A little way across the hangar, Kane had just come to the same conclusion. Still in motion, he had blasted a volley of 9 mm steeljackets at the scarecrowlike figure holding the walking stick, only to see him stumble a pace back before regaining his footing, glowering at Kane with those lifeless eye sockets. Kane spun, dropping low as his leg swept the scarecrow, knocking him from his feet. The corpse’s walking stick whipped out as he fell with a ghastly hiss from peeled-back lips as black as night.
Kane continued the leg sweep, catching the woman with dreadlocks just behind her ankle. She stumbled a pace forward, but despite her apparent unsteadiness, she refused to fall. She turned on Kane then, reaching down at him with long arms as he scooted across the metal plating of the floor. Kane grunted as the woman’s hands snagged the torn front of his jacket, and she demonstrated incredible strength as she pulled him from the decking in one swift jerk.
The hideous figure of Ezili Coeur Noir let loose a deep, throaty laugh as Kane was yanked from the floor, nodding her approval as he was thrust up in the air by her dead servant. With clawlike, fleshless hands, Dreadlocks lifted Kane high over her head as her mistress laughed, and Kane tried desperately to bring his pistol up to shoot her.
Just then a stream of bullets slammed into the woman holding Kane and she stumbled back, her dreadlocks whipping around her face. Kane felt her grip loosen, and suddenly he was hurtling through the air before crashing an instant later into—and through—the glass wall of the office. Kane rolled across the office as glass shards shattered all around him. Then, bringing his gun up, he blasted a stream of fire across the remaining windows behind him, sending a burst of shattering glass at the five corpselike figures who were just turning to follow him. He watched in grim satisfaction as three of the figures dropped back to protect Ezili Coeur Noir, with only the shorter individual leaping over the barrier of the filing cabinets amid the smashing glass.
Kane engaged his Commtact, instructing his companions in a hurried explanation. “They ain’t living and they ain’t dying. Anyone have any ideas?”
The zombie he’d named Shorty was in the office now, hurrying past a doorway through which Kane could see the closed doors of an elevator, and Kane saw that he had grabbed two long shards of broken glass, wielding them like knives as he hurried at Kane. Still on the floor, Kane pushed himself back on his shoulders before springing up into a crouch and unleashing another stream of bullets at his onrushing attacker. The short zombie was knocked backward by the impact of the bullets, and he held one hand up as if to protect his ruined face.
STRUGGLING in the mantrap-like grip of the dead woman holding her ankle, Brigid Baptiste was a little too preoccupied to answer Kane’s question. The undead thing wrestled with Brigid’s foot as they lay sprawled on the floor, even as Brigid’s TP-9 blasted another burst of gunfire in her face. Kane was right; bullets were having almost no effect, and they needed some other way to deal with these deathless things.
With a determined shriek, Brigid kicked the zombie girl’s arm with her free leg, snapping the brittle bones with a determined boot. From somewhere deep in her rotting chest, the undead thing growled. Brigid ignored her, kicking out again.
GRANT WAS PEPPERING the area with bullets, turning this way and that as additional corpses descended on him from all around the hangarlike room. One, a child with a wilted stump for an arm, ran straight into Grant’s line of fire, his decomposing body shaking in place as he staggered closer to the ex-Mag.
They aren’t stopping, Grant realized, but maybe we can drive them away somehow.
THE GLASS SHARD in the zombie’s raised hand shattered under the impact of Kane’s bullets, spraying glass over the undead man’s ruinous face. Instantly, Shorty lunged out with his other hand, and Kane saw the lethal shard of glass leave the creature’s other hand and cut toward him through the air. In flinch reaction, Kane’s right hand whipped up, bullets lashing the ceiling from the muzzle of the Sin Eater as he tracked the hurtling glass knife.
His shots missed, but Kane managed to bat the lethally sharp blade out of the air with the barrel of his pistol, turning his head as the blade shattered into a dozen smaller, onrushing blades. Then Shorty was upon him, and Kane saw the other corpses clambering over the filing cabinets as they followed the most direct route to assist their companion.
THE CORPSE CHILD grabbed the end of Grant’s Sin Eater, shuddering in place, ignoring the stream of bullets that drilled through his tiny hand. His other arm, withered to something like a twig-thin branch, jabbed at Grant, stabbing him in his side so hard he felt it through the protective weave of his shadow suit.
With a single mental command, Grant sent his pistol back to its housing in his sleeve, and the corpse child stumbled as he lost his grip. Grant was ready, however, and he drove the hard end of his bent knee straight into the undead child’s face, knocking him to the floor.
An instant later Grant was turning, shoving another walking corpse aside as he sprinted toward the far side of the room, away from the glass-walled office.
“Kane, Brigid—hang tight,” Grant ordered over the Commtact. “I just had an idea.”
“Make it quick,” Kane responded as he threw the attacking zombie over a desk, knocking a bulbless lamp and an empty filing tray flying.
Behind Kane, three more undead figures were making their way toward him in their unwieldy but determined manner, the one with the black walking stick thrusting it in front of him like some kind of sword.
BRIGID LEAPED from the floor, the undead woman’s hand still clutching at her ankle. It didn’t matter as Brigid’s second kick had wrenched the rotten limb free of its socket, and now she dragged the hand and arm along with her as she ran back to the crates where she and Grant had hidden. Behind Brigid, the fleshless woman flapped her remaining arm as she struggled to pull herself up from the floor, moving with all the grace of a drowning man.
Brigid shoved her TP-9 back into her low-slung hip holster, reached for the crowbar resting atop the crates.
As the corpse woman staggered toward her, maggots visibly writhing in the stump now hanging in place of her arm, Brigid lashed backward with the crowbar, smashing it against the corpse’s face with all her strength. The undead creature rocked on her heels, and Brigid kicked out hard into the corpse’s pelvis, forcing her backward. Then Brigid swung the crowbar once more, this time from low to the floor, bringing the metal tool up in a vicious arc that rammed the claw end straight into the woman’s ruined face.
The corpse-thing whined in some approximation of pain or surprise—Brigid didn’t know which—and stumbled backward, pulling at the metal bar now lodged in her face.
Bunching her fists, Brigid took a pace toward the stumbling undead woman, preparing to knock her down once more, only to hear a growling noise from far off across the hangar bay. But this time the growling wasn’t coming from a recently dead thing’s long-dry throat. Instead it was coming from an engine as Grant started up the artillery truck that had waited in the redoubt for over two hundred years.
Sitting in the cab, Grant pumped the accelerator and the truck rumbled to life around him. The vehicle was rusted and worn, and all four tires were flat as road kill, but at least it operated along the same basic principles as the Sandcats he had driven back in his days with the Cobaltville Magistrate Division.
The corpse figure of a man was slammed against the hood and disappeared from view beneath the body of the truck as the vehicle picked up speed.
As he urged the artillery truck across the metal decking toward the distant glass walls of the office-lab, Grant glanced out to his right and his eyes met with Brigid’s. The corpse-thing with the crowbar in her face sinking to her knees in front of her.
“Want