The Duchess. Amanda Foreman. Читать онлайн. Newlib. NEWLIB.NET

Автор: Amanda Foreman
Издательство: HarperCollins
Серия:
Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007372683
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      Georgiana’s mother had delicate cheekbones, auburn hair and deep brown eyes which looked almost black against her pale complexion. The fashion for arranging the hair away from the face suited her perfectly. It helped to disguise the fact that her eyes bulged slightly, a feature which she passed on to Georgiana. She was intelligent, exceptionally well read and, unusually for women of her day, she could read and write Greek as well as French and Italian. A portrait painted by Pompeo Batoni in 1764 shows her surrounded by her interests: in one hand she holds a sheaf of music – she was a keen amateur composer – near the other lies a guitar; there are books on the table and in the background the ruins of ancient Rome, referring to her love of all things classical. ‘She has so decided a character,’ remarked Lord Bristol, ‘that nothing can warp it.’11

      Her father, Stephen Poyntz, had died when she was thirteen, leaving the family in comfortable but not rich circumstances. He had risen from humble origins – his father was an upholsterer – by making the best of an engaging manner and a brilliant mind. He began his career as a tutor to the children of Viscount Townshend and ended it a Privy Councillor to King George II. Accordingly, he brought up his children to be little courtiers like himself: charming, discreet and socially adept in all situations. Vice was tolerated so long as it was hidden. ‘I have known the Poyntzes in the nursery,’ Lord Lansdowne remarked contemptuously, ‘the Bible on the table, the cards in the drawer.’

      The first years of their married life were happy. The Duke of Queensberry, known as ‘Old Q’, declared that the Spencers were ‘really the happiest people I ever saw in the marriage system’. They delighted in each other’s company and were affectionate in public as well as in private. In middle age, Lady Spencer proudly told David Garrick, ‘I verily believe that we have neither of us for one instant repented our lot from that time to this.’12 They had ‘modern’ attitudes both in their taste and in their attitude to social mores. Their daughter Harriet recorded an occasion when Lord Spencer took her to see some mummified corpses in a church crypt because ‘it is foolish and superstitious to be afraid of seeing dead bodies’.13 Another time he ‘bid us observe how much persecution encreased [the] zeal for the religion [of the sect] so oppressed, which he said was a lesson against oppression, and for toleration’.14

      The Spencers were demonstrative and affectionate parents. ‘I think I have experienced a thousand times,’ Lady Spencer mused, ‘that commendation does much more good than reproof.’15 She preferred to obtain obedience through indirect methods of persuasion, as this letter to eleven-year-old Georgiana shows: ‘I would have neither of you go to the Ball on Tuesday, tho’ I think I need not have mentioned this, as I flatter myself you would both chose rather to go with me, than when I am not there …’16 It was a sentiment typical of an age influenced by the ideas of John Locke and Jean Jacques Rousseau, whose books had helped to popularize the cult of ‘sensibility’. In some cases the new, softer attitudes ran to ridiculous excesses. James Boswell, who was himself a tolerant father, complained that his dinner party was ruined when the Countess of Rothes insisted on bringing her two small children, who ‘played and prattled and suffered nobody to be heard but themselves’.17

      Georgiana’s education reflected her parents’ idea of a sound upbringing. During the week a succession of experts trooped up and down the grand staircase to the bare schoolroom overlooking the courtyard. There, for most of the day, Georgiana studied a range of subjects, both feminine (deportment and harp-playing) and practical (geography and languages). The aim was to make her polished but not overly educated. The royal drawing-master and miniaturist John Gresse taught her drawing. The composer Thomas Linley, later father-in-law to the playwright Richard Sheridan, gave her singing lessons. The distinguished orientalist Sir William Jones, who was preparing her brother George for Harrow, taught her writing. She also learned French, Latin, Italian, dancing and horsemanship.18 Everything came easily to her, but what delighted Georgiana’s mother in particular was her quick grasp of etiquette. Lady Spencer’s own upbringing as a courtier’s daughter made her keenly critical of Georgiana’s comportment in public; it was almost the only basis, apart from religion, on which she judged her, praised her and directed her training.

      Lady Spencer’s emphasis on acquiring social skills encouraged the performer in Georgiana. In quiet moments she would curl up in a window seat in the nursery and compose little poems and stories to be recited after dinner. She loved to put on an ‘evening’ and entertain her family with dramatic playlets featuring heroines in need of rescue. While Georgiana bathed in the limelight, George concentrated on being the dependable, sensible child who could be relied upon to remember instructions. Harriet, despite being the youngest, enjoyed the least attention of all. Perhaps in another family her obvious sensitivity and intelligence would have marked her out as a special child. But with a precocious and amusing sister and model brother, the shy Harriet shruggled to attract her parents’ notice. She attached herself to Georgiana, content to worship her and perform the duties of a faithful lieutenant. Even here poor Harriet often had to compete with George. He was proud of Georgiana’s talent and at Harrow would show round the verse letters he had received from her. ‘By this time there is not an old Dowager in or about Richmond that has not a copy of them; there’s honour for you!’ he informed her. On one occasion he imagined the two of them achieving fame by publishing her letters under the title, ‘An epistle from a young lady of quality abroad to her Brother at School in England’.19

      Georgiana could think of nothing more delightful than a public exhibition of her writing. Despite being the clear favourite of the family she was anxious and attention-seeking, constantly concerned about disappointing her parents. ‘Although I can’t write as well as my brother,’ she told them plaintively when she was seven, ‘I love you very much and him just as much.’20 Adults never failed to be charmed by Georgiana’s lively and perceptive conversation and yet she valued their praise only if it made an impression on her mother and father. Her ability to attract notice pleased Lady Spencer as much as its origins puzzled her: ‘Without being handsome or having a single good feature in her face,’ she remarked to a friend, ‘[she is] one of the most showy girls I ever saw.’21 Lady Spencer never understood her daughter’s need for attention or its effect on her development. In later years, when forced to examine her part in Georgiana’s misfortunes, she blamed herself for having been too lenient a parent.

      In 1763, when Georgiana was six, the stability she had enjoyed came to an abrupt end when the Spencers embarked on a grand tour. Lord Spencer had trouble with his lungs and his invalid condition made him bad tempered. Lady Spencer, worn down by his moods, urged him to rest and heal in the warmer climate of the Continent. Most of their friends were going abroad. Britain had been at war with France for the previous seven years and, although the fighting had largely taken place in outposts – in Canada, India and the Caribbean – visits across the Channel were severely curtailed. With the advent of peace, travel