‘Shorter,’ reminded Pascoe. ‘My dentist.’
‘Not one for us. Mention it to Sergeant Wield, though. How’s he shaping?’
‘All right, I think.’
‘Shown his face at the Calli, has he? That’s why I picked him, that face. He’ll never be a master of disguise, but, Christ, he’ll frighten the horses!’
This was a reference to (a) Sergeant Wield’s startling ugliness and (b) the Superintendent’s subtle tactic for satisfying both parties to a complaint. The Calliope Kinema Club had opened eighteen months earlier and after an uneasy period as a sort of art house it had finally settled for a level of cine-porn a couple of steps beyond what was available at Gaumonts, ABCs and on children’s television. All might have been well had the Calli known its place, wherever that was. But wherever it was, it certainly wasn’t in Wilkinson Square. Unlike most centrally situated monuments to the Regency, Wilkinson Square had not relaxed and enjoyed the rape of developers and commerce. Even the subtler advances of doctors’ surgeries, solicitors’ chambers and civil servants’ offices had been resisted. It was true that some of the larger houses had become flats and one had even been turned into a private school which for smartness of uniform and eccentricity of curriculum was not easily matched, but a large proportion of the fifteen houses which comprised the Square remained in private occupation. Even the school was forgiven as a necessary antidote to the creeping greyness of post-war education based on proletarian envy and Marxist subversion. No parent of sense with a lad aged six to eleven could be blamed for supporting this symbol of a nation’s freedoms, whatever the price. The price included learning to add in pounds, shillings and pence and being subjected to Dr Haggard’s interesting theories on corporal punishment, but it was little to pay for the social kudos of having a Wilkinson House certificate.
What inefficiency and paedophobia could not achieve, inflation and a broken economy did, and in the mid-seventies so many parents had a change of educational conscience that the school finally closed. The inhabitants of Wilkinson Square watched the house with interest and suspicion. The best they could hope for was expensive flats, the worst they feared was NALGO offices.
The Calliope Kinema Club was a shattering blow cushioned only by the initial incredulity of those receiving it. That such a coup could have taken place unnoticed was shock enough; that Dr Haggard could have been party to it defied belief. But it had and he was. His master stroke had been to change the postal address of the building. Wilkinson House occupied a corner site and one side of the house abutted on Upper Maltgate, a busy and noisy commercial thoroughfare. Here, down a steep flight of steps and across a gloomy area, was situated the old tradesman’s entrance through which postal and most other deliveries were still made. Dr Haggard requested that his house be henceforth known as 21A Upper Maltgate. There was no difficulty, and it was as 21A Upper Maltgate that the premises were licensed to be used as a cinema club while the vigilantes of the Square slept and never felt their security being undone.
But once awoken, their wrath was great. And once the nature of the entertainments being offered at the Club became clear, they launched an attack whose opening barrage in the local paper was couched in such terms that applications for membership doubled the following week.
Legally the Club was in a highly defensible position. The building satisfied all the safety regulations and the Local Authority had issued a licence permitting films to be shown on the premises. The films did not need to be certificated for public showing, though many of them were, and even those such as Droit de Seigneur which were not had so ambiguous a status under current interpretation of the obscenity laws that a successful prosecution was most unlikely.
In any case, as the Wilkinson Square vigilantes bitterly pointed out, Haggard clearly had strong support in high places and they had to content themselves with appealing against the rates and ringing the police whenever a car door slammed. Most of them hadn’t known whether to raise a radical cheer or a reactionary eyebrow when WRAG, the Women’s Rights Action Group, had joined the fray. Sergeant Wield, who had been given the job of looking into complaints from both sides, was summoned by Haggard and later three members of WRAG, including Ms Lacewing, Jack Shorter’s partner, were fined for obstructing the police in the execution, etc. This confirmed the vigilantes’ instinct that the rights of women and the rights of property owners had nothing in common and a potentially powerful alliance never materialized. But the pressures remained strong enough for Sergeant Wield to be currently engaged in preparing a full report on the Calli and all complaints against it. Pascoe felt a little piqued that his own contribution was being so slightingly dismissed.
‘So I just ignore Shorter’s information?’ he said.
‘What information? He thinks some French bird got her teeth bust in a picture? I’ll ring the Sûreté if you like. No, the only thing interests me about Mr Shorter is he likes dirty films.’
‘Oh come on!’ said Pascoe. ‘He went along with a friend. Where’s the harm? As long as it doesn’t break the law, what’s wrong with a bit of titillation?’
‘Titillation,’ repeated Dalziel, enjoying the word. ‘There’s some jobs shouldn’t need it. Doctors, dentists, scout-masters, vicars – when any of that lot start needing titillation, watch out for trouble.’
‘And policemen?’
Dalziel bellowed a laugh.
‘That’s all right. Didn’t you know we’d been made immune by Act of Parliament? They’ve got a council, these dentists? No doubt they’ll sort him out if he starts bothering his patients. I’d keep off the gas if I were you.’
‘He’s a married man,’ protested Pascoe, though he knew silence was a marginally better policy.
‘So are wife-beaters,’ said Dalziel. ‘Talking of which, how’s yours?’
‘Fine, fine,’ said Pascoe.
‘Good. Still trying to talk you out of the force?’
‘Still trying to keep me sane within it,’ said Pascoe.
‘It’s too bloody late for most of us,’ said Dalziel. ‘I get down on my knees most nights and say, “Thank you, Lord, for another terrible day, and stuff Sir Robert.”’
‘Mark?’ said Pascoe, puzzled.
‘Peel,’ said Dalziel.
Pascoe was surprised at the range of feelings his visit to the Calliope Kinema Club put him through.
He felt furtive, angry, embarrassed, outraged, and, he had to confess, titillated. He was so immersed in self-analysis that he almost missed the teeth scene. It was the full frontal of a potbellied man wearing only a helmet and gauntlets that triggered his attention. There was a lot of screaming and scrabbling, all rather jolly in a ghastly kind of way, then suddenly there it was; the mailed fist slamming into the screaming mouth, the girl’s face momentarily folding like an empty paper bag, then her naked body falling away from the camera with the slackness of a heavyweight who has run into one punch too many. Cut to the villain, towering in every sense, with sword raised for the coup de grâce, then the door bursts open and enter the hero, by some strange quirk also naked and clearly a match for tin-head. The girl, very bloody but no longer bowed, rises to greet him, and the rest is retribution.
When the lights were switched on Pascoe, who had arrived in the dark, looked around and was relieved to see not a single large hat. The audience numbered about fifty, almost filling the room, and were of all ages and both sexes, though men predominated. He recognized several faces and was in turn recognized. There would be some speculation whether his