The Count's Blackmail Bargain. Sara Craven

donned a lacy bra and briefs, then sat down to make up her face with rather more care than usual, before giving her glossy fall of russet hair a vigorous brushing and fastening silver hoops in her ears. Finally, she sprayed her skin with the fresh, light scent she used, then slipped into the chosen dress, winding its sash round her slender waist and fastening it in a bow.

      She’d brought one pair of flattish evening sandals in a neutral pewter shade—light years away from the glamorous shoes with their dizzyingly high heels that Italy was famous for. But even if she’d possessed such a pair, she wouldn’t have been able to wear them, she conceded regretfully, because that would have made her slightly taller than Paolo, who was sensitive about his height.

      Count Ramontella, of course, had no such concerns, she thought. The highest heels in the world would only have raised her to a level with his chin. And God only knew why such a thing had even occurred to her.

      It was time she concentrated on Paolo, and the task she’d agreed to perform.

      She let herself out of her bedroom, and started down the passage, trying to retrace her earlier steps. She had more time to observe her surroundings now, and she realised that the whole place was a series of courtyards, some completely enclosed, each of them marked by its own fountain, or piece of statuary.

      And a good job too, because it’s like a labyrinth, she thought, hesitating, totally at a loss, as the passage she was negotiating crossed another. To her relief, the white-coated manservant who had been at the entrance when they’d arrived appeared from nowhere, and indicated politely that she should follow him.

      The room she was shown to was enormous, its focal point a huge stone fireplace surmounted by a coat of arms. It was also empty, and Laura hesitated in the doorway, feeling dwarfed by her surroundings, and a little isolated too.

      Obviously, she had left her room much too early. The Italians, she recalled, were apt to dine later than people did in England, but she decided to stay where she was rather than attempt that maze of passages again.

      She saw with interest that, in here, some restoration work had been done to the frescoed walls, and wandered round, taking a closer, fascinated look and speculating on their age. There were various hunting scenes, and, more peacefully, an outdoor feast with music and dancing, and the style of dress suggested the sixteenth century.

      At the far end of the room, large floor-length windows stood open, leading out to a terrace from which a flight of steps descended, leading down to further gardens below.

      Once again, furniture in the salotto had been kept to a minimum—a few massive sofas, their dimensions reduced by the proportions of the room, and a long, heavily carved sideboard were the main features. Also, more unusually, a grand piano.

      It was open and, intrigued, Laura crossed to it and sat down on the stool, running her fingers gently over the keys, listening to its lovely, mellow sound.

      She gave a small sigh. So many sad things had followed her father’s death, and the loss of her own much-loved piano was only one of them.

      She tried a quiet chord or two, then, emboldened by the fact that she was still alone, launched herself into a modern lullaby that she had once studied as an exam piece.

      Perhaps because it had always been a favourite of hers, she got through it without too much faltering, and sighed again as she played the final plangent notes, lost in her own nostalgic world.

      She started violently as the music died to be replaced with the sound of someone clapping. She turned swiftly and apprehensively towards the doorway.

      ‘Bravo,’ said the Count Ramontella, and walked slowly across the room towards her.