Alison had seen a white hart in the forest once. Her cousin Edward Seymour had said that the Queen had wanted to come to hunt it, the hart being the ultimate hunter’s trophy and Elizabeth being a queen who collected such things. Perhaps she had come to Wolf Hall after Alison had left. She did not know. There was no record of a royal visit but then so much fell through the cracks of the past.
The fresh blast of air from the Downs to the north brought with it a softer scent, of mingled herbs and flowers, wild garlic, basil and lavender, taking Alison straight back to a long-lost summer in the garden at Wolf Hall and the smell of sun-warm brick and hot grass. She had not been happy in those days but still the sense of loss and dislocation hit her fiercely and gave her no time to prepare. There was too much that was familiar here in Marlborough—the town, the inn, the memories. She should have realised that coming back to Wiltshire was a bad idea. But she had had so little choice.
Breathe. Accept. Wait.
The wave of dizziness and nausea retreated a little. Alison found she was leaning against a wall between two shops, rather like a drunk steadying himself as he tried to weave his way home late at night. Awareness returned to her, the smooth coldness of a drainpipe against her clutching fingers, the chill sting of the rain and the heavy, greasy smell of the street market.
She was standing in front of a shop she had not seen before. High street shops came and went, of course, and it was a good ten years since she had been in Marlborough, maybe more. She tried not to count most of the time.
The shop was actually an art gallery, all high-tech lighting and huge windows, its modernity blaringly incongruous in the middle of Marlborough High Street’s olde-worlde charm. Most of the paintings Alison could see through the window were equally strident, highly coloured, swirling patterns in oil with huge price tags and no artistic merit in her opinion. Not that she knew much about art. She drew for pleasure and had done since she was a child, but she had no training and no technique to speak of.
To the right of the enormous bow window was a pastoral scene with a spotlight trained on it. It might have been an antique. Alison could not really tell. Below the canvas ran a broad white shelf that stretched along the full length of the showroom. There were a number of smaller paintings displayed there, mainly portraits, and she knew at once that they were old, sixteenth century, to judge from the style and the type of clothing. There was King Henry VIII, painted at the moment his glorious, golden youthfulness was changing into something more watchful and inimical. When Alison had been a child, his name had been used to frighten them all into obedience: ‘Behave yourself or old King Hal will come to get you.’ When she had been young she had had no idea what he had looked like but her imagination had supplied the image of a monster. She had seen hundreds of pictures of him since, of course. The English were proud of their infamous, spouse-murdering monarch. Distance had lent the sort of affection to his memory that had never been felt in her own time.
It was odd seeing Henry now, a relic, a throwback to her past. It unsettled her.
Alison’s gaze travelled on to the next portrait on the shelf, that of a woman, standing, her hands folded demurely in that style so beloved of artists who wanted to persuade the viewer that Tudor womanhood was modest and decorous. The display light cast a shadow across her face. Alison strained closer to see. This was no one as instantly recognisable as Henry and yet there was a familiarity about her. It was a face she knew.
Mary Seymour.
Alison’s breath stopped. There was a tight pain in her chest and a buzzing in her ears. Mary. After all this time.
She had never given up hope. It wasn’t in her nature to despair although she had come very close to it so many times. All the history books—those that mentioned Mary Seymour at all—said that she had died as a child. Alison had known that was not true but she had never discovered what had happened to Mary after she had left Wolf Hall.
‘Help me,’ she had said to Mary all those years ago. ‘Help me to find my son. I’ll come back for him. Leave me word…’
She had not begged, precisely; her relationship with Mary had been too prickly to allow her to show that vulnerability. She had phrased it as an order, but Mary had known. There had been a bargain between them. She had helped Mary escape Wolf Hall and, in return, Mary had promised to help her.
Mary was the key to finding Arthur. She always had been and so Alison had held tenaciously to the belief that one day she would see Mary again.
And now she had.
Suddenly she felt faint with shock, trembling, tears pricking her eyes.
‘Are you all right?’ Someone was addressing her, a woman with a plastic rain hat and an anxious expression. She spoke in the tones of someone who feels obliged to offer help but sincerely hopes it isn’t going to be needed. Alison forced a smile.
‘I’m fine, thanks. I tripped over the edge of the pavement and winded myself for a moment.’
The woman’s sharp gaze scanned her face.
She thinks I’m drunk, Alison thought. She took a deep breath and pinned the smile on tighter. ‘No harm done,’ she said. ‘Thanks for stopping to check.’
‘Well, if you’re sure… The woman was already moving away, duty done.
Alison found that her hand was resting against the windowpane as though reaching out to touch the portrait within. She let it fall to her side and straightened up, pushing open the door and stepping from the dark street into the bright interior of the gallery. For a moment the harsh light dazzled her. Out of it came the figure of a man, summoned by the bell on the door. He was elderly, greying, with a stoop and leather elbow patches on his tweed jacket, but his eyes were bright, vivid blue, and he seemed to crackle with life and energy. Alison felt it at once, that force of personality that some people seemed to project effortlessly, lighting up everything around them.
‘Can I help you?’ He sounded surprised that anyone should have dropped in on a wet December evening.
‘That portrait of a lady,’ Alison said. ‘The Tudor one…’
‘Beautiful, isn’t it,’ the man said.
Alison was taken aback. Had Mary been beautiful? Perhaps she had, although Alison had never thought so. She was the one whom men had admired. She had been curves to Mary’s angles, rose to her sallow. She looked at the portrait again, trying to be dispassionate and to ignore the stirrings of old jealousy. She had never liked Mary. In the beginning she had hated her with a child’s simple hatred. That had grown into a more complicated set of emotions as she grew up, but they had never been friends. They had been too different and too far apart.
The woman in the picture had features that were neat rather than beautiful: a long nose but delicate and not disproportionately so, arched brows above eyes of an indeterminate dark colour, a slight smile on the pursed pink lips. There was only the faintest hint of the hair colour beneath her Tudor gable hood though Alison knew it to be red brown, like her mother’s. Mary’s gown was of sumptuous gold and green velvet embroidered with pearls. She looked to be a woman of substance. There were pearls too on the hood and a space where one was missing. That was typical of Mary. She would not have noticed.
She realised that the man was waiting patiently for the question she had not yet articulated.
‘It’s lovely,’ she agreed. ‘The artist must have been very talented.’
She saw him smile and realised that she had not quite been able to repress the spite. Mary, grown up, or at least on the cusp of womanhood, made her as jealous as Mary the child had once done.
She sighed. None of that mattered. What was important was that Mary had survived. Thrived, in fact, by the look of it. And that was good because Mary was the key. Mary had promised to leave word of Arthur for her, and Mary never broke her