Then you make choices.
Always a spiral – upwards or downwards – it's your choice.
Having circumnavigated our world,
I realize that it is not a sphere,
But a spiral.
I am back where I started from.
The path ahead is as unknown
As it was before the journey.
But you, my friend,
Who steadfastly stayed here
At the origin,
How did you find out?
Or was it clear?
Was it clear all along?
Theological Questions
Circling the pulsing center of their universe
The fish are passing through sunlight and shadow.
Their existence is framed, circumscribed, and protected
By the carved marble rim of the fountain’s basin.
Do they fear or worship the hand that feeds them,
Removes their dead, repairs the stonework;
The hand that brought their ancestors here
From another world in a wooden bucket?
Can they see that the hand moves more slowly now,
That the bony fingers have grown stiff with age?
Portrait of a room
Now, as a human life in this room
Is ebbing,
The attitudes of the objects
Become apparent.
The rocking chair
Stretches forth its arm-rests,
Ready to embrace, to lull,
To enthrall with the stories
Of a long life-time.
The mirror turns a blind eye
To all that is happening here,
Gazing intently
Into its own distant dreams.
The hospital bed knows
That it is seen as ugly,
Unwanted in every room that it enters.
Yet it goes about its work
Reliably and with care,
Keeping the patient
As comfortable as it is able.
It does its best to be unobtrusive.
The edge of the crystal vase
Glitters hard in the corner.
Being confined to a sick-room,
Enduring the dusty monotony
Of pathetic fake flowers —
This is not what it’s made for!
The curtains hold back the darkness,
Soften the mid-day light.
Catching the slightest motion of the air,
They stir like wings,
Like the white sails of a ship,
Sensing the wind, the space
Of a great invisible world.
Orbit
The Earth falls towards the Sun.
There are no elephants, no turtles,
No hand of Providence
For the world to rest on.
What keeps the planet in orbit
Is its unwavering observance
Of “the laws of nature”.
But what is inside those words?
Dead force?
A command backed by fear?
A solemn promise given long ago?
Or a bitter-sweet journey
On a freely chosen path?
Creation stories
To Orna Greenberg
In the story
Of the first creation
The Divine power
Lifts the supple clay,
To mold His image,
To imprint Her likeness.
The Divine breath
Enters the human shape,
Calls it to life.
The potter’s hands
Explore a lump of clay,
Stroke, press in
The hollow of the vessel,
Form the plump lip,
Extend the graceful neck.
The artist dips the brush
Now into paint, now into water.
An image blossoms:
Ocher and sienna blend;
The colors thicken —
Shadows outline the round rim,
The colors thin —
Light curves down the glazed flank.
You
Lift the clay jar,
Gaze at the painting,
Read these lines,
You
Have the power
To breathe into a creation
Awareness, thought, meaning,
Life.
Creation
It is possible to escape,
To hide from the darkness:
Squeeze your eyes shut,
Press hard on the eyelids.
Circles of phantom fire
Will blaze in front of your staring pupils.
Let us trade: I would barter
My past, my memory,
For a handful of stars,
For the dimmest of constellations…
But you drive a hard bargain
By simply refusing to exist.
In a blind rage
I splinter my heart into kindling,
Pour gasoline,
Set the whole mess aflame,
Watch as it burns to ashes.
But it keeps on beating,
It keeps on beating in the darkness.
There is nothing to do but sit.
Stare into the void.
Read the blanks on the empty page,
Over and over,
Till they form a pattern,
Till the repetition yields a meaning:
“Let there be darkness, for there is.”
There