Robert Louis Stevenson: A Biography. Claire Harman. Читать онлайн. Newlib. NEWLIB.NET

Автор: Claire Harman
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007392599
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of behaviour and dress was, of course, his father. Thomas Stevenson was always begging his son to go to the tailor, but when Louis finally succumbed and had a garment made, he chose a dandyish black velvet smoking jacket. He wore this constantly, so it soon lost whatever smartness it had: it was totemic, marking perfectly his difference from the waistcoated and tailed bourgeois of Edinburgh. It declared that although young Stevenson was sometimes confusable with a privileged brat from the New Town, his real milieu was the Left Bank, his true home among artists, connoisseurs, flâneurs.* And in the sanded back-kitchen of the Green Elephant, the Gay Japanee or the Twinkling Eye, ‘Velvet Coat’ became his nickname; the boy of genius, perhaps even the poète maudit.

      For a person brought up in such fear for his soul, Stevenson displayed a remarkable fund of basic common sense about sex. Despite their piety, neither of his parents was a prude, and his father’s generous opinions about fallen women predisposed the son to think well of this class of female. Stevenson lost his virginity to one of them while still in his teens, and probably had relations with many more, as this fragment from his 1880 autobiographical notes makes clear:

      And now, since I am upon this chapter, I must tell the story of Mary H –. She was a robust, great-haunched, blue-eyed young woman, of admirable temper and, if you will let me say so of a prostitute, extraordinary modesty. Every now and again she would go to work; once, I remember, for some months in a factory down Leith Walk, from which I often met her returning; but when she was not upon the streets, she did not choose to be recognised. She was perfectly self-respecting. I had certainly small fatuity at the period; for it never occurred to me that she thought of me except in the way of business, though I now remember her attempts to waken my jealousy which, being very simple, I took at the time for gospel. Years and years after all this was over and gone, when I was walking sick and sorry and alone, I met Mary somewhat carefully dressed; and we recognised each other with a joy that was, I daresay, a surprise to both. I spent three or four hours with her in a public-house parlour; she was going to emigrate in a few days to America; we had much to talk about; and she cried bitterly, and so did I. We found in that interview that we had been dear friends without knowing it; I can still hear her recalling the past in her sober, Scotch voice, and I can still feel her good honest loving hand as we said goodbye.46

      His respectful, even loving, manner must have endeared him to the tarts of the Old Town and encouraged him to develop what was already strong – a romantic sensuousness. He was clearly rather sentimental about women, although he had no neuroses about his dealings with them. But bringing his sexual experience to bear in his writing was another matter altogether.

      Prostitutes weren’t the only kind of women that Stevenson associated with; he had plenty of pretty and spirited girl-cousins (there is more than a touch of gallantry in his letters to his cousin Henrietta Traquair), and liked to practise his charm on friends’ sisters. A ‘lady with whom my heart was [ … ] somewhat engaged’ dominated his thoughts in the winter of 1870,47 and if his poems of the time reflect actual experiences, she may have been the girl with whom he played footsie at church (‘You looked so tempting in the pew’48), or the one with whom he skated on Duddingston Loch:

      You leaned to me, I leaned to you, Our course was smooth as flight

       We steered – a heel-touch to the left,A heel-touch to the right.

       We swung our way through flying men,Your hand lay fast in mine,

       We saw the shifting crowd dispart,The level ice-reach shine.

       I swear by yon swan-travelled lake,By yon calm hill above,

       I swear had we been drowned that dayWe had been drowned in love. 49

      Stevenson later admitted to having considered marrying one of the Mackenzie girls (who were neighbours of his engineering professor, Fleeming Jenkin), or Eve, the sister of his friend Walter Simpson, among whose possessions was a lock of the author’s hair. But on the whole he was little attracted to ladylike girls, for reasons suggested by this passage in his 1882 essay, ‘Talk and Talkers’:

      The drawing-room is, indeed, an artificial place; it is so by our choice and for our sins. The subjection of women; the ideal imposed upon them from the cradle, and worn, like a hair-shirt, with so much constancy; their motherly, superior tenderness to man’s vanity and self-importance; their managing arts – the arts of a civilised slave among good-natured barbarians – are all painful ingredients and all help to falsify relations.50

      Loose fish is better than cold fish (the accusation often aimed at Colvin himself), and however uninhibited Louis was about sex, he retained high notions about chivalry and ‘what is honorable in sentiment, what is essential in gratitude, or what is tolerable by other men’52 in regard to women. This did not include political rights, however. When there were student disturbances in Edinburgh late in 1870 over the admission of women to medical classes, Stevenson wrote to his cousin Maud that he had little sympathy with the ‘studentesses’ who had been hissed at and jostled: ‘Miss Jex-Blake [the lead campaigner] is playing for the esteem of posterity. Soit. I give her posterity; but I won’t marry either her or her fellows. Let posterity marry them, if posterity likes – I won’t.’53 He was to revise his views about New Women somewhat in the coming years.

      Stevenson was often subject to fits of morbid melancholy during these years, and wrote to Bob of aimless days looking for distractions, trying to buy hashish, thinking about getting drunk, or hanging round Greyfriars churchyard for hours at a time ‘in the depths of wretchedness’,54 reading Baudelaire, who, he told Bob, ‘would have corrupted St Paul’. The exquisitely self-tormenting notion struck him that he might have already used himself up, that his imagination was, in the potent word of the time, ‘spent’. Alone in an inn at Dunoon in the spring of 1870, he wrote a notebook entry which explicitly links this idea of ‘over-worked imagination’ with the addictive effects of drug-taking:

      He who indulges habitually in the intoxicating pleasures of imagination, for the very reason that he reaps a greater pleasure than others, must resign himself to a keener pain, a more intolerable and utter prostration. It is quite possible, and even comparatively easy, so to enfold oneself in pleasant fancies, that the realities of life may seem but as the white snow-shower in the street that only gives a relish to the swept hearth and lively fire within. By such means I have forgotten hunger, I have sometimes eased pain, and I have invariably changed into the most pleasant hours of the day those very vacant and idle seasons which would otherwise have hung most heavily upon my hand. But all this is attained by the undue prominence of purely imaginative joys, and consequently the weakening and almost the destruction of reality. This is buying at too great a price. There are seasons when the imagination becomes somehow tranced and surfeited, as it is with me this morning; and then upon what can one fall back? The very faculty that we have fostered and trusted has failed us in the hour of trial; and we have so blunted