Goalkeepers in the Premier League’s first couple of seasons were therefore significant for two clear reasons. First, the change to the back-pass law meant they broadened their skill set and became all-rounders rather than specialists, a development subsequently witnessed in every other position. Second, there was a concerted shift towards foreign players at the expense of homegrown talent, another process that would be replicated across the pitch. Goalkeepers were traditionally considered outsiders, but now they were leading the way into football’s modern age.
2
‘Being French, to me, is first and foremost being a revolutionary.’
Eric Cantona
Upon the formation of the Premier League, Manchester United hadn’t lifted the league trophy in a quarter of a century, which made their dominance of its early years even more remarkable. Alex Ferguson’s side triumphed in four of the first five seasons.
These five years coincided with the half-decade reign of Eric Cantona – and United’s only failure during this period, finishing second in 1994/95, came when the fantastic French forward was suspended for half the campaign. His impact upon United was extraordinary, turning them from also-rans to consistent champions almost overnight, and his influence on the Premier League was unparalleled. Cantona, more than anyone else, popularised technical football.
At a time when foreign players were still rare, this was a Frenchman of Italian and Spanish descent who strolled into English football stadiums, collar upturned, as if he owned them. Cantona was unlike anything England had previously encountered: when listing his inspirations, he mentioned Diego Maradona and Johan Cruyff, but also Pablo Picasso, Jim Morrison and Wolfgang Amadeus Mozart. Brilliantly, when he referenced French poet Rimbaud, journalists mistakenly believed he was talking about 1980s action movie character Rambo. Cantona was almost a satirical character, a French philosopher trapped in English dressing rooms, where cutting up teammates’ clothes was considered the height of wit – and he clearly played along with the act. Teammates said he spoke English well, yet when quizzed by tabloid reporters his language skills suddenly deserted him, preserving his status as the baffled outsider. When Manchester United’s squad went for a post-match drink, the standard round was 17 lagers and one glass of champagne.
It wasn’t entirely about Cantona being from abroad, however. He’d earned a similar reputation in France, where he bounced between various Ligue 1 clubs with alarming regularity, usually after serious breaches of discipline. In his enlightening biography of the man, Philippe Auclair notes that in the late 1980s Cantona had become ‘the first celebrity footballer in his country’s history’, known primarily for his peculiar cultural references rather than his pure footballing ability. He’d risen to national prominence following his displays for France’s U21 side, who featured heavily in the sports programming of the new, innovative subscription TV channel Canal+. Cantona was the perfect protagonist for the trendy channel’s focus and, sure enough, he became the ideal figurehead for Sky and the Premier League, too.
Cantona’s most infamous moment in English football came in January 1995. Just after being dismissed for kicking out at Crystal Palace defender Richard Shaw, he reacted to abuse from Palace supporter Matthew Simmons by launching himself over Selhurst Park’s advertising hoardings to perform an extravagant ‘kung-fu’ kick on Simmons, an incident that brought an eight-month worldwide football ban and effectively ended his international career. While a disgraceful act, it was nevertheless a momentous incident for the Premier League; it featured heavily on news bulletins in countries as distant as Australia and New Zealand, the first time that England’s new top flight had become a genuinely global story.
It was probably inevitable the division would initially receive attention for negative reasons, considering the problems of the 1980s, but as reports explained Cantona’s background, they introduced viewers to the most intriguing character in English football, someone who clearly bucked the stereotype. British newspapers went to town: the Sun featured the incident on their front page two days running, on the second with a panel reading ‘The Shame of Cantona: Full story pages 2, 3, 4, 5, 6, 22, 43, 44, 45, 46, 47 & 48’. The Premier League was big news. After Cantona successfully appealed against a two-week prison sentence for his attack, he reluctantly attended a press conference, where he slowly, thoughtfully told the assembled press: ‘When the seagulls … follow the trawler … it’s because they think … sardines … will be thrown into the sea. Thank you very much.’ He then stood up, shook the hand of his lawyer and swiftly departed to stunned laughter.
The crucial factor in Cantona’s image, however, was that he wasn’t simply different to every other Premier League player in terms of personality; he was also different to every other Premier League player in terms of footballing style. The references to philosophers and artists worked precisely because he was a footballing genius who boasted guile, creativity and unpredictability. He thrived upon space between the lines and was a creator as much as a goalscorer, boasting the Premier League’s best-ever assists-per-game record. He loved chipping goalkeepers, he casually rolled home penalties, and he produced a succession of outside-of-the-foot flicks and elaborate, stabbed, dinked passes to teammates.
Cantona was also exceptional in a physical sense, ready for the rough and tumble of the English top flight. When Cantona had finally burnt his bridges in his home country, France assistant manager Gérard Houllier – keen to find Cantona a top-level club for the sake of the national side – suggested England specifically because Cantona possessed the strength and aerial power to survive. Cantona was six foot two, and his most distinctive physical feature was his chest, eternally puffed out. He held up the ball excellently, shrugged opponents aside nonchalantly, and a surprising number of his goals and assists came with his head. He was also quicker than assumed, as his speedy Manchester United teammate Ryan Giggs often mentioned.
Cantona didn’t move straight from France to Manchester, however, and his introduction to English football was somewhat inauspicious. Sheffield Wednesday accommodated him for a week, although the precise purpose of this exercise was seemingly lost in translation; Cantona believed he was coming to sign, journalists assumed it was a trial, while manager Trevor Francis insists he was simply doing a friend a favour by letting him train. Whatever the truth, Cantona’s only appearance in a Wednesday shirt was, utterly bizarrely, in a six-a-side friendly against American indoor specialists Baltimore Blast, which ended in an 8–3 defeat at Sheffield Arena, where Francis had enjoyed a Simply Red concert earlier in the week.
Cantona ended up 35 miles north, signing for Leeds United midway through their 1991/92 championship-winning season. Although he only scored three goals in 15 appearances that season – none of them directly winning a point – he became something of a cult figure among Leeds supporters, who once improvised a questionable version of ‘La Marseillaise’ in tribute to their star centre-forward. But Leeds didn’t suit Cantona; manager Howard Wilkinson distrusted flair players and stated bluntly that no foreign forward had ever succeeded in English football, underlining how Cantona was fighting against the tide. ‘Can Eric adapt to life in England or can we adapt to Cantona? Do I ask him to change or do I ask Leeds to change to the French style?’ pondered Wilkinson, before declaring, ‘There will be no French revolution because that, in our football terms, would inevitably suffer a defeat.’ Cantona was often bypassed as Leeds played a succession of long balls, although he started 1992/93 in tremendous form, hitting the only hat-trick in Charity Shield history, then the first-ever Premier League hat-trick. Still,