‘You never know what may turn out to be important,’ he told Neil. ‘A trifling detail seen here, but forgotten later, might just be the key I’ll be looking for in my work. The investigator must be alert at all times and record what he can. It might seem daft and over-meticulous, but you have to be thorough and not leave any holes for the sceptics to pick at. I pride myself that no one could accuse me of being slipshod. Everything is written up and filed. No half measures for me. I’ve got a whole room filled with dossiers and indexes back home up north, accounts and news clippings of each case I’ve had a hand in. It was the Northern Echo what first called me a ghost hunter, although … Blimey – would you look at this!’
They had climbed the stairs to the first floor where great glass cases, like huge fish tanks, covered the walls of a long passage, making the way unpleasantly narrow. Neil did not like this corridor, for every cabinet contained a forlorn-looking specimen of the taxidermist’s macabre art.
They were the sad remnants of the once fabulous menagerie of Mr Charles Jamrach, the eccentric purveyor of imported beasts, whose emporium in the East End of London had housed a veritable ark of animals during Victorian times. After both he and his son had died, the last of the livestock was sold off and a portion of it had eventually found its way into The Wyrd Museum.
Stuffed baboons and spider monkeys swung from aesthetically arranged branches. A pair of hyenas with frozen snarls looked menacing before an African diorama, incongruous next to an overstuffed, whiskery walrus gazing out with large doe eyes. In the largest case of all, a mangy tiger peered from an artificial jungle.
In spite of the fact that the cases were securely sealed, a fine film of dust coated each specimen and the tiger’s fur crawled with an infestation of moths.
Shuddering upon Neil’s shoulder, Quoth stared woefully at the crystal domes which housed exotic, flame-coloured birds, and whimpered with sorrow at the sight of a glorious peacock, the sapphires and emeralds of its tail dimmed by an obscuring mesh of filthy cobwebs.
‘Alack!’ he croaked. ‘How sorry is thy situation – most keenly doth this erstwhile captive know the despond of thine circumstance.’
‘Your raven isn’t comfortable here,’ Mr Pickering commented. ‘I don’t blame him. The Victorians had a perverse passion for displaying the creatures they had slaughtered. Disgusting, isn’t it? Beautiful animals reduced to nothing more than trophies and conversation pieces. You might as well stick a lampshade on them, or use them as toilet-roll holders.’
‘I’m not keen on this bit, either,’ Neil agreed, pushing open a door. ‘If we go through here we can cut it out and go around. There’s more galleries this way – even an Egyptian one.’
Leaving the glass cases and their silent, staring occupants behind them, they continued with the tour. It was nearly lunchtime and Neil was ravenous, remembering he hadn’t eaten anything since the previous day. But the boy wanted to show Mr Pickering one room in particular.
Eventually they arrived at the dark interior of The Egyptian Suite and the old man gazed at the three sarcophagi it contained. ‘Not satisfied with parrots and monkeys,’ he mumbled in revulsion. ‘Even people are put on display. Is it any wonder the atmosphere is filled with so much pain?’
But Neil was anxious for the man to enter the adjoining room, for here was The Separate Collection.
Moving away from the hieroglyphs and mummies, Mr Pickering followed his young guide, but the moment he stepped beneath the lintel of the doorway which opened into The Separate Collection, he gave a strangled shriek and fell back.
‘What is it?’ Neil cried. The man looked as though he was going to faint.
Mr Pickering shooed him away with a waggle of his small hands and staggered from the door, returning to the gloom of The Egyptian Suite.
‘Can’t … can’t go in there!’ he choked.
Neil stared at him in dismay. He hadn’t been expecting such an extreme reaction. The man’s face was pricked with sweat and his eyes bulged as though his regimental tie had become a strangling noose.
Blundering against the far wall, Austen Pickering’s gasping breaths began to ease and he leaned upon one of the sarcophagi until his strength was restored.
‘My, my,’ he spluttered at length. ‘How stupid. Austen, old lad, you should’ve expected it. You told yourself there had to be one somewhere. Oh, but I never dreamed it would be so … well, there it is.’
Quoth fidgeted uncertainly. ‘Squire Neil,’ he muttered, ‘methinks yon fellow may prove a swizzling tippler. The ale hath malted and mazed his mind.’
‘Are you all right?’ Neil asked the old man. ‘You look awful. What happened?’
Mr Pickering mopped his forehead and stared past the boy into the room beyond. ‘A fine old fool I am,’ he wheezed. ‘I’m sorry if I startled you, lad. It’s that room, I can’t enter – at least not yet.’
‘How sayest the jiggety jobbernut?’ Quoth clucked.
‘What stopped you?’ the boy asked, ignoring the raven. ‘Is it one of the exhibits?’
The ghost hunter shook his head. He had recovered from the shock and an exhilarated grin now lit his face.
‘All the classic case studies tell of them,’ he gabbled, more to himself than for Neil’s benefit. ‘Though I’ve come across the more usual cold spots before, I’ve never truly experienced this phenomenon. This really is a red-letter day.’
‘What is?’ Neil demanded.
Mr Pickering clicked his fingers as though expecting the action to organise and set his thoughts in order.
‘Occasionally,’ he explained excitedly, ‘a haunted site will have a nucleus – a centre of operations, if you like, where all the negative forces and paranormal activity begin and flow out from.’
‘And you think it’s The Separate Collection?’ Neil murmured. ‘I suppose it would make sense. There’s a lot of mad stuff in there.’
‘I’m quite certain of it. But the intensity – it’s incredible. Oho, it didn’t want me to go in, that it didn’t. It knows why I’m here and doesn’t want to let its precious spectres go. Well, we’ll see about that.’
Neil gazed into the large, shadow-filled room which lay beyond The Egyptian Suite and recalled how frightened he had been when he had first moved into The Wyrd Museum. He remembered how the building had almost seemed to be tricking him, deceiving his sense of direction – leading him round and around until finally he was delivered to that very place, where the exhibits were eerie and sinister.
A shout from Ted had put a stop to it back then, but the spirit of the airman who had possessed the stuffed toy was finally at rest.
‘Are you saying that the building is alive?’ he finally ventured. ‘Watching and listening to us?’
The old man gave a brisk shake of the head. ‘Not alive, no, not in the sense that we understand. That would imply intelligence and I wouldn’t go so far as to say that. I do believe, however, that there is a presence which permeates every brick and tile – an awareness, if you like. Call it a mass accumulation of history and anguish, recorded on to the ether, which operates on some very basic and primitive level. That is what we are up against. It is that force which feeds upon the energies of both the living and the deceased, and binds them to itself.’
Gingerly moving towards the doorway once more, the ghost hunter considered The Separate Collection and a gratified smile beamed across his craggy face. ‘This is amazing,’ he declared. ‘Absolutely amazing. There mustn’t be any more delay; the investigation proper will have to commence at once. But first things first. I’ll have to go back and fetch my equipment.’
Infected by Mr Pickering’s delight, Neil laughed. ‘What are you going to do?’ he asked. ‘An exorcism?’
The