Base notes patchouli, rose, jasmine, benzoin, frankincense, myrrh
A well-balanced perfume is said to contain elements from each of these different categories, the quantities of each determining whether it is a heavy oriental-type scent or a light floral aroma. Although this theory is used primarily in fragrance work, the same principles can also be applied to aromatherapy and personalized remedies.
Creating a perfume or an individual fragrance is like painting a picture or making a meal: it needs the correct balance of colours or flavours, neither too sparse nor too crowded; it also generally has a theme. A perfume should have a focus around which other fragrances unite. For example, if we want to create an oriental fragrance or a heart-warming, elevating type of blend, then woody or musky oils and balsams will play a central role. The exotic perfume ‘Shalimar’ by Guerlain contains a predominance of such oils, containing among its ingredients Peru balsam, benzoin, opopanax, vanilla, patchouli, rose, jasmine, orris and vetiver as well as rosewood, lemon, bergamot and mandarin.
Home perfumes need not be so complex: rose and benzoin (base notes), rosewood (middle note) and bergamot (top note) would together make a pleasing combination with an uplifting, warming quality. Rosewood is an oil which can be used to round off sharp edges, as well as providing a good bridge between citrus and floral or woody-balsamic notes. The overall character of a perfume also benefits from unusual or diverse combinations which can help to give personality to an otherwise ‘flat’ fragrance. A floral fragrance with a hint of spice such as clove or cinnamon can add depth and interest, but the percentage of such additions is critical because they can easily upset the balance.
A skilled perfumier can identify some 30,000 different odours, but to begin with it is best to become familiar with a few common oils and develop from there. By initially keeping to a maximum of three or four oils per blend it is possible to keep in touch with their individual scents and qualities, then slowly build up a personal vocabulary of odours.
Most commercial perfumes are diluted in alcohol; a typical eau de cologne contains no more than 3–5 per cent aromatic material, usually synthetic. Home-made perfumes are best made up simply of pure essences, which last longer and may be used neat on the skin or in the bath, etc.
Personal experimentation is the only way to really find out what works, for the unique quality of essential oils is that they possess an array of therapeutic possibilities complemented by a vast spectrum of fragrances which can be mixed in endless combinations! In the words of John Steele:
Creative blending is an aesthetic alchemical process … learning to ‘listen through the nose’. To listen is to be receptive, to be empty. Every drop shifts the orchestration of olfactory vibrations, the ‘song of the blend’. A blend is not made at once, rather it evolves, it organically grows and interacts not only with the essential oils, but also with the blender.18
Various stages of the alchemical process, including the appearance of the golden flower; from Mutus liber, 1702
6. A GUIDE TO AROMATIC MATERIALS
Over thirty families of plants, with some ninety species, represent the main oil-producing group. The majority of spices (allspice, cardamon, clove, nutmeg, ginger, etc.) originate in tropical countries; conversely, the majority of herbs grow in temperate climates (bay, cumin, dill, marjoram, fennel, lavender, rosemary, thyme, etc.). The same plant grown in a different region and under different conditions can produce essential oils of widely diverse characteristics, which are known as ‘chemotypes’. Common thyme (Thymus vulgaris), for example, produces several chemotypes depending on the conditions of its growth and dominant constituent, notably the citral or linalol types, the thuyanol type, and the thymol or carvacrol type. It is therefore important not only to know the botanical name of the plant from which an oil has been produced, but also its place of origin and main constituents. One of the main ways of defining the qualities of a particular oil and checking its purity is to ascertain the specific blend of/components and look at its chemical character.
In general, essential oils consist of chemical compounds which have hydrogen, carbon and oxygen as their building blocks. These can be subdivided into two groups: the hydrocarbons which are made up almost exclusively of terpenes (monoterpenes, sesquiterpenes and diterpenes); and the oxygenated compounds, mainly esters, aldehydes, ketones, alcohols, phenols and oxides; acids, lactones, sulphur and nitrogen compounds are sometimes also present.
Terpenes
Common terpene hydrocarbons include limonene (antiviral, found in 90 per cent of citrus oils) and pinene (antiseptic, found in high proportions in pine and turpentine oils); also camphene, cadinene, caryophyllene, cedrene, dipentene, phellandrene, terpinene, sabinene, and myrcene among others. Some sesquiterpenes, such as chamazulene and farnesol (both found in chamomile oil), have been the object of great interest recently due to their outstanding anti-inflammatory and bactericidal properties.
Esters
Probably the most widespread group found in essential oils, which includes linalyl acetate (found in bergamot, clary sage and lavender), and geranyl acetate (found in sweet marjoram). They are characteristically fungicidal and sedative, often having a fruity aroma. Other esters include bornyl acetate, eugenyl acetate and lavendulyl acetate.
Aldehydes
Citral, citronellal and neral are important aldehydes found notably in lemon-scented oils such as melissa, lemongrass, lemon verbena, lemon-scented eucalyptus, citronella etc. Aldehydes in general have a sedative effect; citral has been found to have specifically antiseptic properties. Other aldehydes include benzaldehyde, cinnamic aldehyde, cuminic aldehyde and perill aldehyde.
Ketones
Some of the most common toxic constituents are ketones, such as thujone found in mugwort, tansy, sage and wormwood; and pulegone found in pennyroyal and buchu – but this does not mean that all ketones are dangerous. Non-toxic ketones include jasmone found in jasmine, and fenchone in fennel oil. Generally considered to ease congestion and aid the flow of mucus, ketones are often found in plants which are used for upper respiratory complaints, such as hyssop and sage. Other ketones include camphor, carvone, menthane, methyl nonyl ketone and pinocamphone.
Alcohols
One of the most useful groups of compounds, tending to have good antiseptic and antiviral properties with an uplifting quality; they are also generally non-toxic. Some of the most common terpene alcohols include linalol (found in rosewood, linaloe and lavender), citronellol (found in rose, lemon eucalyptus and geranium) and geraniol (found in palmarosa); also borneol, menthol, nerol, terpineol, farnesol, vetiverol, benzyl alcohol and cedrol among others.
Phenols
These tend to have a bactericidal and strongly stimulating effect, but can be skin irritants. Common phenols include eugenol (found in clove and West Indian bay), thymol (found in