‘No,’ she said softly, ‘not real bones.’
I stared at the shining intricate shapes on the velvet until my eyes blurred. At last I reached out and pulled the cloth down over them; then I stood looking down at the coarse brown hessian. Here and there, where the weave was loose, I could still see the smooth edge of a femur, the nacreous curve of the skull, a miniature, perfect finger-bone. I imagined her working on them, crafting tiny shapes out of mother-of-pearl. I shut my eyes and listened to my blood pounding, and beyond that the dead quiet of walls and earth.
‘Tell me,’ I said. ‘Tell me what you do.’
The lamp murmured and guttered. Nothing else moved.
‘You know already.’
‘No.’
‘You know, if you think about it.’
I opened my mouth to say no, again; but something caught in my throat. The lamp-flame flared, licked upwards and then sank to a tiny blue bubble. The dark took a step towards me.
‘You bind – people,’ I said. My throat was so dry it hurt to speak; but the silence hurt more. ‘You make people into books.’
‘Yes. But not in the way you mean.’
‘What other way is there?’
She walked towards me. I didn’t turn, but the light from her candle grew stronger, pushing back the shadows. ‘Sit down, Emmett.’
She touched my shoulder. I flinched and spun round, stumbling back into the table. Tools clattered to the floor and skittered away. We stared at each other. She had stepped back too; now she put her candle down on one of the chests, and the flame magnified the trembling of her hand. Wax had spattered the floor; it congealed in a split second, like water turning to milk.
‘Sit down.’ She lifted an open drawer of jars off a box. ‘Here.’
I didn’t want to sit, while she was standing. I held her gaze, and she was the first to look away. She dumped the drawer down again. Then, wearily, she bent to pick up the little tools I’d knocked off the table.
‘You trap them,’ I said. ‘You take people and put them inside books. They leave here … empty.’
‘I suppose, in a way—’
‘You steal their souls.’ My voice cracked. ‘No wonder they’re afraid of you. You lure them here and suck them dry, you take what you want and send them away with nothing. That’s what a book is, isn’t it? A life. A person. And if they burn, they die.’
‘No.’ She straightened up, one hand clutching a tiny wood-handled knife.
I picked up the book on the table and held it out. ‘Look,’ I said, my voice rising and rising, ‘this is a person. Inside there’s a person – out there somewhere they’re walking round dead – it’s evil, what you do, they should have fucking burnt you.’
She slapped me.
Silence. There was a thin high ringing in the air that wasn’t real. Automatic tears rose in my eyes and spilt down my cheeks. I wiped them away with the inside of my wrist. The pain faded to a hot tingling, like salt water drying on my skin. I put the book down and smoothed the endpaper with my palm where I’d rumpled it. The crease would never come out entirely; it stood out like a scar, branching across the corner. I said, ‘I’m sorry.’
Seredith turned away and dropped the knife into the open drawer by my side. ‘Memories,’ she said, at last. ‘Not people, Emmett. We take memories and bind them. Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm. That’s all books are.’
Finally I met her eyes. Her expression was open, candid, a little weary, like her voice. She made it sound so right – so necessary; like a doctor describing an amputation. ‘Not souls, Emmett,’ she said. ‘Not people. Just memories.’
‘It’s wrong,’ I said, trying to match my tone to hers. Steady, reasonable … but my voice shook and betrayed me. ‘You can’t say it’s right to do that. Who are you to say what they can live with?’
‘We don’t. We help people who come to us and ask for it.’ A flicker of sympathy went over her face as if she knew she’d won. ‘No one has to come, Emmett. They decide. All we do is help them forget.’
It wasn’t that simple. Somehow I knew it wasn’t. But I had no argument to make, no defence against the softness of her voice and her level eyes. ‘What about that?’ I pointed to the child-shape under the sacking. ‘Why would you make a book like that?’
‘Milly’s book? Do you really want to know?’
A shiver went over me, fierce and sudden. I clenched my teeth and didn’t answer.
She walked past me, stared down at the sacking for a moment, and then slid it gently to one side. In her shadow the little skeleton shone bluish.
‘She buried it alive,’ Seredith said. There was no weight to the words, only a quiet precision that left all the feeling to me. ‘She couldn’t go on, she thought she couldn’t go on. And so she wrapped it up, one day when it wouldn’t stop crying, and she laid it on the dung heap and pulled rubbish and manure over it until she couldn’t hear it any more.’
‘Her baby?’
A nod.
I wanted to shut my eyes, but I couldn’t look away. The baby would have lain like that, curled and helpless, trying to cry, trying to breathe. How long would it have taken, before it was just part of the dungheap, rotting with everything else? It was like a horrible fairy tale: bones turned to pearl, earth turned to velvet. But it was true. It was true, and the story was locked in a book, shut away, written on dead pages. My hand tingled where I had smoothed out the endpaper: that thick, veined paper, black as soil.
‘That’s murder,’ I said. ‘Why didn’t the parish constable arrest her?’
‘She kept the child a secret. No one knew about it.’
‘But …’ I stopped. ‘How could you help her? A woman – a girl who killed her own child – like that – you should have …’
‘What should I have done?’
‘Let her suffer! Make her live with it! Remembering is part of the punishment. If you do something evil—’
‘It was her father’s, too. The man who came to burn this book. He was her father, and the child’s.’
For a moment I didn’t understand what she meant. Then I looked away, feeling sick.
There was the rustle of sackcloth as Seredith drew it back over the bones, and the creak of the box as she perched on the edge of it, holding on to the table to steady herself.
At last she said, ‘I’m not being fair to you, Emmett. Sometimes I do turn people away. Very, very rarely. And not because they’ve done something so terrible I can’t help; only because I know they’ll go on doing terrible things. Then, if I’m sure, I will refuse to help them. But it has only happened three times, in more than sixty years. The others, I helped.’
‘Isn’t burying a baby terrible?’
‘Of course,’ she said, and bowed her head. ‘Of course it is, Emmett.’
A breath. ‘You said, what books are … So every book,’ I said, ‘every book that’s ever been bound, is someone’s memories. Something they’ve chosen to forget.’
‘Yes.’
‘And …’ I cleared my throat. Suddenly I could feel the imprint of my father’s hand on my cheek, the stinging blow he’d given me years ago, as if the