Robert Louis Stevenson: A Biography. Claire Harman. Читать онлайн. Newlib. NEWLIB.NET

Автор: Claire Harman
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007392599
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But there was another reminder of this heritage, closer to home. One of Thomas Smith’s lamp-making projects was the design of the street lighting in Edinburgh’s New Town at the end of the eighteenth century. His parabolic reflector system quadrupled the power of oil-lit lamps and focused their beams, a revolutionary innovation that must have made the elegant Georgian streets look even more modern and sleek, even more of a contrast to the dark, narrow closes and wynds of the Old Town. And it was the successor to one of these lamps, just outside 17 Heriot Row, that Robert Louis Stevenson celebrated many years later in his poem about Leerie the Lamp-Lighter from A Child’s Garden of Verses:

       For we are very lucky, with a lamp before the door,

       And Leerie stops to light it as he lights so many more;

       And O! before you hurry by with ladder and with light,

       O Leerie, see a little child and nod to him tonight!3

      Thomas Smith’s involvement in lighthouse-building began in 1787, five years before marrying Jean Stevenson, when he was appointed engineer to the new Board of Northern Lighthouses, a post his stepson and three grandsons would hold after him. Until this time, the Scottish coastline had been one of the most dangerous in the world, so jagged and treacherous that mariners used to steer well clear of it, keeping north of Orkney and Shetland and west of the Hebrides. There were no maps or charts of the coastline before the late sixteenth century, and the first lighthouse, built in 1636 on the Isle of May in the Firth of Forth, was one of only a handful in existence before the Industrial Revolution. The Spanish Armada, forced to go north when the English blockaded the Channel in 1588, lost half its vessels around the Scottish coast because of its perilousness, and the stormy Atlantic waters continued to claim lives for centuries after.

      Smith’s stepson Robert Stevenson was a keen assistant in the works. Jean Stevenson had intended her son for the Church, but engineering and surveying were far more to his taste and he was apprenticed to his stepfather in 1791. He proved fiercely motivated; all summer he was a director of works (superintending the construction of Little Cumbrae light on the Firth of Clyde when he was still only nineteen), while in the winters he studied mathematics and sciences at the Andersonian Institute and Edinburgh University. In Records of a Family of Engineers, Robert Louis Stevenson wrote with sympathetic admiration of his grandfather’s relish for the life:

      The seas into which his labours carried the new engineer were still scarce charted, the coasts still dark; his way on shore was often far beyond the convenience of any road, the isles in which he must sojourn were still partly savage. He must toss much in boats; he must often adventure on horseback by the dubious bridle-track through unfrequented wildernesses; he must sometimes plant his lighthouse in the very camp of wreckers; and he was continually enforced to the vicissitudes of outdoor life. The joy of my grandfather in this career was strong as the love of woman.4

      The step-relationship between young Robert Stevenson and Thomas Smith was close and admiring, and it makes one wonder where Smith’s natural son, James, fitted in – if at all. Thomas Smith was twice a widower before his marriage to Jean Stevenson and had five children by the first wife (only a daughter, Jane, and the son James survived infancy) and one daughter, Mary-Anne, by the second. Little information remains about James except that he left home to found his own ironmongery business, but whether this was the result of some rift with his father is not clear. Certainly to the outside world Robert Stevenson must have looked like Smith’s favourite, possibly only, son. The bond between them became even more complicated when Robert married his stepsister Jane in 1799. As Robert’s namesake wrote years later, ‘The marriage of a man of twenty-seven and a girl of twenty, who have lived for twelve years as brother and sister, is difficult to conceive’5 – but it was legal. The union was a sort of mirror-image of the parents’: in temperament and disposition Jane resembled her pious stepmother as much as Robert did his stepfather, who was now not just parent, employer and teacher, but also father-in-law.

      Smith’s business, which built not only lighthouses but roads, bridges and harbours, set an intimidating example of industry and efficiency that Robert Stevenson was happy to match, or outdo. He became a full partner in 1800, the year after his marriage, and the next year went south to see for himself some of the English lighthouses and get ideas for the improvement of the firm’s designs, especially from John Smeaton’s handsome pharos at Eddystone. Stevenson’s additions to Thomas Smith’s work included adding silvered reflectors to the lights, experimenting with different oils and types of burner (he opted for a variant on the new Argand lamps that had glass chimneys above the flame, and which became standard in Victorian domestic interiors). He also tried to get the reflectors to revolve so that the lights seemed to flash (to make the lighthouse beacons easily distinguishable from lights on shore or at sea).

      His ingenuity was great, and so was his ambition; in fact Stevenson turned out to be a ruthlessly single-minded man and greedy of fame. In the early years of the new century he became absorbed by the challenge of building a light on the Bell Rock, the notoriously dangerous reef in the North Sea twelve miles southeast of Arbroath, on the northern approach to the Firth of Forth. It was formerly called Inchcape Rock, but was renamed to commemorate the warning-bell which had been put there in the fourteenth century by the safety-conscious Abbot of Arbroath. At high tide the perilous outcrop, 1,400 feet at its widest, was submerged twelve feet, a death-trap to passing ships. Public pressure on the Board to build a lighthouse had met with little success, even after the loss of the warship York with all hands in the gales of 1799. The cost of the lighthouse programme had finally caught up with the Commissioners, and in any case they considered the Bell Rock simply too dangerous and difficult a location to build on. Their objections were music to the ears of young Stevenson, who relished the chance to overcome the obstacles involved; he surveyed the site independently and conducted a long campaign of letters to the Board, making the vaunting claim that his projected Bell Rock lighthouse was ‘a work which cannot be reduced to the common maxims of the arts and which in some measure stands unconnected to any other branch of business’.6

      Stevenson’s lobbying seemed to have paid off when a Bill authorising construction of a lighthouse on the Bell Rock was passed in 1806, but it was not his design that the NLB chose, nor him as chief engineer: that honour went to John Rennie. Stevenson’s pride was given an extra knock by his appointment as Rennie’s assistant, but instead of making a loud protest he decided to get his own way by subtler means. Over the years it took to build the lighthouse, during which Stevenson was always on site and Rennie rarely, he took over the project bit by bit, and by the time it was finished, in February 1811, he had not only done almost all the work of the chief engineer but had amassed most of the credit too. God-like, he named various parts of the reef after himself, his father-in-law, the head workmen and – strategically – the Commissioners of the