Once it was cold, the custard was covered with whipped cream, glacé cherries and whole, blanched almonds. Never silver balls, which he thought common, or chocolate vermicelli, which he thought made it sickly. Just big fat almonds. He never toasted them, even though it would have made them taste better. In later years my stepmother was to suggest a sprinkling of multicoloured hundreds and thousands. She might as well have suggested changing his daily paper to the Mirror.
The entire Christmas stood or fell according to the noise the trifle made when the first massive, embossed spoon was lifted out. The resulting noise, a sort of squelch-fart, was like a message from God. A silent trifle was a bad omen. The louder the trifle parped, the better Christmas would be. Strangely, Dad’s sister felt the same way about jelly – making it stronger than usual just so it would make a noise that, even at her hundredth birthday tea, would make the old bird giggle.
You wouldn’t think a man who smoked sweet, scented tobacco, grew pink begonias and made softly-softly trifle could be scary. His tempers, his rages, his scoldings scared my mother, my brothers, the gardener, even the sweet milkman who occasionally got the order wrong. Once, when I had been caught not brushing my teeth before going to bed, his glare was so full of fire, his face so red and bloated, his hand raised so high that I pissed in my pyjamas, right there on the landing outside my bedroom. For all his soft shirts and cuddles and trifles I was absolutely terrified of him.
The bookcase doubled as a drinks cabinet. Or perhaps that should be the other way around. Three glass decanters with silver labels hanging around their necks boasted Brandy, Whisky and Port, though I had never known anything in them, not even at Christmas. Dad’s whisky came from a bottle, Dimple Haig, that he kept in a hidden cupboard at the back of the bookcase where he also kept his Canada Dry and a jar of maraschino cherries for when we all had snowballs at Christmas. The front of the drinks cabinet housed his entire collection of books.
The family’s somewhat diminutive library had leatherette binding and bore Reader’s Digest or The Folio Society on their spines. Most were in mint condition, and invariably ‘condensed’ or ‘abridged’. Six or so of the books were kept in the cupboard at the back, with the Dimple Haig and a bottle of advocaat; a collection of stories by Edgar Allan Poe, a dog-eared Raymond Chandler, a Philip Roth and a neat pile of National Geographics. There was also a copy of Marguerite Patten’s All Colour Cookbook.
It was a tight fit in between the wall and the back of the bookcase. Dad just opened the door and leaned in to get his whisky; it was more difficult for me to get round there, to wriggle into a position where I could squat in secret and turn the pages of the hidden books. I don’t know how Marguerite Patten would feel knowing that she was kept in the same cupboard as Portnoy’s Complaint, or that I would flip excitedly from one to the other. I hope my father never sells them. ‘For sale, one copy each of Marguerite Patten’s All Colour Cookery and Philip Roth’s Portnoy’s Complaint, first edition, d/w, slightly stained.’
‘I don’t know what you want to look at that for,’ said Mum once, coming home early and catching me gazing at a photograph of Gammon Steaks with Pineapple and Cherries. ‘It’s all very fancy, I can’t imagine who cooks like that.’ There was duck à l’orange and steak-and-kidney pudding, fish pie, beef Wellington and rock cakes, fruit flan and crème caramel. There was page after page of glorious photographs of stuffed eggs, sole with grapes and a crown roast of lamb with peas and baby carrots around the edge, parsley sprigs, radish roses, cucumber curls. Day after day I would squeeze round and pore over the recipes fantasising over Marguerite’s devilled kidneys and Spanish chicken, her prawn cocktail and sausage rolls. Just as I would spend quite a while fantasising over Portnoy’s way with liver.
Josh, Mum and Dad’s new gardener, was cool. He had a black motorbike, a Triumph something or other, and used to bring his lunch neatly packed in a tin box. He licked his cigarette papers, tiny things with barely a pinch of tobacco in them, and rolled them into short flat cigarettes while he sat on his bike. Everyone liked Josh, Mum thought he was ‘such a good-looking young man, as bright as a button’, and Dad seemed more happy with him than he had been with the older guys who used to leave almost as soon as they had started. One was fired just because the frost got at Dad’s dahlias.
Unlike the other gardeners, Josh used to let me turn the compost with the long-handled, two-pronged fork that no one else let me touch and empty the mower box on to the heap. He let me weed the front of the borders where we had planted daisy-faced mesembryanthemums that only came out in the sun and balls of alyssum and drifts of pink and white candytuft. I watched the way he tied the clematis up when the string broke once in the wind, and when he used to pee on the compost. ‘Better not tell your dad I do that, it’s my secret way of getting the compost to work,’ he would say, turning as he shook himself and did up his buttons.
My father smiled, beamed almost, when I called plants by their proper names. Antirrhinum instead of snapdragon and Muscari instead of grape hyacinth. He gave a tired but amused little snuffle when I once corrected him about the name of a rose that he had called Pleasure when I knew it was Peace. Josh would take me round the borders, getting me to name as many plants as I could and would tease me when I confused azaleas and rhododendrons. Sometimes he would hoist me up on to his bare shoulders and charge around the garden making airplane noises and pretending to crash into the trees. We played football once, but my saves were so bad that the ball, an orange one belonging to my brothers, kept crashing into the marguerites and knocking them flat.
I liked the way Josh would let me sit and talk to him while he took a strip-wash in the outside toilet and changed back into his motorbike leathers. The way he would let me choose a biscuit – a Bourbon, a ginger nut, even a caramel wafer – from his lunch box and the way he never turned his back on me when he was drying himself with his frayed green-and-white-striped towel.
A great deal was made of my being tucked in at night. ‘I’ll come up and tuck you in’ was as near as my mother ever got to playing with me. Tucking me in was her substitute for playing ball, going to the park to play on the slide, being there on sports day, playing hide-and-seek, baking cakes, giving me chocolate kisses, ice cream, toffee apples, making masks and carving Halloween pumpkins. ‘I’ll come up and tuck you in’ was fine. It’s when she forgot that it wasn’t.
Every few weeks my mother and I would make jam tarts. She had small hands with long, delicate fingers. Gentle, like her name, Kathleen, and that of her siblings, Marjorie and Geoffrey. They say there was some Irish blood somewhere, but like my mother’s asthma no one ever spoke of it.
She would weigh the flour, the butter, the bit of lard that made the pastry so crumbly, and let me rub them all together with my fingertips in the big cream mixing bowl. She poured in cold water from a glass and I brought the dough together into a ball. Her hands started work with the rolling pin, then, once the ball of pastry was flat, I would take over, pushing the pastry out into a great thin sheet. We took the steel cookie cutters, rusty, dusty, and cut out rings of pastry and pushed them into the shallow hollows of an even rustier patty tin.
Mother didn’t like cooking. She did this for me. When she met my father she was working as a secretary to the mayor at the town hall and had never made so much as a sandwich. My father’s first marriage had lasted only a matter of months and was