Mother Nesselbush’s fat fingers reached for Susan’s arm, and as she led her through the porch door to the living room she exclaimed, “What a lovely name! Susan! Or Sue? Which one do you like best?”
“Most folks call me Mitch,” the girl answered, and Mother Nessy said, “That’s a darling name! Mitch!”
Marsha Holmes interpreted Nessy’s wink correctly. She rushed forward immediately and checked the name tag. Then she sat beside Susan Mitchell on the divan and she talked in that mellow, soft voice. She brought the girl cool mint punch and round jelly cookies, and she punctuated every sentence with “Mitch.” Through the house she guided the girl, showing her the neat, pastel-colored rooms, the grand tile bathroom with the glass shower and tub stalls, the spotless white kitchen, the cellar with the washing machines and dryers and irons, and the closed-off section known as The Den, where Tri Eps brought their dates for ping-pong and Cokes. Soon Kitten Clark finished greeting the rushees and joined the entourage, and Marybell Van Casey followed along, and Jane Bell, the pert, efficient rush chairman, and they were all smiling and saying, “Do you like it, Mitch?,” “Wait till you see this, Mitch,” and “You are going to come back, Mitch?”
Mitch felt confident and proud. She sat at the bridge table with the Tri Eps flocking to her, and her eyes saw the wretched lanky girl in the corner near the window, alone, fumbling frantically with her purse, feigning an interest in its contents, ignored by the smooth busy figures in white. Another girl in a creamy yellow suit enjoyed the same attention Mitch received, the white formals reaching to light her cigarettes, bending to smile benignly, kneeling adoringly at her feet as she sat there in the stuffed chair and let the cool breeze from the porch ruffle her hair lightly. There was a fat girl in a red suit standing awkwardly with Mother Nesselbush in the doorway of the room, not speaking, looking fearfully at the assembly. A small, pug-nosed rushee with a flip feathered hat whispered fervently to two Tri Eps. Mitch saw them all, hearing the voices talking to her on all sides, answering and listening and watching until her eye rested on a girl standing near the piano. The girl was beautiful. Her white gown began just above her breasts and came in tight at her waist and full down to her ankles, where it ended and allowed spike-heeled silver shoes to glister clean and clear. She was picking up records from a stack there on the top of the piano, reading the labels, and dividing them into two piles. When she felt Mitch’s fixed look, she answered it and Mitch grinned, looking back quickly at Kitten, who was explaining how the Tri Epsilon house had been redecorated over the summer. For several minutes Mitch knew that the girl was staring at her now, and a warm flush rose to her face. There was something about the girl. She had never seen her before, but there was something familiar in that fast second when they had looked at one another.
In a moment the phonograph was turned on, and throughout the room girls paired off and moved to the center of the floor. Kitten grabbed Mitch’s hand. “Do you like to dance?” she asked, pulling her forward. Mitch nodded, and as they danced, Kitten held her off so that she could talk and watch Mitch’s face.
“How do you like Tri Epsilon?” she asked.
“Fine,” Mitch told her, and naïvely, “but of course, I haven’t been to the other houses yet.”
Kitten said, “You will come back, won’t you, Mitch? We all hope you’ll save your most important dates for us. Try to save two and eight.”
“I didn’t know there was a difference.”
“Yes.” Kitten smiled and pressed Mitch’s hand. “There certainly is. Will you try?”
Mitch said she would. At the hotel she had heard the rushees talk ecstatically about the Tri Eps. They were rated tops nationally, and the Cranston chapter was the leading sorority on the college campus. A hot stir of pleasure enveloped Mitch. She had not known the fear her father had known for her when she had thought of rush week, but there was always the subconscious worry that she might be too uncut and plain for sorority sophisticates. During the summer the college catalogues and booklets had come through the mail, and she had flicked through the pages, seeing the pictures of debonair, glamorous young people her own age. But not like her. Mitch knew that then—and again when Kitten talked to her and Marsha walked with her, and Marybell Van Casey sat beside her and smoked long cigarettes and talked about tennis and swimming and things Mitch understood. Still different, all of them. Mitch was aware of that fact, but she no longer pondered the differences. They liked her anyway. They wanted her to join Epsilon Epsilon Epsilon.
Jane Bell danced with Mitch. Casey. Kitten again. Marsha. The lilting lyrics of “Temptation” filled the room. Suddenly Mitch felt a wave of uncanny turbulence, relieved then when she turned and saw the girl standing next to her. The beautiful girl who had stood at the piano. Marsha laughed and said, “Mitch, I don’t think you’ve met Leda Taylor.”
Susan Mitchell was taller than Leda Taylor. Leda held her and led her along the waxed floor. Mitch was conscious of her own breathing, coming in gasps and causing her chest to heave uncomfortably against Leda’s. She smelled the faint pungent perfume that Leda wore, and her hand on Leda’s bare shoulder was hot and rough. The words to the song sounded loud in her ears, and they embarrassed her, dancing to them close to this girl.
“So you’re Susan Mitchell,” the girl said, and Mitch could not hear her own answer. She did not talk for those minutes when they were together before the music ended, and Leda Taylor did not talk again. When it was over, a note sounded on the piano, and Marsha Holmes hummed the note.
“Form the loving circle,” Marsha said. “Join hands.” Leda grasped Mitch’s hand tightly. As the Tri Eps hummed the melody, there was a slow swaying motion in the circle of girls, and when the words came, Mitch could feel Leda’s eyes on her.
“Love you, I love you,
Come be a Tri Ep girl.
Love you, I love you,
Come be an Ep-si-lon pearl.”
Mitch looked down at Leda and then away toward the French doors and the drapes and the sun outside.
“Take my hand and hold it, dear,
Let me make my message clear.
Love you, I love you,
Come be a Tri Ep girl.”
“I suppose,” Leda said when the song was finished, “that you’ll come back.”
“Yes.”
“I’ll see you then,” Leda said. She said, “I’ll see you then, and glided away while Mother Nessy ran forward to hug Mitch. “The taxis are waiting, dear,” she told Mitch, “and we have to hurry you all away. Remember, Susan, Tri Epsilon is counting on you. We hope you’re counting on Tri Epsilon.”
Past Kitten Clark and Marsha, Marybell and Jane, their “Come backs” echoing in her ears, Mitch felt the sun on her arms, heard the nervous honking of the cabs’ horns, and remembered only the green color of Leda’s eyes, and the four words, “I’ll see you then.”
That evening Marsha looked up from the stuffed peppers and the tossed salad in front of her. “I noticed you were Susan Mitchell’s partner in the loving circle this morning,” she said to Leda.
“Wasn’t my fault. I danced with her and it happened to be the last dance.”
“Well, what did you think of her?”
Leda toyed with her crust of bread, spreading the butter thickly around the edges and on the sides. “We need the silverware,” she answered.
“But the girl has possibilities, too. I mean, she certainly isn’t backward or shy.”
“I don’t know anything about the girl. I had one dance with her.”
Kitten Clark sat opposite Marsha. She clinked her fork on her plate and said, “Well, believe me, if she were anyone but Edward Mitchell’s daughter, she’d get a nice, fat, round blackball from yours truly. She’s hickey! I mean,