He was unconcerned that he had no previous experience of either erotic or electronic literature. He remembered a battered copy of Emanuel does Somewhere or Other that lived in the staff lounge of his first place of work. Unfortunately he had only flicked through the photos and could recall none of the text. Over the years, he had occasionally seen bits of dirty movies, but the dialogue rarely got beyond ‘Oh my God, that’s huge’ or ‘Yes, yes, yes’. But surely, with a fertile imagination, in spite of his far from encyclopaedic experience in the subject, he could give it a go.
The secret of success in historical fiction is research. His previous books were all set in the Middle Ages. He had read a huge amount about the period between the First Crusade and the trial of the Knights Templar. As a result, he felt he knew a good deal about that period. So what about an erotic novel set way back then?
The problem that immediately faced him was one of degree. The modern reader is regularly blasted with images of near-naked men and women. It wasn’t like that back then. A loose lock of hair, hanging out of a lady’s wimple would have been enough to give all the Knights of the Round Table a hard-on. A bare ankle and they would have been bursting out of their codpieces.
‘And don’t let’s forget that personal hygiene was very different in those days. Are you listening, dog? That’s never been your strong suit.’
All his reading had told him that water was, quite rightly at the time, deemed dangerous. Washing only took place in the Middle Ages if one was unfortunate enough to fall into a river. So it was a fairly safe bet that, as the Marquise pulled down Sir Shagalot’s undergarments, a toxic cloud, possibly accompanied by blood-sucking parasites, would have assaulted her.
So, regretfully, he decided to set his novel in a different, more hygienic period. The question was which? This would mean research. The research, he realised, would have to encompass more than the historical setting. He would need experience of other erotic novels, particularly those with a historical setting. He turned to the internet.
A search for ‘historical sex’ brought 195,000,000 results in 0.25 seconds. Clearly he was not the first to think of this topic. The websites varied from encyclopaedia entries, through cases of historical sex abuse, to explicit sex sites. He tried again. This time he added the word ‘stories’. This came up with 4,906,000 results, including a wide selection of titles and collections. He started to read.
It didn’t take long before he was disgusted and appalled.
‘I don’t believe it: “He pined me down and riped off my bloomers.” Has the writer no shame? How could anybody call that literature, Noah?’ He found himself snorting again. ‘And what about this? “He managed to undone his breachers.” It isn’t even the right tense – undo, undid, undone, everybody knows that! The writer is semi-literate at best. Maybe a foreign student practising his English. A Labrador could do better. And yet this story has been viewed 46,600 times. It’s unbelievable.’
Apart from eccentric spelling, some of the punctuation left a lot to be desired. His eyes fell on the line ‘Why are you still up Anna?’ He checked the context. Yes, there was definitely a comma missing before the girl’s name; a comma that could make quite a difference to Anna. There was no doubt that the spelling and grammar were, to his eyes, far more obscene than the graphic description. But some people shock more easily than others.
Gradually, as he clicked his way through the websites, he managed to find better quality writing. As far as the period in history was concerned, there seemed to be a distinct preference for the nineteenth century. Regency romps outnumbered the others by far. The characters enjoyed names like Rafe, Marcus, Hermione or Jocasta. Maids seemed to have a particularly bad time of it. Masters were universally sadistic, mistresses of the house overwhelmingly Sapphic. As a critique of the British aristocracy, it was pretty uncompromising. The vast majority of lords, earls and duchesses of that era were kinky as hell. Orangeries, boathouses and pergolas were the venues of choice, if the dungeons were otherwise engaged. Bodices were indeed ripped, silk hose laddered and whalebone snapped. The men were, without exception, amazingly well-endowed. The women, whether willing partners or not, always capable of arousal: ‘I’m sorry, my lord, but I’ve got a headache,’ was not a common line in this genre.
An amazing amount of whipping, beating, slapping and spanking went on. Riding crops were particularly popular, although leather belts could be pressed into service if a crop was unavailable. Scented candles, mood music and gentle foreplay were spectacularly missing at that time, at least as portrayed by writers with names like Lacy Bows, Virginia Silk or Moon Love.
Those names set him thinking. He knew that a woman had written Fifty Shades of Grey. From the reviews he had read, she had aimed it at women. At first sight, it looked as though these internet stories were also the work of female writers. Was he getting out of his depth here?
‘Do we know enough about women, Noah?’
The Labrador’s interest in the opposite sex had been removed by the vet some years previously. He was going to be of little help.
‘If you can’t beat them, join them. No pun intended, old chum. What I need is some female input.’
And so it was that the idea came to him. He needed a female co-author, maybe with a name like Lacy Bows or Virginia Silk. He would place an advert.
As for himself, should he also adopt a nom de plume? If so, should it be masculine or feminine? As he intended collaborating with a woman, it seemed sensible to go with a man’s name. Indeed, the book itself should bear the names of both writers. But adopting an alias would be wise. If the book were to hit the headlines, then it might be better if the postman did not recognise him as the writer of a pile of filth.
‘Not filth, though, Noah. It’s erotica we’re purveying. This will not be a dirty book. The trick is to produce something erotic and arousing, but still tasteful. We have to ensure that we are graphic enough to titillate, but not vile enough to disgust.’
Easier said than done.
Chapter Two
He wasn’t sure what to expect. Maybe nothing, maybe a sack full of replies. As it turned out, he got nine.
Two were instant rejections.
‘“Seperate”? Now really!’ He was snorting out loud. He found himself doing that more and more these days. In the same paragraph he found another spelling mistake and several inappropriate semi-colons. The snorting grew louder. Seeing no point in progressing beyond the first paragraph, he discarded the letter. He tried the next one.
‘Oh dear lord!’ This time the Labrador opened an eye in mild surprise. Pleased at this sign of participation, he addressed his comments to the dog, something else he found himself doing more and more often of late. ‘Since when have plurals required apostrophes? Even you know that, Noah. Lynn Truss wouldn’t approve.’ This followed the same fate as the other letter.
The remaining letters looked more promising. He took them down to the kitchen and made himself a cup of tea. As he took the milk out of the fridge, his eye fell on the chocolate Hobnobs. He put the packet on the table. The dog, roused by the sound of the fridge door, materialised at his feet, Big mournful eyes focused on the biscuits. He picked up the next letter.
‘“Dear Sir/Madam”’ Only then did it occur to him he should have revealed his gender in the advert. To him it had seemed obvious. He was a man and, as such, he could only write from a male perspective. All right, he told himself, there’s such a thing as imagination. But if he were to write a work capable of catapulting him up the cresting wave of Fifty Shades of Grey, he was going to need both points of view. It was so obvious he had omitted to mention it.
The writer of this letter sounded bright, sane and interested in the project. Her literary credits were little better than his, but her CV did at least indicate a good education. She