How to be Alone. Jonathan Franzen. Читать онлайн. Newlib. NEWLIB.NET

Автор: Jonathan Franzen
Издательство: HarperCollins
Серия:
Жанр произведения: Языкознание
Год издания: 0
isbn: 9780007389063
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that mail handlers may be reading it, may be reading it aloud, may even be laughing at it, but I’m safe from all harm unless, by sheer bad luck, the one handler in the country whom I actually know sees the postcard and slaps his forehead and says, “Oh, jeez, I know this guy.”

      OUR PRIVACY panic isn’t merely exaggerated. It’s founded on a fallacy. Ellen Alderman and Caroline Kennedy, in The Right to Privacy, sum up the conventional wisdom of privacy advocates like this: “There is less privacy than there used to be.” The claim has been made or implied so often, in so many books and editorials and talk-show dens, that Americans, no matter how passive they are in their behavior, now dutifully tell pollsters that they’re very much worried about privacy. From almost any historical perspective, however, the claim seems bizarre.

      In 1890, an American typically lived in a small town under conditions of near-panoptical surveillance. Not only did his every purchase “register,” but it registered in the eyes and the memory of shopkeepers who knew him, his parents, his wife, and his children. He couldn’t so much as walk to the post office without having his movements tracked and analyzed by neighbors. Probably he grew up sleeping in the same bed with his siblings and possibly with his parents, too. Unless he was well off, his transportation—a train, a horse, his own two feet—either was communal or exposed him to the public eye.

      In the suburbs and exurbs where the typical American lives today, tiny nuclear families inhabit enormous houses, in which each person has his or her own bedroom and, sometimes, bathroom. Compared even with suburbs in the sixties and seventies, when I was growing up, the contemporary condominium development or gated community offers a striking degree of anonymity. It’s no longer the rule that you know your neighbors. Communities increasingly tend to be virtual, the participants either faceless or firmly in control of the face they present. Transportation is largely private: the latest SUVs are the size of living rooms and come with onboard telephones, CD players, and TV screens; behind the tinted windows of one of these high-riding I-see-you-but-you-can’t-see-me mobile PrivacyGuard® units, a person can be wearing pajamas or a licorice bikini, for all anybody knows or cares. Maybe the government intrudes on the family a little more than it did a hundred years ago (social workers look in on the old and the poor, health officials require inoculations, the police inquire about spousal battery), but these intrusions don’t begin to make up for the small-town snooping they’ve replaced.

      The “right to be left alone”? Far from disappearing, it’s exploding. It’s the essence of modern American architecture, landscape, transportation, communication, and mainstream political philosophy. The real reason that Americans are apathetic about privacy is so big as to be almost invisible: we’re flat-out drowning in privacy.

      What’s threatened, then, isn’t the private sphere. It’s the public sphere. Much has been made of the discouraging effect that the Starr investigation may have on future aspirants to public office (only zealots and zeros need apply), but that’s just half of it. The public world of Washington, because it’s public, belongs to everyone. We’re all invited to participate with our votes, our patriotism, our campaigning, and our opinions. The collective weight of a population makes possible our faith in the public world as something larger and more enduring and more dignified than any messy individual can be in private. But, just as one sniper in a church tower can keep the streets of an entire town empty, one real grossout scandal can undermine that faith.

      If privacy depends upon an expectation of invisibility, the expectation of visibility is what defines a public space. My “sense of privacy” functions to keep the public out of the private and to keep the private out of the public. A kind of mental Border collie yelps in distress when I feel that the line between the two has been breached. This is why the violation of a public space is so similar, as an experience, to the violation of privacy. I walk past a man taking a leak on a sidewalk in broad daylight (delivery-truck drivers can be especially self-righteous in their “Ya gotta go, ya gotta go” philosophy of bladder management), and although the man with the yawning fly is ostensibly the one whose privacy is compromised by the leak, I’m the one who feels the impingement. Flashers and sexual harassers and fellators on the pier and self-explainers on the crosstown bus all similarly assault our sense of the “public” by exposing themselves.

      Since really serious exposure in public today is assumed to be synonymous with being seen on television, it would seem to follow that televised space is the premier public space. Many things that people say to me on television, however, would never be tolerated in a genuine public space—in a jury box, for example, or even on a city sidewalk. TV is an enormous, ramified extension of the billion living rooms and bedrooms in which it’s consumed. You rarely hear a person on the subway talking loudly about, say, incontinence, but on television it’s been happening for years. TV is devoid of shame, and without shame there can be no distinction between public and private. Last winter, an anchorwoman looked me in the eye and, in the tone of a close female relative, referred to a litter of babies in Iowa as “America’s seven little darlin’s.” It was strange enough, twenty-five years ago, to get Dan Rather’s reports on Watergate between spots for Geritol and Bayer aspirin, as if Nixon’s impending resignation were somehow located in my medicine chest. Now, shelved between ads for Promise margarine and Celebrity Cruises, the news itself is a soiled cocktail dress—TV the bedroom floor and nothing but.

      Reticence, meanwhile, has become an obsolete virtue. People now readily name their diseases, rents, antidepressants. Sexual histories get spilled on first dates, Birkenstocks and cutoffs infiltrate the office on casual Fridays, telecommuting puts the boardroom in the bedroom, “softer” modern office design puts the bedroom in the boardroom, salespeople unilaterally address customers by their first name, waiters won’t bring me food until I’ve established a personal relationship with them, voice-mail machinery stresses the “I” in “I’m sorry, but I don’t understand what you dialed,” and cyberenthusiasts, in a particularly grotesque misnomer, designate as “public forums” pieces of etched silicon with which a forum’s unshaved “participant” may communicate while sitting crosslegged in tangled sheets. The networked world as a threat to privacy? It’s the ugly spectacle of a privacy triumphant.

      A genuine public space is a place where every citizen is welcome to be present and where the purely private is excluded or restricted. One reason that attendance at art museums has soared in recent years is that museums still feel public in this way. After those tangled sheets, how delicious the enforced decorum and the hush, the absence of in-your-face consumerism. How sweet the promenading, the seeing and being seen. Everybody needs a promenade sometimes—a place to go when you want to announce to the world (not the little world of friends and family but the big world, the real world) that you have a new suit, or that you’re in love, or that you suddenly realize you stand a full inch taller when you don’t hunch your shoulders.

      Unfortunately, the fully public place is a nearly extinct category. We still have courtrooms and the jury pool, commuter trains and bus stations, here and there a small-town Main Street that really is a main street rather than a strip mall, certain coffee bars, and certain city sidewalks. Otherwise, for American adults, the only halfway public space is the world of work. Here, especially in the upper echelons of business, codes of dress and behavior are routinely enforced, personal disclosures are penalized, and formality is still the rule. But these rituals extend only to the employees of the firm, and even they, when they become old, disabled, obsolete, or outsourceable, are liable to be expelled and thereby relegated to the tangled sheets.

      The last big, steep-walled bastion of public life in America is Washington, D.C. Hence the particular violation I felt when the Starr Report crashed in. Hence the feeling of being intruded on. It was privacy invasion, all right: private life brutally invading the most public of public spaces. I don’t want to see sex on the news from Washington. There’s sex everywhere else I look—on sitcoms, on the Web, on dust jackets, in car ads, on the billboards at Times Square. Can’t there be one thing in the national landscape that isn’t about the bedroom? We all know there’s sex in the cloakrooms of power, sex behind the pomp and circumstance, sex beneath the robes of justice; but can’t we act like grownups and pretend otherwise? Pretend not that “no one is looking” but that everyone is looking?

      For two decades