‘Is everything all right?’ I ask.
The stranger looks at me and makes a strange smacking noise with his lips. ‘Bellissima!’ he hisses.
Something about the way his teeth grind together suggests that we may be on different wavelengths.
‘I mean with the air conditioning,’ I say.
‘Eeza very cramped,’ says the warm-blooded son of the Mediterranean.
‘I mean is it working?’ I ask.
‘Perfectly,’ says the stranger, running his fingers over his oily body in a way that I find rather disturbing. ‘I ’ear every word you say. I think I may bea able to ’elpa.’
‘You have a friend who has a large flat in Mayfair?’ says Penny.
The stranger shakes his head. ‘Napoli but notta My-flower,’ he purrs. ‘No. I refer to the bella signorina’s desire to looka after the bambini. My sister she looka for au pair girl to ’elpa the children speaka de English as good as wotta I do. One of the oldest families in Italy.’
‘The children must be grown up by now then,’ I say.
The newcomer’s brows furrow. ‘I donta meana thata,’ he says. ‘I mean thata the family have been on the Po for hundreds of years.’
His words puzzle me. ‘I’ve heard of early pot training,’ I say. ‘But this is ridiculous!’
‘He’s saying that it’s a very old established family, you fool!’ snaps Penny unkindly. ‘I’ve heard that some of these Italian ventilation engineers are very well connected.’ She shoots a glance at our visitor’s enormous bunk throbber and sucks in her breath. ‘Yes!’
‘The family palazza is neara Cremona,’ says the naked Eyetie. ‘You ’ave ’eard of eet, per’aps?’
‘The only custard I ever eat,’ I say. This is not strictly true but one tries to be kind, doesn’t one? Also, I want to keep in with our visitor. He certainly looks as if he would like to keep in with me. ‘Would you like to clean up?’ I say. ‘You’re drooping – I mean, dripping! all over the carpet.’ This man definitely knows his job because, since he emerged from the air duct, the cabin has become much fresher.
‘Thank yow,’ says the glistening spaghetti muncher. ‘A leetle shower would be nice. Also, I woulda lika to introduce myself into the middle of you.’
‘I thought you’d never ask,’ husks Penny.
‘My namea is Franco.’ He holds out his hand and then withdraws it. ‘I forgetta how dirty I ama.’
‘Never forget that,’ says Penny. ‘She’s Rosie, I’m Penny. The shower’s in the corner. Just follow your nose and your natural inclinations.’
Franco smiles his friendly Italian smile and disappears behind the screen and Penny turns to me. ‘How would you likea – I mean, like – some money to go to the pictures?’ she says.
‘But we’ve just been,’ I say. ‘There won’t be another show until tomorrow – or however long it takes them to get the chewing gum off the seats.’
‘I mean, take a powder for a few hours,’ breathes Penny. ‘I have a feeling that Franco and I could make beautiful music together.’
The Italian ventilation engineer has revealed no sign of a musical bent that I can think of, but maybe I was too busy trying to avoid looking at the unseemly bulk of his prod rod to hear everything that was said on the subject. ‘Don’t ask me to leave the cabin,’ I beg. ‘You know what it’s like out there. I wouldn’t feel safe.’
‘Gooseberry!’ snarls Penny. ‘You want him all for yourself, don’t you?’
Before I can ask her what she thinks she is talking about, Franco sticks his head through the shower curtain – so impulsive when he could easily have looked round it – and beckons to me with his soft brown eyes and a tilt of his head. ‘Excusa mea,’ he says. ‘I no seema able to worka thees theeng.’
‘Maybe the water’s been cut off,’ I say, going to his rescue. ‘It does happen sometimes. So silly when you think of how much there is round us.’
‘You ava wonderful mind,’ says Franco admiringly. ‘I never thinka of that.’
He holds the curtain to one side and I slip into the shower with him. What an amazing life he must lead. Completely naked and crawling round the ship’s ventilation system all day covered in grease. He would be marvellous for What’s My Line? I don’t think anyone would ever get him.
‘You tried turning this little knob, did you?’ I ask. It is just as well that I only have my undies on as Franco’s greasy body is pressed against mine in so many places that it would make a terrible mess of any dress I was wearing.
‘Theesa one?’ says Franco. He twists the control knob and we are both soaked in warm water. ‘Mama mia! I never think of thata. I am soa sorry. Multo disconsolato!’ I try and withdraw but his wiry brown arms pull me towards him with surprising strength. ‘I ’ave madea mark on your bowtiful skin. I musta cleansa yow.’
‘What is happening in there?’ says Penny’s irritated voice.
‘We’re just sorting out the shower,’ I say. I don’t like to tell her that Franco is working up a rich lather on my boobs. I am certain that he means well but the more soap he uses, the more he drips grease all over me and the more lather he has to make. It is a vicious circle. Funny him not knowing how to work the shower. You would think that being an engineer it would come easily. Still, perhaps being a ventilation engineer is a very specialist craft.
‘Look,’ I say. ‘I think maybe it would be better if we got you clean first.’
‘Bono idea,’ says Franco. ‘Take off panties. No want to get them dirty.’ No one can say that the man is not considerate. He has my micro-briefs down to my ankles in the twinkling of a thigh, and thoughtfully rests his foot on them so that it is easy for me to step out of them.
‘Really!’ says Penny, who has just stuck her head into the shower.
‘I thought it was the loofah,’ I say apologetically.
‘A likely story,’ says Penny. ‘I turn my back for an instant and your evil fingers are running riot in the banana plantation.’ Without pausing for breath, she peels off her blouse, pulls down her panties and steps under the shower.
‘You’re going to get dirty,’ I warn her.
‘How right you are!’ Penny grabs the soap and begins to lather enthusiastically. Franco soon has so much soap on him that he looks like a melting snowman and a glazed expression comes into his eyes. ‘A-a-h!’ he cries. ‘I thinka I gotta the bends.’
I see Penny glancing downwards. ‘I don’t think so,’ she says.
‘Eeza olda occupational hazarda of Italian ventilatione engineers,’ grunts Franco. ‘After being cramped up for so longa the body become rigid.’
I see – and feel – what Franco means. His bang stick is the only thing keeping Penny and I apart. Its giant toadstool dome is flashing like an early warning system. I have never seen anything quite like it.
‘Is it serious?’ I ask.
Franco nods. ‘Very. The pressure insida my body musta be reduced or poppa.’
‘Or poppa what?’ He has never mentioned his father before. It probably indicates the serious nature of the problem if he starts talking about his parents.