. As I drive past the ‘Welcome to Simonsbridge. Please drive slowly’ sign at the entrance to the village, my earlier excitement over the new deal starts to come back. It was good of Harry to book The Hideout; he said I should go for the venison steak, and I probably will.

      A minute later I’m pulling up in front of the house, nothing much to look at from the outside maybe, but once inside it’s my haven, and the garden, my sanctuary. In a normal world Ellen would be standing on the doorstep, as impatient to see me as I am to see her. More often than not, roused from whatever illustration she’s working on by the sound of the tyres scrunching on the gravel, she opens the door before I’m out of the car. But not now. And today, it seems ominous.

      I tell myself not to be stupid, that she doesn’t always open the door, that if I’d phoned ahead to tell her the good news, of course she’d be waiting. But I’d wanted to tell her face to face, I want to see her telling me how clever I am rather than just hearing it. I know how it sounds but it isn’t that I have a huge ego, more that pulling off this deal is a career highlight. A result like Grant James is such an adrenalin rush. It even beats the high I get from outsmarting the markets.

      The sound of my key in the lock doesn’t bring her to the door. It doesn’t bring Peggy, our red setter, either, which is even more unusual. Instead of calling out, I go in search of Ellen, a flicker of worry making itself felt. As I push open the door to the sitting room, I see her curled up in one of the armchairs, wearing my blue denim shirt, which she continually pinches from my wardrobe. I don’t mind, I love to see her in it. She has her knees pulled up to her chest and the shirt pulled down over them, like a tent.

      My silent sigh of relief at finding her there is checked by the way she’s staring unseeingly out of the window, her eyes on a distant past. It’s a look I haven’t seen for a while but a look I know only too well. It explains why Peggy – always sensitive to Ellen’s mood – is lying silently at her feet.

      ‘Ellen?’ I say softly.

      She turns her head towards me and as her eyes come into focus, she scrambles to her feet.

      ‘Sorry,’ she says ruefully, hurrying over to me, Peggy following more sedately behind her, her age showing. ‘I was miles away.’

      ‘I can see that.’

      She reaches up and kisses me. ‘How was your day?’

      ‘Good,’ I say, putting my news about the contract on hold for a moment. ‘What about yours?’

      ‘Good too.’ But her smile is just a little too bright.

      ‘So what were you thinking about when I came in?’

      She shakes her head. ‘Nothing.’

      I put my finger under her chin and tilt her head upwards so that she can’t avoid my eyes. ‘You know that doesn’t work with me.’

      ‘It really is nothing,’ she insists.

      ‘Tell me.’

      She gives a small shrug. ‘It’s just that when I came back from taking Peggy for a walk this afternoon, I found this’ – she puts her hand into the front pocket of the shirt and takes something out – ‘lying on the pavement outside the house.’

      I look down at the painted wooden doll sitting in her palm and a jolt of shock runs through me, quickly followed by a flash of anger, because for one mad moment I think she’s been rummaging around in my office. But then I remember that Ellen would never do such a thing, and concentrate on chasing the red mist away. Anyway, hadn’t she said that she found it on the pavement outside the house?

      ‘Someone must have dropped it,’ I say, as casually as I’m able. ‘A child, on her way back from school or something.’

      ‘I know. It’s just that it reminded me—’ She stops.

      ‘Yes?’ I prompt, preparing myself mentally, because I know what she’s going to say.